Please have a friend translate the epitaph of Bai Juyi written by Li Shangyin

Tomb of Li Bai. Quarrying the Li Bai grave by the river, the infinite grass and clouds around the field.

Poor barren and poor spring bones, there was an earth-shattering text.

But how thin the poet is, he will not be able to fall into the king.

Notes] Quarrying: Quarrying Mountain, a Niuzhu Mountain, is thirty miles north of Dangtu County, Taiping Prefecture (now south of Ma'anshan, Anhui). There is a mound of Li Bai under the quarrying mountain.

Poor Spring: Nine Springs, in the tomb.

But: Everything, as long as it is.

Middle: Where.

Comment] If you want to talk about Li Bai's poems, it is probably difficult to surpass Du Fu's "Dream Li Bai" and "Spring Memories of Li Bai" artistically. This poem is different from Du Fu's emotions at that time, and only uses Li Bai's tomb to express the feeling of "the poet's thin life", and the theme is bright. "The pen falls into a storm, and the poem becomes a crying ghost and god" (Du Fu's "Sending Li Twelve Bai Twenty Rhymes"), Li Bai's articles before his death were earth-shattering, but he lived by the river behind him, accompanied by the wild grass.

Pitiful" and "there were", the strong contrast and contrast before and after his death, the meaning of decline has been deeply contained in it, and the last two sentences point out the theme of hanging sentimentality, and express its meaning directly. Another version of this poem has two more sentences at the end: "Zhu Ping Creek Algae is still a blind recommendation, and the elegant legacy is no longer heard."

It is mostly called a posterity supplement, and Gai wants to sublimate the sentimentality and deepen the connotation of the poem.

Li Bai's Tomb [Tang Dynasty] Bai Juyi quarries Li Bai's tomb by the river, and the grass and clouds are infinite around the field. Poor barren ridges and poor spring bones, there was an earth-shattering text. But no matter how thin the poet's life is, he will not be able to fall into the king.

Mourning, Translation and CommentaryTranslationsLi Bai's grave is on the edge of the quarry river, and the weeds around the cemetery are spreading wantonly to the sky. Sadly, the dry bones in the deep cave of this desolate tomb once wrote earth-shattering poems when he was still alive. But most of the outstanding poets have a bad fate, but which one's fate is as bumpy and tragic as Li Bai?

CommentTomb of Li Bai: Li Bai, a great poet of the Tang Dynasty, died in Dangtu (now Anhui), was buried in Longshan for the first time, and was buried in Qingshan in the first month of the twelfth year of Yuanhe (817). Now Anhui Ma'anshan South Quarry Mountain Quarry Town still exists cemetery site.

In the past, poets came here to chant a lot. Quarrying: that is, quarrying rock, formerly known as Niuzhu Rock, on the east bank of the Yangtze River in Ma'anshan, Anhui Province, is the northern part of Niuzhu Mountain protruding in the middle of the river, the river surface is narrower, the situation is dangerous, since the ancient Qihe is an important Jindu in the north and south of the river, it is also an important town of river defense.

According to legend, it is the place where Li Bai drowned when he was drunk and caught the moon. There are Taibai Building, Catching the Moon Pavilion and other historic sites. Tian:

Refers to a cemetery. Pathetic: Sad, pathetic.

Appreciation Li Bai's tomb is just a legend by the quarrying river, according to legend, Li Bai was dressed in a palace brocade robe, drunk quarrying rocks, because he jumped into the river to catch the moon and died, and the fisherman was buried in his clothes. Now Gongjin Village in Jiangxinzhou, Ma'anshan City, and Li Baiyi's crown mound in quarrying are named after this legend. For thousands of years, literati and writers have left many well-known sentences in quarrying, among which Bai Juyi's poem is the most famous.

The first two lines of the poem describe the surrounding environment of Li Bai's tomb, which sets off a bleak and desolate atmosphere.

Through such colorful words as "pitiful" and "once had", the jaw couplet clearly shows the contradiction between the greatness of Li Bai's poetry and the desolation of the cemetery after the death of a generation of poets, and directly expresses the poet's strong grief and indignation. The two sentences of "can be pitied" say that he is pitiful for the cold bones lying under the yellow spring in the wilderness, when he was alive in the world, he once wrote earth-shattering poems. Here, through such colorful words as "pitiful" and "once had", the contradiction between the greatness of Li Bai's poetry and the desolation of the cemetery after the death of a generation of poets and immortals is clearly displayed, and the poet's grief and indignation are directly expressed.

Background of creation.

Bai Juyi. Bai Juyi (772 846), the word Lotte. A native of Xia (now Weinan, Shaanxi), he was born in Xinzheng (now Henan).

Less menstrual disorder. Zhenyuan Jinshi, secretary of the provincial school. Xianzong Dynasty was a bachelor of Hanlin and awarded the left legacy.

Shang Shuqiu pursued and assassinated Prime Minister Wu Yuanheng**, and was demoted to Jiangzhou Sima. In his later years, he settled in Xiangshan Temple, and was called Zheng Fengmo, a monk of Xiangshan. Bai Juyi was the main advocate of the New Yuefu Movement in the Tang Dynasty, and together with Yuan Zhen, he was known as "Yuan Bai".

He advocated that "articles should be written for the time, and songs and poems should be written for things", and put this idea into his own poetry creation practice, and devoted himself to satirical poetry. And its leisurely and lyrical works have won the love and recitation of the world and future generations. The general characteristics of Bai Juyi's poetry art are that they are popular and smooth, natural and beautiful, popular but not shallow, and clear and beautiful.