Is there anything I need to pay attention to when looking for a piano teacher, ear training teacher,

There are two main categories. One is for non-professional junior students to choose teachers, and the other is for (quasi-) professional students to choose teachers after reaching a certain level. Separately.

For beginner children, it is common to find a piano teacher, that is, a piano store, an art education institution, and an acquaintance to introduce them. So let's first show that from my four-year experience of teaching in multiple piano stores in a first-tier city, the current piano primary education market is very mixed. There are too many appalling things, such as those who come out to teach after three months of study, those who teach the first level after passing the second level, and those who desperately try to let students take exams and participate in competitions to raise their tuition fees.

Because the piano is fundamentally interlaced like a mountain, for parents who don't understand, the teacher can play a Richard Clayderman and they think "Wow, it's amazing, it's just Lang Lang!" "So it's so convenient to want to be perfunctory or even deceive. So how do you pick a teacher?

How much does it cost? If you think about it, professional students can easily learn the piano by themselves, and they have to practice the piano for eight hours a day, which is much more than a teacher who teaches Chinese and mathematics. At such a cost, how can it be possible to charge 80 or 100 for a class and buy ten and get three free?

Many piano shops don't have good teachers to fight ** wars, and there are really parents who shop around to see **. To tell the truth, the piano is a thing, kung fu is in hand, if you want to be cheap, don't learn it. You don't know how hard it is to adjust after learning badly at first.

Of course, it's not always better to be more expensive, but it's okay to be too cheap. For reference, in big cities, good teachers who charge less than 150 are basically extinct. Can the teacher play a song for our children to feel?

Try to be polite when asking this question, it's not that you pay the money or the uncle is going to play it for you. But it's really an excellent way to check the quality of your teachers. It doesn't matter if you don't understand it, wait for the teacher to finish playing it and ask him what this song is.

If it's Hisaishi's piano music, Richard, and Night, then don't choose this teacher. A professionally trained teacher will generally not approve of students playing this kind of work, let alone playing this kind of thing himself. If you play Mozart, Beethoven, Chopin, Liszt, Lao Chai and so on, that's not bad, there's no problem in teaching children.

If you are a beginner to the piano, I will give you a routine. Go to the top local high school post bar to post to find art students, ask them to learn in **, go contact to see if the fee and the teacher is willing to teach your children (the art student teacher fee is generally not less than 150 a section, and it is likely that beginners will not be charged), if not, find an art student, invite someone to have a meal and give a red envelope to send a pair of gloves (certainly), let him dress up as a child's brother and sister to take the child to see how the teacher is, as a professional student, to receive professional training, You have to have a teacher with high qualifications. Graduation school, learning experience, and teaching achievements are all factors that are considered.

Especially the last one is important. Anyone who is a teacher in a professional college will not have a bad academic background. But playing well really doesn't mean teaching well, so it's not too difficult to know which excellent students they have taught if you ask them in many ways.

Piano and vocal music are fine, but it's not easy to find a reliable ear training, because there are very few people who learn it, but this one is very professional. Ear training is a major in the Department of Composition, which involves a lot of first-class theories and teaching methods, and it is not easy to teach well. If you are studying amateurishly, you can go to the piano store or training center to find undergraduate and graduate students in the school, and ask the teacher to study in ** (preferably the ** College of Art of the 211 Normal Class Niu X) I am learning bel canto, and whether the teacher teaches you the correct method.

Judgment: Bel canto vocalization is in front of the head and not at the back of the head, and the tongue is flat when singing because there is breath circulation. Ear training teacher, compiler of the local art examination book.

1. Piano solfeggio ear training is the training of singing and listening to the music, but it is not just a literal meaning, it is also a comprehensive training subject, including intervals, chords, key, tonality, rhythm, beat, melody, sight-singing, etc., and also includes comprehensive exercises such as perception, understanding and expression of **.

2. In addition, the skill of ear training when playing the piano is the most important way to cultivate a sense of musicality for people who are learning the best people. The cultivation of this skill is inseparable from the notation, because the notation is the first and necessary thing for every learner.

