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Anonymous users2024-02-06Linguistic features:
Metaphors throughout, good use of puns, skillful use of Meng's idioms, appropriate quotations, clever use of allusions, warnings, witty and humorous, bookish.
Wenzhi potato pen is round, elegant and bright:
This article is mainly narrated, interspersed with narrative and discussion, the text is undulating and circuitous, full of rhythm, and transferred naturally, in one go, showing the author's writing is old and mature.
At the same time, with his profound education, the author writes a kind of ordinary kinship emotion rich and elegant, has a bookish atmosphere, and elegantizes a kind of secular human common feelings, and well creates a father figure of a scholar and writer who is enlightened and accessible, full of arguments, humorous and witty, and elegant and bright.
Pay attention to density and elasticity, consider words, make good use of puns, skillfully use idioms, quote appropriately, use allusions, and warnings, which are full of fun; Novel and lively, bright and concise.
Article analysis. Yu Guang's essay "My Four Imaginary Enemies" writes a unique and subtle psychology of fatherly love, fully rendering and exerting a life situation that many people have this experience in their hearts but do not clearly express.
The creation of this prose realm is due to the creation of that core image, and a series of interesting "figurative narratives" that arise around the creation of this core image.
Yu Guangzhong refers to the boyfriends of his four daughters as "four imaginary enemies", vividly summarizing the inevitable and eternal contradiction between the father and his daughter's boyfriend; My father's imaginations, descriptions, and discussions about the "imaginary enemy" all came naturally; These germinations and various groups of details, together with the core of details (core imagery), organically constitute the artistic whole and artistic interest of this scholar's prose.
The prose author's personalized narrative image, intelligent prose philosophy, and emotional life realm are all revealed and established in the organic synthesis and germination of the "core imagery" and "detail chain".
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Anonymous users2024-02-051. The Muse of the Left Hand, Wen Xing, 1963.
2. "Rain in the Palm of Your Hand", Wen Xing, 1964.
3. "Getaway", Wen Xing, 1965.
4. The Faun of Wangxiang, Pure Literature, 1968.
5. The Crane Burner, pure literature, 1972.
6. Listen to the Cold Rain, Pure Literature, 1974.
7. "Qingqing Bian Sorrow", Pure Literature, 1977.
9. "Memory is as Long as Railroad Tracks", Hong Fan, 1987.
10. With a Map, Nine Songs, 1988.
11. "Calling Across the Water", Nine Songs, 1990.
12, "From the Hidden Section Xu Xiake to Van Gogh", Nine Songs, Haohong 1994.
13. "Orderly", Nine Songs, 1996.
14, "The Sun Never Sets Home", Nine Songs, 1998.
15. "The Downstream of Blue Ink", Nine Songs, 1998.
16. "Serial Scheme", Shanghai Literature and Art, 1999.
Introduction:
Yu Guangzhong was born in Nanjing in 1928 and his ancestral home is Yongchun, Fujian. 's mother is originally from Wujin, Jiangsu, so she also calls herself"Jiangnan people"。
He graduated from the Department of Foreign Languages of National Taiwan University in 1952. In 1959, he received a Master of Fine Arts degree from the University of Iowa (Lowa). He has taught at Soochow University, Taiwan Normal University, National Taiwan University, and National Chengchi University.
During this period, he was twice invited by the United States to serve as a visiting professor at many universities in the United States. In 1972, he became professor and head of the Department of Spanish at National Chengchi University, Taiwan. From 1974 to 1985, he was a professor in the Department of Chinese at the University of Hong Kong Chinese.
Since 1985, he has been a professor and chair professor at Sun Yat-sen University in Taiwan, including six years as Dean of the Faculty of Arts and Director of the Institute of Foreign Languages.
Yu Guangzhong has been engaged in poetry, prose, criticism, and translation all his life, and he claims to be his own writer"Four-dimensional space"。So far, it has been in the literary world for more than half a century, and it has been known for a wide range of times"Polygamous in art"。His literary career is long, broad and deep, and he is a contemporary poet, a prose powerhouse, a famous critic, and an excellent translator.
21 poetry collections have been published; 11 collections of essays; 5 types of commentary collections; 13 translation sets; There are more than 40 species in total. His representative works include "White Jade Bitter Melon" (poetry collection), "Memory is as Long as Railroad Tracks" (essay collection) and "On the Watershed: Commentary in the Afterglow" (Commentary Collection).
The theory of truth and reality is one of the traditional aesthetic concepts in ancient China, and is widely used in the creation and commentary of literature, painting, calligraphy, and even garden art. Literary artists throughout the ages have attached great importance to the use of the method of fiction and reality. Jin Shengxi of the Qing Dynasty believed that "it is necessary to know that the text is in the subtlety, and there is truth in pure fiction, and there is fiction in reality." >>>More
The Tragedy of the Boat, Wild Wind, 1952.
Blue Feathers, Blue Star Poetry Society, 1954. >>>More
In recent years, more than 20 books have been published in various provinces of mainland China. Yu Guangzhong's representative works include "Homesickness", "When I Die", "Waiting for You, in the Rain", and "White Jade Bitter Melon". >>>More
Yu Guangzhong, a native of Yongchun, Fujian, was born in Nanjing in 1928. During the Anti-Japanese War, he studied in Sichuan Province, and later studied at Jinling University and Xiamen University, and graduated from the Department of Foreign Languages of National Taiwan University in 1952. He received his master's degree from the University of Iowa, 1959. >>>More
Listen to what the smell of black and white in the cold rain means.