Zhao Mengfu s main achievements, what are the characteristics of Zhao Mengfu s calligraphy

Together with Ouyang Xiu, Yan Zhenqing, and Liu Gongquan, they are called "the four masters of regular script.""

His works include "Songxuezhai Anthology", "Autumn Suburb Drinking Horses", etc.

Zhao Mengfu's calligraphy is in the middle of the line, the knot is rigorous, upright and symmetrical, the glyph is slightly flattened, the word posture is beautiful and chic, clear and handsome and charming, and contains the wind and bones. Although his calligraphy is in and out of the "two kings", it has formed its own style.

1. On the basis of inheriting the traditional calligraphy, Zhao simplifies the complex, changes the ancient to the present, and its pen does not contain muddy, does not make the mystery, and the pen path of the pen, the pen and the pen is very clear, so that the scholar is easy to understand and easy to follow.

2. The appearance is round and muscular and connotative, its dot painting is gorgeous, the body is wide and beautiful, and the dot painting echoes very closely. The outside seems to be soft and the inside is strong, the body is beautiful and the skeleton is strong. Scholars not only learn their forms, but also their gods.

3. The pen is round and square, and the flow is traveling. When writing Zhao style, the dot painting needs to be round and beautiful, but the structure of the cloth should be very square and strict, horizontal and straight, skimming and stretching, and the focus is stable. Only in this way can we grasp the characteristics of Zhao Ti.

Zhao Mengfu's works include: "Autumn Suburb Drinking Horses", "Xiushi Sparse Forest", "Luo Shen Fu", "Quehua Autumn Color", "Xuanmiaoguan Rebuilding the Three Gates" and so on.

1, "Autumn Dates Disturb the Suburbs Drinking Horses".

Autumn Suburbs Drinking Horses" is a silk painting created by the Yuan Dynasty painter Zhao Mengfu, which is now in the collection of the Palace Museum in Beijing.

This work depicts a horse wrangler grazing horses in the wilderness in early autumn. In the picture, there are more than a dozen horses of different shapes, fat and sturdy, with different postures, some drinking water by the river, some chasing each other and playing, and some looking up and singing, a cheerful and lively scene. The trees on the shore are delicate and unique, and the river level is gentle and waveless, showing the picturesque beauty of the south of the river.

2, "Xiushi Sparse Forest Map".

"Xiushi Sparse Forest Picture" is a pen and ink painting on paper created by the Yuan Dynasty painter Zhao Mengfu, which is now collected in the Palace Museum in Beijing.

This painting of ancient wood Xinhuang was born between the flat slope and beautiful stones, painting stones with flying white method, painting trees with seal calligraphy, and purely expressing it in ink, which is the concrete embodiment of the author's theory of "calligraphy and painting homology" in painting practice. The whole picture of the boulders is empty, the bamboo leaves are beautiful, and the dead trees are barren and simple, which becomes a natural literati atmosphere.

3, "Luo Shen Fu".

Luo Shen Fu is a calligraphy work created by Zhao Mengfu, a calligrapher in the late Song Dynasty and early Yuan Dynasty. Zhao Mengfu has written "Luo Shen Fu" many times, and there are many editions, but there are two well-preserved masterpieces, which are collected in the Palace Museum in Beijing and the Tianjin Museum. "Luo Shen Fu" uses a pure and mellow pen, a rigorous and charming body, and a peaceful and chic chapter.

4. "Quehua Autumn Color Map".

Quehua Autumn Colors is a landscape painting on paper made by the Yuan Dynasty painter Zhao Mengfu in the first year of Yuan Zhen (1295) when he returned to his hometown Zhejiang for his friend Zhou Mi, and is now in the National Palace Museum in Taipei. The autumn color map of Quehua depicts the autumn scenery of Huabuzhu Mountain and Queshan Mountain in the northeast of Jinan, and the painting environment is clear and tranquil, showing a quiet and leisurely pastoral flavor. The composition is composed in Pingyuan, and the rendering is combined with a variety of colors, the virtual and the real are born, and the brushwork is chic and rhythmic.

