The preface of King Teng s Pavilion is a famous author in my country, please 3Q

"Preface to the Pavilion of King Teng".His position in the Chinese literary world is the first prose of the heavenly pants. "Preface to the Pavilion of King Teng" expands the artistic realm of Punwen. In terms of artistic form, the Preface to the Pavilion of King Teng accepted the tradition of lyrical Xiaofu of the Six Dynasties, and added a scattered culture to the form of the pun, achieving the unity of content beauty and form beauty.

The Preface to the Pavilion of King Teng is not only a new change in the Six Dynasties, but also a precursor to the popularization of the Tang Dynasty.

The article excludes a few empty words.

In addition, the whole text is dual. The syntax is mostly four-character sentences and six-character sentences, which are neatly matched; It is almost a whole text, and it is used more naturally and appropriately, which is elegant and ingenious.

A brief introduction to other situations in the Preface to the Pavilion of King Teng. The Preface to the Pavilion of King Teng is a prose written by the Tang Dynasty writer Wang Bo. The article Hu Li is writing from the topography of Hongzhou and talents to the banquet, writing about the magnificence of Tengwang Pavilion, the far-reaching view, the autumn day, and the scenery is distinct; then from banquets and entertainment to life encounters, expressing the sense of life experience; Then the writer disturbs the encounter and confesses that he wants to be inspired by the festival, and finally ends with a poem and a self-humble speech.

The full text expresses the author's ambition and resentment at the lack of talent.

The preface to the Pavilion of King Teng is a famous piece of Wang Bo in the Chinese literary circle, which has a great influence on the history of literature and is a milestone in the history of ancient Chinese literature. Yan Gong, the governor of Hongzhou, did not believe what Wang Bo did, and at the banquet, Yan Gong intended to take this opportunity to show the talent of his son-in-law Meng, and asked his son-in-law to write the article of the banquet Teng Wang Pavilion in advance. Wang Bo didn't shirk at all, took the pen and paper and wrote.

Teng Wang Pavilion preface article descriptionThe preface to the Pavilion of King Teng is the representative work of Wang Bo Piaowen, and it also represents the highest level of that era. The language is concise, simple to understand, sonorous, refreshing, and exudes the beauty of the best. In the classical Chinese prose genre, it is comparable to Yu Xin's Wai Jiangnan Fu of the Wei, Jin, Southern and Northern Dynasties, and stands at the highest peak of ancient prose together with Wang Xizhi's Lanting Preface, Wang Wei's Return Speech, and Fan Zhongyan's Yueyang Louji.

"Preface to the Pavilion of King Teng" has a very high status in the Chinese literary circle, and "Preface to the Pavilion of King Teng" is not only a new change in the prose of the Six Dynasties, but also the precursor of the popularization of the prose of the Tang Dynasty.

The Preface to the Pavilion of King Teng is a prose, which is a "fu" that pays attention to the rhetoric of words and sentences and a gorgeous battle. That is, a piece of prose, although it uses duality in many places in the text, it is only an article after all, and does not have the characteristics of poetry.

The Preface to King Teng's Pavilion is actually the preface to this ancient style poem. However, although the preface of the poem is brilliant, the beautiful sentences are gorgeous, and although the literary level is the same, it obviously benefits from the breadth and freedom of the space, and the writing is more moving, becoming a swan song for the ages.

"Preface to the Pavilion of King Teng".

An essay written by the Tang Dynasty writer Wang Bo. The article is written from the topography and talents of Hongdu to the banquet, the magnificence of the Tengwang Pavilion, the far-reaching view, the autumn day, and the scenery is distinct; then from banquets and entertainment to life encounters, expressing the sense of life experience; Then the writer's encounter and confession should be self-inspirational, and finally end with a poem and a self-humble speech.

The full text expresses the author's ambition and resentment at the lack of talent. Except for a few imaginary words, the article is dual. The syntax is mostly four-character sentences and six-character sentences, which are neatly matched;