Is The Preface to the Pavilion of King Teng more than literary but not enough in connotation?

First, talk about the problem itself. If the "lack of connotation" mentioned in the problem is compared with the literary style of the article itself, then it is insufficient, because "The Preface to the Pavilion of King Teng" is already one of the pinnacles of the style of the pun, but I think it is normal even if it is insufficient, just like we usually say that this dish is really delicious, but the taste is a little lighter; If compared with other articles of the same style, the connotation of other articles is not necessarily higher than that of "Preface to the Pavilion of King Teng", "Mourning Jiangnan Fu" is already the connotation, and "The Burrow" is open-minded and indifferent. The bullish coax literati in history don't say a few words about their pearls and dust, then their articles are tasteless?

If it is to compare the connotation with articles of different genres, then I will say that you have a problem, whether "Xiang Zhixuan Zhi" has enough connotation, why don't you spray it with more connotation and less neatness, neuropathy is!

Who stipulates that all articles must provoke readers to think deeply and change their outlook on life, values, and the worldview?

Luoxia and the lonely bird fly together, and the autumn water grows together in the sky" with this sentence can establish the status of King Teng's Pavilion in the history of literature. It is not an exaggeration to say that it is the first prose in history.

Qu Jiayi is in Changsha, not without a holy lord; Channeling Liang Hong in the sea song, is there a lack of bright time?

How many people in their 20s can understand this truth?

This shows its connotation.

Wang Bo's "Preface to the Pavilion of King Teng" is a very high level in ancient texts, this is a very classic prose, the whole article is four-character sentences, six-character sentences are many, the battle is neat, citing classics, very ingenious. It is also a textbook-like work, which has always been praised by literary scholars and is worth learning.

The full text of the Preface to the Pavilion of King Teng is thoughtful, closely related to the topic, and eclectic. "Yuzhang Ancient County, Hongdu New Mansion" points to the location of Tengwang Pavilion, and then writes in detail its location in the wing, the division of the stars, from the geographical location of connecting Hunan Hengshan and Jiangxi Lushan, from top to bottom, and then swing open.

From the magnificent pavilion to the beautiful mountains and rivers, the autumn scenery of Tengwang Pavilion is described in thick ink and color, and a picture of Tengwang Pavilion is full of color, staggered, up and down are natural, and the virtual and real are contrasting with each other.

Anyone who has studied "Preface to the Pavilion of King Teng" knows that there is a famous sentence in it, that is, "Luoxia and the lonely bird fly together, and the autumn water grows together in the sky." This sentence has been praised by the literati of the past dynasties, and the general sentence style is up and down, and it is a pair in one sentence, the falling sun is against the lonely bird, and the autumn water is against the long sky. In addition, there are many classic idioms in this article, such as Pingshui meeting, full of friends, and outstanding people.

These are all good materials for writing essays and improving the state of mind.

At the top level.

In terms of content, "Preface to the Pavilion of King Teng" expands the artistic realm of Punwen. In terms of artistic form, the Preface to the Pavilion of King Teng accepted the tradition of lyrical Xiaofu of the Six Dynasties, and added a scattered culture to the form of the pun, achieving the unity of content beauty and form beauty. "Preface to the Pavilion of King Teng" is not only a new change in the six dynasties, but also a precursor to the popularization of the Tang Dynasty.

At the time when Wang Bo wrote the preface, the prose belonged to the mainstream of society, and even Han Yu, an advocate of the ancient literature movement, praised the "Preface to the Pavilion of King Teng". Later, the decline of the pun and the ancient literature became the mainstream, and a group of people who followed the trend were self-righteous at this point, thinking that there was nothing to see, and Wang Bo was just good at making sentences.

From middle school to now, decades have passed, and King Teng's Pavilion and I have always remembered it vividly, and I can still recite it backwards. The text is gorgeous but not greasy, and the lyricism is far-reaching and profound. From "Guwen Guanzhi", they are all beautiful texts, and they cannot be distinguished, but they have created a swan song for the ages with the hands of Wang Botongzi, which proves that it is the first of the four masters of the early Tang Dynasty!

