What are the profound historical reasons why The Pipa Story has always been active on the opera st

The story tells the story of a scholar Cai Bojiao who wanted to live a happy life after marrying Zhao Wuniang, and also criticized the dark reality at that time, exposing the darkness of feudal society.

When promoting feudal morality, "The Pipa Story" also criticized the dark reality at that time, exposing the darkness of feudal society.

The story tells the story of a scholar Cai Bojiao who wants to live a happy life after marrying Zhao Wuniang, but his father Cai Gong refuses.

It itself is a criticism of the feudal social system through the fate of the characters, and it is also a wake-up call for future generations.

The story is about a scholar, Cai Bozhe,After marrying Zhao Wuniang, he wanted to live a happy life, but his father Cai Gong did not follow. After being forced to take the first place, Bo Zhen was asked to marry the prime minister's daughter.

Cai Boju and Zhao Wuniang are newly married, just in time for the imperial court to begin to learn from the literati. Because his parents were very old, he wanted to leave the exam and stay at home to serve them. But Mr. Cai refused, and his neighbor, Mr. Zhang, persuaded him.

Ever since Bo Zhen ran away from homeChen Liu has suffered from drought for many years. The five mothers worked hard to serve their father-in-law and mother-in-law to make them eat rice. They carry their father-in-law and mother-in-law on their backs and eat their own chaff.

Her mother-in-law sadly passed away, and Cai Gong also died of famine. However, when Bo Zhen is forced into Niu's house, he misses his parents all day. When I wrote to Chen Liu's house, the letter was deceived by the kidnappers, and I couldn't hear from him.

One day, I was playing the piano in my study to express my thoughts. I listened to the Niu family and told my father the truth.

Wu Niang saw Niu Xianshu,So he told the cow about his life experience. In order to reunite Wu Niang and Bo Zhe, afraid that Bo Zhe would not recognize him, Niu Shi invited Wu Niang to come to the study and write poems and metaphors on the true face of her mother-in-law. When he returned home, he saw the poem on the painting.

He was about to ask Niu Niu's name. Niuniu took Wu Niang into the house, and the two were reunited. Wu Niang told her family that Bo Zhe was very sad.

She immediately resigned and returned to her hometown to be filial. With the consent of Prime Minister Niu, Bozhe returned to his hometown with Zhao and Niu, and guarded filial piety in the tomb.

When the literati reached the pinnacle and abandoned their wives,It inevitably conflicts with the original concept of family and the concept of gratitude of the civic class, leading to a series of family tragedies and moral tragedies. The reason why there were a large number of works condemning marriage in the Song Dynasty was because the public did not like the behavior of scholars and did not hesitate to criticize them.

There was no one to take care of him at home, and he wanted to resign from his marriage and resignation on the grounds of filial piety, but Prime Minister Niu and the emperor did not allow it and forced him to stay in the capital.

Yes, let people know that there is a musical instrument, so that everyone can remember it.

There are two clues in this play: one is that Cai Bojiao is rising step by step, soaring and soaring, and is full of bitterness in a prosperous and wealthy atmosphere; One line is that Zhao Wuniang is working hard and desperately in a desolate and depressed situation?

The public was disgusted with the scholar's fortunate behavior, and did not hesitate to criticize it, which is the reason why the folk art of the Song Dynasty produced a large number of works condemning marriage changes.

Since Bo Ji left home, Chen Liu suffered from drought for many years, Wu Niang worked hard, served her in-laws, let her in-laws eat rice, and she swallowed the chaff privately behind her in-laws' back.

"The Pipa Story" basically inherits the story framework of "Zhao Zhennu". It retains Zhao Zhennu's "chastity and martyrdom", but has made a comprehensive transformation of Cai Bojiao's image, making him a scholar of "full loyalty and filial piety". The so-called "filial piety and virtuous wife", Gao Ming emphasized the importance of feudal ethics, hoping to educate the audience through the "moving" power of opera.