You don't have to know how to play the piano by sight-singing, you can always understand the staves, you can sing the music, find a friend or teacher to play the piano, and then you practice, but this is troublesome, it is best to be guided by the teacher and learn to play the piano, no instrument will be the same, pay attention to the rhythm of musicality.

Singing ear training and music theory are compulsory for learning, but the two are not the same. Ear training usually has fixed teaching materials, simply put, there are two major parts of listening and memorization. Dictation notation is the teacher on the piano to play, you have to use your ears to hear is the tone, and then write it down on the staff, mainly single tone, double tone, chord listening, the most difficult thing is the rhythm and melody of the record, listening to the teacher is generally played three times, rhythm and melody is five times, at the beginning is very simple, basically C key, slowly the difficulty will deepen.

Sight-singing simply means to give you a fixed melody, and the teacher will play the first note for you, and you will sing my speed and rhythm completely according to the pitch of the first note, which is also from simple to difficult, and the length will also be from small to large. Ear training for students who play the piano or even learn musical instruments should be much simpler than those who learn vocal music, I also play the piano, I have been learning little by little with the progress of the piano since I was a child, this thing must not be put down, once the ears are not working, hehe I wish you a smooth study! Reference.

Sight-singing refers to reading a score and singing a melody. Ear training refers to the ability to hear melodies and chords.

Ear training is of course part of the best literacy.

It is not necessary to learn this to learn piano, and even some people have not learned solfeggio ear training if they have a certain level of piano will be self-taught in sight-singing ear training to a certain extent, but if you want to learn the piano extremely well, you must learn this, because it is very helpful for your musicality. All pianists have excellent ear training skills!

As for how to find a teacher, what I want to say is that if you just learn piano, you don't necessarily have to sign up for a class, if your piano teacher is an excellent piano teacher, then in the process of learning piano, you can directly let the teacher teach you sight-singing and ear training while teaching you the piano, and you don't need to take time out for sight-singing and ear training in each class, as long as you can teach you step by step. That is to say, when you encounter some examples in the process of learning the song, you can directly let you practice by the way, and explain to you the relevant knowledge and skills of solfeggio and ear training. However, if your piano teacher is too low or you really want to dedicate time to more in-depth ear training, then you can choose any reliable ** training institution to consult their ear training class, and then choose the one you like the most to sign up!

Learning the piano requires learning sight singing and ear training, although the piano is said to be the coordination and development of hand muscle movements, but learning the piano should have been heard"Play and sing"The word it! Playing and singing is to play and sing at the same time with the hands and mouth, and when playing the piano, you should first recognize the score, and you can't always use your eyes to read it when you recognize it! Sight-singing literally means watching and singing, ear training is to distinguish tones and tones through the teacher's playing and singing, and if you can sing and listen, you can understand that playing the piano is really to a certain level.

Although I am not a ** professional, but we also have to learn piano in preschool education, but piano lessons we are sophomores only open a course, freshman year is the basics, that is, ear training, quite thick two books only learn one semester, it is very funny, for us who have no foundation, hundreds of pages of two books we only study for one semester, how can we learn will, but the basic still understand. We learned the notes, high and low bass, as well as the tone, beat, rhythm, singing method of the short notation, and some I don't remember very much, the teacher knew that most of us were zero-based, so he started teaching us from a simple simple notation, and the pace of the lecture was very slow, every time in class we wrote some notes in the short notation, she played, and we sang along, which was mixed with the beat (half of it.

One, quarter, etc.), rhythm, and then we learned notes that were similar to tadpoles, and the class changed to writing notes for us to sight-sing, and when the end of the semester was approaching, the teacher felt that we had learned all the okay, so he played some notes and let us sing them, which was an assessment of our sense of hearing. And in the middle, we practiced the rhythm for a long time, so we looked at the book and first beat what we learned in the previous class every time we went to class.

The major should be more authoritative, we do arrange ear training in the professional course, learning piano is based on auditory vision, and those well-known ** or singers, they are so proficient in ** is not from"Listen"Did it start?! If you don't listen, how can you feel the beauty of **, how can you play an emotional melody, so it is necessary to learn to see and train your ears when learning piano!

