Take specific poems as an example to illustrate how much Li Bai was influenced by Qu Yuan or Chu Ci.

As an outstanding poet and thinker in the history of Chinese literature, Qu Yuan's influence on later generations of literary creation and thought not only runs through folk myths and cultural traditions, but also deeply imprints on the works of many famous writers, Li Bai is one of them.

First of all, Qu Yuan had a profound influence on Li Bai's poetry. On the one hand, Qu Yuan's poetry creation style is well-known at home and abroad for its graceful, bold, subtle and profound connotations. Qu Yuan's romanticism, anxiety about the motherland and the nation, and profound thinking about the philosophy of life all provided inspiration and inspiration for Li Bai's poetry creation.

On the other hand, Qu Yuan's ingenious techniques in artistic expression, such as the construction of imagery and the expression of artistic conception, also deeply influenced Li Bai's creative style, making Li Bai's poems naturally mellow, grandiose, and rich in meaning, and even the form of poetry was also influenced by Qu Yuan.

Secondly, Qu Yuan also played an important role in Li Bai's thinking and outlook on life. Qu Yuan's political career experience, exploration of the nature of human nature, and thoughts on royal power and civil rights have inspired Li Bai's understanding of life and humanitarianism. In Li Bai's poetry, he also expressed his concern for social politics, his love for freedom and equality, and his enthusiasm for natural life, all of which reflected the influence of Qu Yuan's thought in Li Bai's literature.

In short, Qu Yuan, as a giant in the history of Chinese literature, has played an important role in Li Bai's poetry creation and ideological cognition. As the source of literary creation and inspiration for later generations, Qu Yuan's contribution and status are irreplaceable.

If memory serves, it's romanticism.

I won't, I'm doing it.

The topic is exactly the same.

"Chu Ci", I hope it can help you.

Chu Ci, also known as "Chu Ci", is a poetic style created by Qu Yuan, a great poet of the Warring States Period. The work uses the literary style and dialect rhyme of Chu (now the area of the two lakes) to describe the mountains and rivers, characters and historical customs of Chu, and has strong local characteristics. During the Han Dynasty, Liu Xiang compiled Qu Yuan's works and Song Yu's works "inherited from Qu Fu" into a collection called "Chu Ci".

And it has become a collection of poems that has a profound impact on Chinese literature after the Book of Songs. It is also the first collection of romantic poetry in China.

In terms of poetry genre, it is a new poetic genre created by poets represented by Qu Yuan in the late Warring States period on the basis of Chu folk songs. In terms of the name of the collection, it is a collection of poems in the style of "Chu Ci" compiled by Liu Xiang of the Western Han Dynasty on the basis of his predecessors, including the works of Qu Yuan and Song Yu of the Chu people of the Warring States Period, as well as the imitation works of Jia Yi, Huainan Xiaoshan, Yan Ji, Dongfang Shuo, Wang Bao and Liu Xiang in the Han Dynasty. The name of "Chu Ci" was first seen in "Historical Records: The Biography of Cool Officials".

It can be seen that this name existed in the early Han Dynasty at the latest. Its original meaning was to refer to the lyrics of Chu in general, and it became a special term later, referring to the new poetry style represented by the creation of Qu Yuan of Chu during the Warring States Period.

Qu Yuan was a poet, and it was from him that China had writers who were famous for their literature. He founded the literary style of "Chu Ci" (also known as "Sao Ti"), which is known as "the person who is clothed and lyrical, not a generation". He was the earliest romantic poet in China and the first great patriotic poet in the history of Chinese literature to leave his name.

His appearance marked the beginning of a new era of Chinese poetry from collective singing to individual singing.