Thanks to the excellent work "Preface to the Pavilion of King Teng". As the saying goes, the mountain is not high and there are immortals, because of you, Tengwang Pavilion has the opportunity to be destroyed and built repeatedly. While enriching the spiritual world of the Chinese people, it also preserves the thousand-year-old relics to enjoy the body and mind.

The preface to the Pavilion of King Teng, a famous article through the ages, more than 700 words, extends 37 idioms from this text. The Tao Te Ching extends to 54 idioms in more than 5,000 words. Once it can be seen that the "Tao Te Ching" is about 100 words and an idiom, and the "Preface to the Pavilion of King Teng" is about 20 words and comes from an idiom, which is absolutely unprecedented.

I think "Preface to King Teng's Pavilion" doesn't say anything else, there are many allusions. Three rivers and five lakes, Longguang Niudou, greedy springs, Fuyao, these are all allusions, the Chinese teacher requires them to be memorized, and those two are the test center.

I like the beginning of "The Preface to the Pavilion of King Teng", the scene is written with gorgeous rhetoric, and the middle sky is very sad, but when I look up again, I get up again; A series of four-character sentences, the drums are dense, and the momentum is brought back.

I will recite the preface to King Teng's Pavilion, I think the preface to King Teng's Pavilion is a bit impetuous, and the emotions expressed by the author are verbose. Compared with Yueyang Lou, there are too many deliberately added embellishments. Similarly, despite the author's encouragement in the text, negativity looms.

Compared with Fan Zhongyan, Wang Bo has less of that kind of scholarly feelings.

The charm of words in language is the pinnacle! In the state of voice communication ideology! The artistic conception of the expanded subjective and objective extension of the horizon is implicitly erected!

An experimental demonstration of the uniqueness of Chinese characters and Chinese characters! An example of blending culture with a written scene! The text is an exclusive stunt in Chinese, and the performance is hearty!

The poetic and accurate description makes the Chinese language have a big hand! Linguistically alone! Inspired the later poems, burst out into the heart of the Naipin!

The Chinese language has found the aesthetic unity of words and words! It gives a sense of accomplishment and freedom!!

A swan song for the ages! The top three levels in history. Objectively speaking, it is equivalent to the level of Su Dongpo's former Chibi Fu, Cao Zhi's Luo Shen Fu, Jiang Pickle's Beifu, Xiaoyuan Fu, Dancing Crane Fu, Snow Fu, and Dead Tree Fu, each with its own strengths!!

The preface of King Teng's Pavilion is known for its vigorous atmosphere and positivity, and if it is really improvised within an hour, it is the first. No doubt.

The article is a natural achievement. "Preface to King Teng's Pavilion" is a classic! What Wang Bo stole is full of famous sentences, which can be used in dozens of articles, God is jealous. Died too young! Pity.

The text of "Teng" reverses the emptiness and superficiality of the prose at that time, and the common problem of sparse chapters and sentences, and sees the true feelings and flowing rhyme in the subtle and elegant beauty. It represents a new achievement in Yu Xin's writing after the pun. The inverse = word "cloud" in the body of the third calligraphy work cannot be written as "cloud.""。

The last swan song of the pun, the pinnacle work. A large number of allusions, Chinese words, and sentences are piled up in the style of pun. Since the Wei and Jin dynasties, the style of writing must be popular, and the beautiful chapters and sentences are empty.

The Han and Qin dynasties of the Middle Tang Dynasty advocated the Han and Qin articles, and the decline of the eight generations of literature (the words of Dongpo praise and retreat) held high the retro banner, which opened the prelude to the burial of the style of writing and writing, and established a model of ancient literary creation through the relay of the six Song families!

Wang Bo made a preface to his "Poems of King Teng's Pavilion", and then the whole world only remembered "Preface to King Teng's Pavilion", but few people memorized "Poems of King Teng's Pavilion".

Let's put it this way, praising "Spring River Flower Moon Night" as a solitary article to suppress the whole Tang Dynasty will make many people stunned, but if "Preface to King Teng's Pavilion" is pushed as the first prose in ancient and modern times, absolutely no one will object. After all, if it weren't for Wang Bo's untimely death, it would not be Li Bai who would be half of the Tang Dynasty when he "spit out", but Wang Bo.

