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Don't go for speed! Haste makes waste!
First of all, we must learn to hold the drum and find its bounce point by ourselves, that is, the index finger is the fulcrum and naturally put down the drum, the point where it can bounce the highest and most times.
Then practice single and double jumps, preferably on a dumb drum mat, the kind that should be on the snare drum, not the kind used to move your wrist before the performance (you can also use the former, but use the former in the early stage, and use the latter if you can't use the former).
When practicing single and double jumps, you should stabilize the beat, and you must stabilize the hitting strength of your left and right hands, and you must be even, and it's okay if you're not fast! It's best to have a metronome, and it's okay to have none.
Practice slowly, don't play slowly, practice at least 2 hours a day, and it is recommended to practice for 4 hours if you have time, so that you can open your wrist in 1 month.
In the future, not only will I practice 4 sticks, rhythm and flowers, but more importantly, single and double jumps, which is the basic skill in the basic skills, and there are some basic skills in the hands, about 24 of them, and the text is not clear.
When fighting, use your wrist to hit, don't use your forearm, the drum and the forearm are in a line, the arm hangs down naturally, and the waist is straight.
It's almost time to speed up, and when accelerating, you can directly practice at a constant speed with the fastest and most stable beat, don't hit faster and faster, it's easy to play"Crippled", must be equal in strength of the left and right hands, at least the human ear can't hear it, come on, persevere.
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You know the posture I don't say much A little: one-handed 3 legalet, 4 legato You should know how to play. It's not like playing a four-legato with both hands, but the last blow of the wrist has to be pressed down, and you have to move slowly.
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Buy a 200 yuan practice mat and practice every day, there is no sound, only practice drumming and wrist training.
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There are three hand types for holding the stick. The first is pinched tightly with only the thumb and forefinger, and the three fingers in the back are straightened. Don't feel weird.
The palm of the hand should be downward, so that the wrist can exert force, and the whole body should be relaxed when exerting force, do not end the shoulder, and only use the wrist to exert force. The second way to hold is to hold the front index finger and thumb straight and only hold it with the three fingers at the back, and the drum stick should be pinched tightly. The third is to pinch all five fingers, and don't hold the stick too back.
These three methods turn on the metronome at a speed of 16 notes at 30 for 10 minutes in each grip, or longer.
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The drum kit is a comprehensive percussion music, which is mainly done by using the nature of body coordination, mainly mastering the playing posture, music theory knowledge and rhythm, as follows: dry shirt.
1. Performance posture.
First of all, the body should sit upright, give people a natural feeling, relax the body, hold the drumstick in the hand when the stool is defeated, hold the stick for a straight hammer, hold one-third of the drumstick in the palm of your hand, and need to pinch the drumstick with your thumb and index finger.
During the performance, the wrist should be relaxed, the big arm drives the small arm, the small arm drives the wrist, and the force point is scientifically speaking, the body is the main force point, and the force point of the wrist is the weakest. The kick drum and hi-hat are mostly used for the thighs, and the power contacts are toe and flat feet, which can be selected according to personal habits.
2. Recognize drum notation.
The notation of the drum kit is based on the bass clef of the staves, that is, the F clef, the bass drum is in the first room, the small drum is in the third room, the 1 barrel drum is in the fourth room, the 2 barrel drums are in the fourth line, the floor drum is in the second room, the big cymbal is written in the upper plus 2 rooms and the first line on the material brigade, and the hi-hat is written in the lower and upper rooms.
3. Recognize rhythmic patterns.
In **, rhythm is the focus of percussion, and the rhythm is divided into the first eight and the last sixteen, the first sixteen and the last eight, syncopation, note with dots, full note rhythm, half note rhythm, quarter note rhythm, eighth note rhythm, sixteenth note rhythm, etc.
4. Basic skills.
The basic skills that need to be practiced are single jumps, triplets, second half beats, accent shifts, syncopation, double jumps, ornamentation, compound jumps, etc. The main thing on the foot is the speed of the right foot and the coordination of the left and right feet.
Notes:
1. Be sure to take your time, fully practice to meet the standard, and then gradually accelerate.
2. Avoid arm tension, wrong mallet holding method, unstable rhythm, poor hand and foot coordination, etc.
3. Every time you practice a project, you can't stop for at least half an hour.
Don't go for speed! Haste makes waste!
First of all, we must learn to hold the drum and find its bounce point by ourselves, that is, the index finger is the fulcrum and naturally put down the drum, the point where it can bounce the highest and most times. >>>More
Open the wrist is not an overnight thing, you learn the drum for 3 months is only a part of the wrist, many masters have to practice an hour before the performance of the click to warm the hand, that is actually considered to open the wrist, so the wrist problem is long-term, I have been playing the drum for almost ten years, some things feel bad to make the wrist is not very smooth, this is also a wrist problem, you are practicing legato, compound jump at the same time is in the wrist, this is also the most common way to open the wrist, personally give you some advice: >>>More
Experience, the more you talk about it, the harder it is to do.
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Joey Joordison, the drummer of the Slipknot Band, is a world-class player. The speed statistics are 19 legato per second with both hands, 8 with one hand, and 26 times with double pedals. I once recorded a **, which was done with a double-jump compound jump, and quickly tapped a coin on a wall so that the coin did not fall. >>>More