-
Cantonese is the strongest language in China, with a history of nearly 3,000 years, and has always been dominant in Hong Kong, most of Guangdong Province and eastern and southern Guangxi. It grew up under overseas influence, and for a long time, the Chinese language that foreigners knew was actually Cantonese. This stems from the fact that in the early years, Cantonese people were the first to go overseas to fight the world, and the United States, Canada, and Australia are the places with the largest number of Chinese, and Cantonese is still the main language of the local Chinese.
Cantonese people and overseas Cantonese-speaking Chinese, regardless of men, women, children, and children, should pass on the vernacular Cantonese language, so that their ancestral dialects can be passed down from generation to generation, and the glory will last forever.
-
Be supportive and respectful. Each region has its own cultural customs, we can not like it, but we must respect and love it.
-
The mainland is still more yearning for Guangdong and Hong Kong culture, and I feel that they are in a state of envy.
-
Hold a supportive and positive attitude, because Hong Kong and Taiwan will always be part of China.
-
Oh, I'm a mainlander. I don't have any rejection of Hong Kong culture. And also think they're cool.
-
Yes, Cantonese is the mother tongue of Cantonese people, Cantonese people are basically the standard version, Guangxin Cangwu County Lingnan vernacular is commonly known as Cantonese cultural center We as Cantonese people have been passed down from generation to generation, in Guangxi, Guangdong, Hong Kong, Macau, Hainan, etc., and overseas Chinese like to listen to and like to speak, in the two Guangzhou, it is more widely used, basically Cantonese people speak vernacular!
-
I don't think there's anything particularly bad about these cultures, but each culture has its own strengths, so we must respect other cultures.
-
The mainland's cultural paper on Hong Kong. Positive attitude and correct point of view, not a one-piece attitude towards them.
-
It's not very acceptable. Because I can't understand it, it won't be liked by many people, and I don't think it will be too popular.
-
In Guangzhou, I was asked to speak Mandarin, and at this moment, it was like eating twenty-four flavors of herbal tea, and my heart was cold, and a group of young people had a supper but communicated in Mandarin and learned that they were all natives of Guangzhou. In a spoof.
In the past, it was called "fishing and sending" by Guangzhou people, and the anti-customer was the main one? I'm in Guangzhou, what do you have left besides the Cantonese culture that you're proud of? In Guangzhou, the birthplace of Cantonese today, please speak Mandarin, not bird language, Cantonese has been stored in the History Museum, and Lao Lao is the master of Guangzhou.
-
Each place has its own culture, and I think it's a very good way for them to communicate.
-
Inclusiveness is the Greater Chinese cultural circle.
-
Just uphold the awareness of local cultural preservation. But not now.
-
The millennium plan is to preserve the Cantonese language.
-
Be self-absorbed and be slowly marginalized in the end!
-
Hello, I don't think the decline of Cantonese pop** is no longer a valuable part of Hong Kong culture. This is because Cantonese pop still has an important place in Hong Kong culture, and it remains one of the most popular genres in Hong Kong culture. The importance of Cantonese pop in Hong Kong culture is not only reflected in the ** itself, but also in its deep connection with Hong Kong culture.
Cantonese pop is the most representative type of Hong Kong's literary and material marketing, and it integrates traditional Chinese culture and Western culture, thus forming a unique cultural style. In addition, Cantonese pop** is also the most popular genre in Hong Kong culture, and its popularity has always been high in Hong Kong culture and remains one of the most popular genres in Hong Kong culture. Therefore, the decline of Cantonese pop** does not mean that it is no longer a valuable part of Hong Kong culture, but that it is still an important part of Hong Kong culture.
-
Pop** is one of the important components of Hong Kong culture, and it is also one of the important outputs of Hong Kong culture. With the passage of time and changes in the social environment, the form and style of popular ** are also constantly changing. Cantonese pop** was once very popular in Hong Kong and made an important contribution to the development and dissemination of Hong Kong culture.
However, in recent years, with the influence of globalization, digitalization, diversification and other factors, Hong Kong's ** market has also changed, and the market share of Cantonese pop ** in Hong Kong has declined. Although the market share of Cantonese pop** has declined, it is still one of the important parts of Hong Kong culture. In addition, there are other important cultural elements in Hong Kong, such as film, food, literature, etc., which have also made important contributions to the development and inheritance of Hong Kong's culture.
Therefore, the decline of Cantonese pop** does not mean that it is no longer a valuable part of Hong Kong culture. Rather, it can be seen as an important stage in the process of continuous development and evolution of Hong Kong culture, and an integral part of Hong Kong culture.
Standing up to the sky (song: Tai Chi words: Lin Zhenqiang). >>>More
Li Keqin's flower messenger.
Liu Weihuang - never give up.
Composer: Ye Zhaozhong. >>>More
Kite with wind. Break up kindly.
Brother Leslie Cheung Cantonese version of "Silence is Golden" Chinese version of "Bright Moon Night".