Qiu Yilin, 2009, No. 22, Zi Fei Fish full text

It's hard to explain this in one sentence. You can do your own research to see how it goes. I don't often come across millions of people who come back from working abroad. Doing it like a beggar outside. I don't want to eat. I don't want to wear it...

1. The author uses rich and excellent.

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The language describes the beauty of winter and the many feelings that arise from it 2 Causes the following description of going out for a walk (this question is not certain) 3 Suitable, living in harmony with nature, treating nature as a nanny, nature will bless us, like other animals; Treating nature as a good friend will teach us like any other animal. 4 Nature is especially pure in this season, and this is what makes us most happy. The reason for the change in the author's feelings is that he feels the unique charm of nature, and everything that stands alone in winter is brave and pure enough, making people feel the power of winter.

Yes. Yilin: Juvenile Edition is a journal sponsored by the Changchun Federation of Literary and Art Circles.

Yilin was founded in.

In August 2003, in just a few years, the monthly circulation reached more than one million copies, and it has leapt to the first phalanx of Chinese abstract journals and has become the largest "dark horse" in China's periodical market in recent years. The "Yilin" culture created and promoted by it has won the recognition of millions of readers and industry insiders, and the "Yilin phenomenon" provoked by its good upward trend has become the object of research and talk about by industry experts.

The child is not a fish, nor is it me. It means not to speculate on others, but also to be able to hold on to one's own beliefs.

From "Zhuangzi and Huizi Swim in Haoliang".

This article is excerpted from "Autumn Water".

Autumn Water is another long chapter in the Zhuangzi, which uses the first two characters as the title, and the center is to discuss how people should understand external objects. The whole article consists of two parts. The first part is about the conversation between the sea god of the North Sea and the river god, and the questions and answers are completed in one go, forming the main body of this article.

The latter part is written in six fables, each of which is self-contained and unrelated, and there is no structural relationship with the dialogue between the sea god and the river god in the previous part, and it is not very helpful to express the theme of the whole text, which seems to be dissociated.

Zhuangzi and Huizi Swim in Haoliang" is relaxed and poetic. A strong argument, a clever argument; One is truth-seeking, one is beautiful; One is obsessive, one is detached; It makes people smile and ponder for a long time after reading it.

Keiko is argumentative and analytical. There is a cognitive attitude towards things that are fundamentally oriented, focusing on knowledge; Zhuangzi argues wisely and re-appreciates. The understanding of the outside world has an attitude of appreciation, and the subjective affection is exerted on external objects to produce empathy and empathy.

If Keiko has the personality of a logician, then Zhuangzi has the style of an artist.

[sic].

Zhuangzi and Huizi swim on the beam.

Zhuangzi said: "Fish travel calmly, is it the joy of fish?" ”

Huizi said: "Zi is not a fish, how do you know the joy of fish?" ”

Zhuangzi said: "The son is not me, and I don't know the joy of fish?" ”

Huizi said: "I am not a son, and I don't know the son; Zigu is not a fish, and Zizhi does not know the joy of fish, all of it. ”

Zhuangzi said: "Please follow the roots." Zi said, 'Ru'an knows the fish and enjoys' clouds, and since you know what I know, you ask me. I know it. ”

Translation] Zhuangzi and Huizi play together on the bridge in Haoshui.

Zhuangzi said: "When the fish come out and swim comfortably, this is the happiness of the fish." ”

Keiko said, "You are not a fish, so how do you know if a fish is happy?" ”

Zhuangzi said, "You are not me, how do you know that I don't know that fish are happy?" ”

Keiko said, "I'm not you, so I didn't know you knew that fish were happy; You're not a fish in the first place, so you don't know that fish are happy. ”

Zhuangzi said: "Please let me judge along the lines of what you said at the beginning, you said how you know that fish are happy, you already know that I know fish are happy and ask me; And I knew that fish were happy from the Haoshui Bridge. ”

The child is not a fish, nor is it me. In fact, it means not to speculate on others, but also to be able to hold on to one's own beliefs.

Zifei fish, the joy of Anzhi fish. That's it, right? I don't seem to have heard of any fish or me.

Unveiled one after another. But at the same time, people's privacy has become a big problem. But if we look at Confucianism 2,000 years ago, there is no such thing as privacy.

A person deals with it impartially, behaves honestly, loves the township, and there is nothing unseemly, and he is not afraid of being exposed. Based on this alone, I dare to foolishly conclude that after a hundred years, Chinese Confucianism will return to the altar of social order, and even the altar of the world, to continue to guide the survival and life of the people.