First of all, I think sight-singing and ear training are two different things, and it is impossible to achieve the purpose of ear training through sight-singing. I don't know if my understanding is right, but I will talk about some personal views based on my child's experience of learning piano.

First of all, I think this is something that must be learned. Through sight-singing, you can find a lot of small details that can't be found by playing directly, especially for the rhythm is very helpful. My child's speed of reading music should be said to be very fast, and he can play a new score very quickly, but the shortcomings are also obvious, that is, he often makes mistakes in some small details, and the book can be drawn by the teacher with small red circles.

Later, the piano teacher asked him that every time he got a new score, he had to sight-sing first, and he should sight-sing while beating the beat. In this way, many small rhythmic problems can be solved in the sight-singing stage. There is also a problem of ascending and descending, which can also be detected in advance relatively smoothly.

Therefore, I personally think that in order to learn the piano well, you must get used to sight-singing, after all, correct music reading is the first step in playing the piano.

Next, let's talk about ear training. In fact, the sensitivity of the ear to the scale also varies from person to person. Some people are born with a sense of pitch, others don't (like me, singing out of tune).

However, through practice, because the pitch of the piano is certain, it can well exercise the ear's sense of intonation. Personally, I think that ear training is not a prerequisite for piano practice, but should be gradually cultivated in the process of learning the piano.

Although I like the piano very much, but from the bottom I also blindly press the electronic keyboard, and I really don't understand how my good sisters learn these things, so I learned about it with her

Ear training is a must-learn course for piano learners. Ear training is a combination of rhythm and pitch, and it is necessary to learn not only the piano, but also any instrument with pitch. Some people may question why we have to learn solfeggio instead of singing when we learn musical instruments.

First of all, rhythm is something that is definitely used in any instrument, not just percussion. Secondly, after the rhythm is stabilized, what we need to do is the pitch. As the king of musical instruments, the piano is a yardstick for tuning other instruments or practicing listening.

As a piano practitioner, if you can't sing the notes on the piano correctly, how can you hear the notes correctly? The ability to listen is a skill that must be possessed to learn the piano, and the masters of the piano world are basically absolute tonality, and there is no need to have **a to make comparisons.

Of course, we can't compare with the masters, but ear training is a skill that must be learned to learn an instrument. In addition to playing music, the piano will often accompany and arrange vocal songs, which not only requires the music arrangement to be learned well, but also to listen with the ears, whether the sound is harmonious, whether the feelings are right, and whether it is better to use chords or others in this place. Children who have experienced the art examination, whether they are learning vocal music or learning musical instruments, know that in addition to learning majors, there is also a small three, solfeggio ear training and music theory.

Hello, I'm a learner!!

About what you said about buying a solfeggio book to practice step by step, if you haven't learned ** before, you have to practice by yourself, it's quite difficult at first, it's better to find a teacher!! Also, it's not easy for you to be able to compose your own inspired melody, because there aren't many professional learners who can come (few can sing music quickly), so you know how difficult it is, but if you have to practice hard, you have to be able to practice!! Get twice the result with half the effort!!

There are many people who envy some people who are engaged in ** can sing the score as soon as they hear it (this is definitely a "relatively good musicality" that can be practiced), this ability is not so easy for most people! In fact, he said that it is easy and easy, and it is difficult to say that it is difficult! Personally, I think talent is more important than nurture!

A very simple question, in a similar environment, some people sing with a sense of rhythm, and the pitch of the singing is also very standard; Others have a poor sense of rhythm and can't find the pitch, and they sing only in the cracks. This reflects the disparity in innate musicality. For the latter with a poor sense of musicality, there is no doubt that the understanding of ** and the feeling of ** will not be very strong, even after a lot of hard work and training, it is difficult to reach the part of the people who are born with a strong sense of musicality.

It's not that you can't use the electronic keyboard, but you can use the piano if you have some conditions!!

If you have any questions, just ask me!!