West Lake July and a half, what is written in West Lake July and a half ?

The folk customs and worship of the ancestors from July and half to the West Lake in the seventh and half months of the West Lake are written in the seventh and half of the year, which is a portrayal of the author's lyricism and mood through the scene.

Zhang Dai loves mountains and rivers and has no intention of politics, and he travels to the lake in the middle of July, and chooses to disperse after the second drum, which shows that Zhang Dai is not in the world, and he is indifferent and even disgusted with the bustling society and the fickle scholars, and what he pursues is a kind of cold and lonely solitude.

Artistic features: Writing people vividly and expressively.

West Lake is half of July, there is nothing to see, but you can look at the people of July and a half", therefore, writing "people who look at July and a half" has become the main content of this article.

When writing tasks, they are often roughly outlined in a minimalist and provincial sentence, but they are vivid and vivid. For example, it is written that the gentry with a full family of old and young people poured out of the nest, "under the moon and really did not look at the moon", only with "laughing and crying, sitting on the terrace, looking left and right", then this kind of characters swaggered through the city, publicized their appearance, joined in the fun, and spoiled the scenery of all kinds of cheesy shapes and ears.

A more wonderful description of the idlers in the market: "not dressed up, drunk and full, calling the crowd, among the crowds", "noisy, pretending to be drunk, singing without a voice". The words are simple and the writing is plain, but the expressions and forms of the characters are fully exposed and vivid.

"West Lake in July and a Half" recalls the customs and scenes of Hangzhou people visiting the West Lake in July and a half in the past, and expresses the author's lofty and proud thoughts and elegant taste through specific and vivid depictions. It not only shows the nostalgia for the prosperous life of the past, but also reveals the hidden sorrow of going abroad and ruining the family.

The Seven and a Half of the West Lake is an essay written by the Ming Dynasty writer Zhang Dai. The author first depicts four types of people who watch the moon: dignitaries, famous ladies and ladies, famous prostitutes and idle monks, and lazy people; In stark contrast to these vassals and elegant worldly people, the last category, that is, the author's friends and beauties, whose demeanor and grace are in harmony with the beautiful scenery of the West Lake when viewing the scenery and admiring the moon. The author's description of the five types of people does not contain praise or disapproval between the lines, but it is clear which is superior and which is inferior, and which is elegant and which is the most vulgar.

The article is written on the surface, and it is always written in the moon, which seems to be ruthless and contains affection in it, which perfectly and implicitly embodies the author's theme of suppressing vulgarity and celebrating elegance.

Zhang Dai (1597-1679), also known as Weicheng, the word Zongzi, also known as Shigong, the name Tao'an, Tiansun, alias Die'an Jushi, the late number Liuxiu Jushi Han nationality, Shanyin (now Shaoxing, Zhejiang) people. Late Ming Dynasty writer, historian, or a connoisseur who is proficient in tea art appreciation, admires the way of Laozhuang, and likes to be elegant and quiet. Don't do the imperial examination, don't seek advancement, and write about the old age.

Fine essays, poems. He is recognized as one of the most accomplished literary scholars of the Ming Dynasty, and he is the best at prose.

His prose language is fresh and lively, the images are vivid, and he is widely and concise, and "West Lake in July and a Half" and "Watching the Snow in the Lake Pavilion" are his representative works. He is the author of peerless literary masterpieces such as "Dream Memories of Tao'an", "Dream of West Lake", "Night Sailing Boat", "Lang Huan Anthology", "Kuaiyuan Daogu" and so on. Another historical masterpiece "Shikui Book" is also its representative work, when the Sui infiltration Li Changxiang thought that "today's historiography, there is no Tao Nunnery".