5. "The Story of the Rebuilding of the Three Gates of the Xuanmiao Temple".

Xuan Miaoguan rebuilt the three door stool "The Story of the Dan" is a calligraphy work created by the Yuan Dynasty calligrapher Zhao Mengfu. The paper is now in the collection of the Tokyo National Museum in Japan, and the stone carvings based on it are located in the Zhengshan Gate of Xuanmiaoguan in Suzhou.

Zhao Mengfu's calligraphy has its own characteristics, he combines some of the advantages of many famous artists, and then creates his own system according to his own style. We can see some characteristics of many masters in his calligraphy, but he does not blindly apply all the characteristics of these famous masters, but takes their essence and organically combines them to form a distinctive feature of his own. <>

Zhao Mengfu was considered a royal family at that time, and he should be a descendant of Zhao Kuangyi according to his generation. But he was fascinated by calligraphy, and his talent for calligraphy could be seen at a very young age. Zhao Mengfu's calligraphy contains the characteristics of many people, and that is because he is very miscellaneous.

According to relevant records, it can be known that he practiced Zhao Gou's Siling book in the early days, but when he was middle-aged, he mostly learned Zhong Xuan's calligraphy, even in his later years, he did not remain idle, but continued to copy some famous calligraphers in the Tang Dynasty, the classic sayings and inscriptions left behind. Therefore, there may be many shadows of calligraphers in him, but in fact, he has not lost himself, but has gradually formed a characteristic of his own. <>

In fact, Zhao Mengfu's calligraphy foundation is very solid。Nowadays, some friends who like to practice calligraphy, most of them will choose Zhao Mengfu's calligraphy for temporary copying. Because Zhao Mengzhuo's calligraphy refers to some characteristics of Tang Dynasty calligraphy, and blends some of his own ideas to transform, his calligraphy becomes more retro, and pays more attention to some basic applications of ordinary people.

Because in fact, like the Song Dynasty, whether it is some of his paintings or related calligraphy, there is a certain sense of exaggeration, and most literati pay great attention to skills, and there is a sense of showing off skills. However, in this environment, Zhao Mengqiu chose a more practical way to express his calligraphy. <>

At the same time, we can see from some of his calligraphy works that he attaches great importance to the combination of form and meaning。Calligraphy is a work of art, if you add that kind of artistic conception, it will make calligraphy more charming.

The biggest feature is that it is more upright, and it also has a very regular beauty, although it looks very regular, but everyone can also see some of his own style.

Zhao Mengfu's calligraphy is not tricky, the pen road looks very clear, beginners can easily understand, so what are the characteristics of Zhao Mengfu's calligraphy? First of all, the combination of form and meaning is to combine the form and meaning, and combine the advantages of the predecessors' calligraphy, so that the calligraphy has its own charm. Secondly, the foundation is solid, Zhao Mengfu based on the characteristics of calligraphy in the Tang Dynasty, and then constantly transformed, making it pay attention to basic application and become more retro.

Then absorbing the strengths of others, Zhao Mengfu's works have many calligraphy characteristics of famous artists. In addition, Zhao Mengfu's calligraphy structure is white, and it pays great attention to squareness and rigor, and its focus is stability. At the same time, Zhao Mengfu is a little soft on the outside, but he is very strong and solid on the inside, not only can he learn its shape, but more importantly, he has the charm inside.

Zhao Mengfu's representative works include "Luo Shen Fu", "Tao Te Ching", "Bile Ba Tablet", "Xuanmiaoguan Rebuilding the Three Gates", "Linhuang Ting Jing", Dugu Ben "Lanting Eleven", "Four Bodies and Thousand Characters" and so on. The hand-me-down paintings include the volume of "Chongjiang Stacked Peaks" in the seventh year of the bridge attack (1303), the volume of "Quehua Autumn Color" in the first year of Yuanzhen (1295), the catalogue in "Three Hundred Famous Paintings of the Forbidden City", and the volume of "Autumn Suburb Drinking Horses" in the first year of Huang Qingminrang (1312), which is now in the Zen Knowledge Institute of the Palace Museum.