"Preface to King Teng's Pavilion" is written about the scenery of King Teng's Pavilion, expressing feelings that are not met with talents, but Wang Bo is really talented.

The ceiling is high. From the reason for the rally, to what he saw in front of him, and then to the sadness after drinking, he expressed his talent and encouraged himself. Ideologically, it is a height.

The writing is smooth and coherent and not rigid, the long and short sentences are connected, and it is catchy to read. The allusions are also excellent. It's even rarer to really achieve it overnight.

At that time, Wang Bo was about 20 years old, he was not deeply involved in the world, and he did not see the problem so deeply, and the people who participated in the banquet at that time generally did not have heavyweight literary figures at the level, but they were just alluded to, and the Yueyang Lou Ji of the Tang and Song dynasties was not a grade, but it was also a mid-range literary work.

At the top level.

The author of this article is Wang Bo, a Tang Dynasty writer who is also known as one of the Four Masters of the Early Tang Dynasty. The whole article is neatly opposed, and it is a very classic prose. The article begins with "Yuzhang Ancient County, Hongdu New Mansion, Star Wings, and Honglu", and writes the magnificence of Tengwang Pavilion and the heroic scene of the banquet, and writes the majestic terrain of Hongfu and the outstanding people, and the state of full of friends.

The whole text is thoughtful, standardized and rhyming throughout, and at the same time closely related to the theme, very eclectic.

The realm of this article is very superb, quoting scriptures and classics throughout, which is very appropriate, and it is scattered in the form of the prose, forming a unity of content and formal beauty. This article writes about the magnificence of Tengwang Pavilion, and the author expresses his life feelings by describing Tengwang Pavilion, expressing the author's youthful ambition and resentment of not meeting talents.

This article also wrote a lot of famous sentences and quotes from scriptures, such as "Feng Tang is easy to be old, Li Guang is difficult to seal", "Qu Jiayi is in Changsha, not without a holy master, channeling Liang Hong in Haiqu, how can there be a bright time." ”

Pun essay compared to prose

Generally speaking, pun writing tends to be more formal, with beautiful rhetoric, ornate rhetoric, and sonorous intonation, but on the other hand, in order to satisfy these formal beauty, it will lack some connotation. In addition to the "Preface to the Pavilion of King Teng", there are also such as "Luo Shen Fu", "Zhu Yuansi Book", "A Fang Gong Fu" and so on.

Prose does not have these constraints, and can be more free to express one's heart and feelings, so prose is more connotative and beautiful. There are many representatives of prose, in addition to the prose of the pre-Qin princes, there are also countless classics of the Tang and Song dynasties.

This is a poem preface written in the style of a pun, but it is exemplary, with its crisp penmanship, fresh style, and imposing momentum.

Content appreciation.

In the autumn of the second year of Shangyuan (675), Wang Bo went to Jiaozhi to visit his father, and when he passed through Nanchang, he was just in time for the governor Yan Boyu to newly repair Tengwang Gecheng, and the Chongyang Day feasted guests in Tengwang Pavilion. Wang Bo went to pay a visit, and Yan Dudu had already heard of his fame, so he invited him to a banquet as well. Yan Dudu's banquet was to boast to everyone about the talent of his son-in-law Meng.

Ask the son-in-law to prepare a preface in advance and read it as an impromptu writing during the banquet. At the banquet, Yan Dudu asked people to take out paper and pencils, and pretended to invite everyone to preface this grand event. Everyone knew his intentions, so they all refused to write, but Wang Bo, a young junior in his twenties, did not refuse, took the pen and paper, and wrote in public.

The boss of Yan Dudu was not happy, so he got up with his clothes, and after transferring to the account, he taught people to see what Wang Bo wrote. Hearing that Wang Bo wrote at the beginning of "Nanchang Ancient Capital, Hongdu New Mansion", the governor said: It's just a cliché.

I also heard that "the stars are divided into wings, and the ground is connected to Henglu", and he was silent. When he heard "Luoxia and Lonely Birds fly together, and the autumn water grows together in the sky", the governor had to sigh and say: "This is a real genius, and he should be immortal!"

"The Biography of Tang Caizi" recorded: "Bo Xinran manipulated the guest, and it was done in an instant, without adding points, and the audience was shocked." ”