Why is the poetic eye under the Beigu Mountain that the tide is flat and the banks are wide, and the

The tide is wide on both sides of the strait, and "wide" is the result of expressing "tide level". Spring tide.

As far as the eye can see, the river seems to be level with the shore, and the vision of the people on the boat is also broadened.

This sentence is written magnificently, and the next sentence "The wind is hanging" is more and more exciting. "Hanging" is the appearance of hanging straight upright.

People don't use "smooth wind" but "positive wind" because "smooth wind" alone is not enough to ensure "smooth sailing". The wind was good, but it was fierce, and the sail was swollen into an arc. Only when it is both a tailwind and a gentle wind can the sail be able to "hang".

The word "positive" includes both "shun" and "and".

Poetry appreciation. This poem describes the author's time in Beigu Mountain in late winter and early spring in accurate and concise language.

The magnificent scenery such as green mountains and green waters, flat tides and wide shores seen when mooring down expresses the author's deep homesickness. At the beginning, it starts with a dual sentence, writing the feelings of wandering and detaining in the hometown of Shenchi; The couplet writes "tide flat" and "wind is positive" on the river, and the scene is magnificent and magnificent.

The triptych depicts the scene of the dawn sailing, which implies philosophy in the battle and gives people a positive artistic charm; The tail couplet sees the goose thinking of the family, echoing the first couplet. The whole poem is written in a natural way, the scene is distinct, the emotions are real, the scenes are blended, the style is magnificent, and it is full of rhyme, and it has always been widely recited.

In order to obtain a poetic eye, it is necessary to refine words and sentences, and it is imperative that the refined words and phrases can best express specific life situations and can most fully and truly express the poet's thoughts and emotions about these things. Moreover, such words and sentences should have the role of controlling the whole text in the key parts of the poem.

The tide is wide on both sides of the strait, and "wide" is the result of expressing "tide level". The spring tide is surging, the river is vast, and as far as the eye can see, the river seems to be level with the shore, and the vision of the people on the boat is also broadened. This sentence is written magnificently, and the next sentence "The wind is hanging" is more and more exciting.

"Hanging" is the appearance of hanging straight upright. People don't use "smooth wind" but "positive wind" because "smooth wind" alone is not enough to ensure "smooth sailing". The wind was good, but it was fierce, and the sail was swollen into an arc.

Only when it is both a tailwind and a gentle wind can the sail be able to "hang". The word "positive" includes both "shun" and "and". This sentence is quite expressive.

But not only that, as Wang Fuzhi pointed out, the beauty of this poem lies in the fact that it "conveys the god of the big scene with a small scene" ("Jiang Zhai's Poems" volume). It is conceivable that if you sail in a tortuous river, you always have to turn around, and such a small scene is rare. If you sail in the Three Gorges, even if the wind is smooth and gentle, there are still waves and surges, and such a small scene is also rare.

The beauty of the poem lies in the small scene of "the wind is hanging", and the big scenery of the open plains, the direct flow of the river, the calm waves and so on is also expressed. Take the image grand. In spring, the snow melts, the river rises, the cliff bank is wide, the wind blows strongly, and the sails are bulging, how strong!

Therefore, the tempering of the poetic eye should be based on the whole text, and the words and sentences should not be worked on in isolation, so these two sentences are poetic eyes.

The picture shown in "Under the Solid Mountain in the Second Bei" is that the spring tide is surging, the river is vast, and the river seems to be level with the shore, and the vision of the people on the boat is also broadened, and the sail is just hanging high with the wind. The poem "Under the Solid Mountain in the Second Bei" was written by the Tang Dynasty poet Wang Wan, and the original text of the poem is as follows:

Outside the green mountains of Klook, in front of the green water.

The tide is wide on both sides, and the wind is hanging.

The sea is born in the night, and the spring of the river enters the old year.

Where can I get the village book? Return to the edge of Yanluoyang.

In the vernacular, it means that the journey is outside the green mountains, and the boat is sailing on the turquoise river. The tide is full, and the water between the two banks is wide, and the sails of the boat sailing downwind are just right. The night has not faded, the rising sun has risen on the river, and in the old year, Jiangnan has the breath of spring.

I don't know when the letter sent out will arrive, and I hope that the wild geese returning from the north will be brought to Luoyang.

Extended Materials. This is a five-rhythm poem, in which the poet uses the scenery to lyrically depict the open and beautiful early spring scenery in the lower reaches of the Yangtze River, expresses the poet's love for the mountains and rivers of the motherland, reveals the poet's sincere feelings of homesickness, and also expresses the poet's thoughts and feelings of missing his hometown and relatives.

The poem begins with a dual sentence, "Klook", which refers to the way the author is going. "Qingshan" is "Beigu Mountain" in the title. The author is heading towards the "green water" unfolding in front of him, heading towards the "green mountain" and the distant "Klook" beyond the "green mountain".

Later, he wrote "Xingzhou", and through the small scene of "the wind is hanging with a sail", the big scenery of the open plains, the direct flow of the river, the calm waves and so on is also expressed.

Later, he wrote about the boat on the river, the scene when the morning was about to dawn, the sea sun rose in the east, the spring sprouted, the poet put the boat on the green water, and continued to sail to the Klook road beyond the green mountains. At this time, a flock of geese returning from the north was skimming the clear sky. The geese are about to pass through Luoyang!

In response to the first couplet, the whole article is shrouded in a faint layer of nostalgia.

The poem is written in late winter and early spring, and the spring scenery on both sides of the strait that the author saw when he was berthed at the foot of Beigu Mountain. First write about the overlap of the green mountains, and the boat is light. Depicting the tide in the lower reaches of the Yangtze River, the waves are rolling, and the poet sails eastward to the magnificence, "the sea is born and the night is broken, and the river spring enters the old year" depicts the scene and the joy in the heart in the process of alternating day and night and winter and spring, and triggers the homesickness of the last sentence.

The tide is wide on both sides, and the wind is hanging. The tide has risen at this time, and the river surface appears wider, and at this moment there is only a lonely boat on the Yangtze River. I stood at the bow of the boat, and the river kept lapping against the hull.

Looking at the wide river surface and the fiery sky, there is a feeling that the sea is wide and the fish jumps, and the sky is high and the birds fly. The breeze blew and the sails were full. The boat struggled forward.

The chirping of blind birds and insects is sometimes high and low, slow and urgent. Lie down and enjoy all that nature has to offer.

1.The lonely sail is far away and the blue sky is endless, and only the Yangtze River skyline can be seen.

2.The green hills on both sides of the strait are opposite each other, and the lonely sail comes by the sun.

3.The apes on both sides of the strait could not stop crying, and the light boat had already crossed the ten thousand mountains.

4.The stars hang down and the plains are wide, and the moon swells and the rivers flow.