The representative work of regular script is "Bile Tablet", and the representative work of small Kai is "Tao Te Ching". The book "Thousand Character Text" and "Former Chibi Fu".

Zhao Mengfu has been diligent all his life, there are many book tablets, Tang has Li Beihai, Yuan has Zhao Mengfu, the inscription has "Xuanmiaoguan Rebuilding Three Gates", "Zhang Zongguan Epitaph", "Huzhou Miaoyan Temple", "Shouchun Tang Record", "Longxing Temple Bilber Tablet", "Qiu Gong Tombstone Inscription", etc., among them, "Qiu Gong Tombstone", Yao Yuanzhi believes that it is "vertical and horizontal flying, the real so-called dragon elephant in the book"; "The Story of Shouchun Hall", Tie Bao Bayun: "It is a great order to roll up the fetus and the indulgence of the North Sea, a wash of the habits of life, and the realm of real people and books." ”

Zhao Mengfu's calligraphy, the highest achievement is regular script and line calligraphy. Learn Li Yong and take Wang Xizhi and Wang Xianzhi as the sect, make a lot of tablet plates, round and beautiful, known as "Zhao Ti". The famous works in regular script that have been handed down include "Bilba Tablet", "Huzhou Miaoyan Temple Record", "Qiu Gong Tablet" and so on; Xiaokai has "The Legend of Ji Di" and so on; There are many works of calligraphy, such as "Luo Shen Fu Scroll", "Chibi Erfu Post", "Dingwu Lanting Thirteen Treks", "Tao Te Ching", "Xuanmiaoguan Rebuilding Three Gates", "Four Bodies and Thousand Characters" and so on.

Zhao Mengfu's masterpiece "Huzhou Miaoyan Temple", those who want to learn Zhao Tikai's calligraphy come in.

"The Story of Shouchun Hall" is a famous calligraphy work.

Phuket Island ( Brick temple view rebuilt three gates.

Zhao Mengfu's representative calligraphy works include "Luo Shen Fu", "Tao Te Ching", "Bilba Tablet", "Xuanmiaoguan Rebuilding the Three Gates", and "Linhuang Ting Jing".

Zhao Mengfu fǔ (October 20, 1254, July 30, 1322), the character Ziang, Han nationality, known as Songxue Daoren, also known as Crystal Palace Daoren (a said Shuijing Palace Daoren), Oubo, middle-aged once signed Meng Qian.

The style of Zhao Mengfu's works

Zhao Mengfu was an influential calligrapher in the early Yuan Dynasty. Its seal, Zhou, points, subordinates, Kai, cursive books are all good, with regular script, line of writing the deepest, the most extensive influence. According to the Ming Song Lian's account, Zhao's calligraphy learned the Siling (i.e., Song Gaozong Zhao Gou) book in his early years, learned "Zhong Xuan and Xi Xian Zhujia" in his middle age, and studied Li Beihai in his later years.

Wang Shimao said: "Wen Minshu mostly comes from the two kings (Wang Xizhi and Wang Xianzhi), and his body is tight, so he gets the right army; If the posture is graceful, it will be a great order; The book tablet is a cool imitation of Li Beihai's "Qin Sou Zha Yuelu" and "Suoluo" style. In addition, he also touched the suspicion of leaking Pi Yuan Wei and Tang Yu Shinan, Chu Suiliang and others; In the seal book, he learned the stone drum text and the curse Chu script; Lishu Liang Hu and Zhong Xuan; Learn to dedicate in cursive writing, and work hard to inherit the tradition.