At the same time, Gao Ming can face up to the reality of social life, while affirming filial piety and good wives, revealing the contradictions existing in feudal ethics itself, and showing the social tragedy caused by feudal ethics, which gives the audience a strong shock.

Cai Bojiao is a character who is loyal and filial, and his tragedy revolves around the "three non-obedience". was forced to go to the election by his own son, Cai Bojiao considered that his parents were old and had no one to take care of him, and he decided to give up his fame for the time being. Cai Bojiao won the top prize, was favored by Prime Minister Niu Cheng, and insisted on recruiting him as his son-in-law, and the emperor also succeeded.

Cai Bojiao didn't want to stay in Beijing, resigned from marriage and resigned, but the monarch's life was difficult, there were hardships, and it was difficult to return home, so he had to enter the prime minister's mansion, but the glorious and wealthy life has never been able to eliminate the guilt and pain. On the other hand, Cai Bojiao's hometown is still plagued by frequent disasters, Cai Gong and Cai Po have no food and clothing, and finally the family is ruined In this way, a "filial son" who strives to act in accordance with feudal ethics has become a pitiful and pathetic victim because of the irrationality of the ethical code and the contradictions of the ethical steel discipline itself. Although "The Pipa Story" affirms feudal ethics from the front, it shows the tragic fate of Cai Bojiao, who is "loyal and filial", and Zhao Wuniang, who is "chaste and fierce", which raises doubts about the rationality of feudal ethics.

In the feudal era, intellectuals who adhered to the moral code often fell into the conflict between emotion and reason, personal will and family, and ethics. The tragic meaning of "The Pipa Story" is profound and universal, and it has more social value than simply condemning the theme of the negative man.

What are the artistic features of "The Pipa Story"?

The Pipa Ji has these artistic characteristics: the whole play has a total of 42 plays, the structure is complete and ingenious, the language is filial piety and laughter, elegant and vivid, showing the delicate eyes of the literati and the skillful and smooth technique, and it is a work that combines highly developed Chinese lyrical literature and the dramatic art of the blind town.

The tragic meaning of "The Pipa Story" is profound and universal, and it has more social value than simply condemning the theme of the negative man.

Although the Pipa Ji affirms feudal ethics from the front, it shows the tragic fate of Cai Bojiao, who is "loyal and filial", and Zhao Wuniang, who is "chaste and fierce", which can arouse doubts about the rationality of feudal ethics.

The Pipa Story, a drama that focuses on the contradiction between family and career, was quite common at the time.

This shows that negative marriage change was a social phenomenon that social groups were concerned about at that time.

The most influential spread of the Pipa was in the Ming and Qing dynasties.

The typical ethical society of the Ming and Qing dynasties ensured that the conception of the work could resonate sufficiently.

The Pipa was first written for the traditional Chinese feudal society.

It is an accurate portrayal of ordinary people's family life and touches their sensitive nerves.

The feudal relationship between ethics and morality is a social norm that people often feel that the contradictions between them are difficult and cannot be disobeyed.

It is the foundation of the state and society, and it is the starting point of people's beliefs and actions.

It can be said to be a ruthless "shackle" derived from the physics of human feelings.

Due to the need to maintain social relations and social order, this kind of ethical relationship has become a norm that cannot be investigated and must be unconditionally observed, thus showing "ruthlessness" and being in fact "shackles".

From the expression centered on condemning scholars in "Zhao Zhennu" to the expression centered on "only looking at the filial piety of the son and the wife and the virtuous" in "The Pipa Chronicle", it is not a clever originality, but a result of social development.

Because, the direct condemnation of the Song Dynasty has formed a transformation as a whole in the late Yuan Dynasty.

"Happy reunion" stories, which cater more to ordinary people, have become increasingly popular.

In fact, in the middle and late Yuan Dynasty, the condemning theme of the story of the negative marriage change has gradually transformed into a celestial theme.

The changes in the theme of negative marriage in the Yuan Dynasty are actually still the reflection of social changes in literature.

In the late Yuan Dynasty, the trend of change in the story of negative marriage was mainly determined by the change of the status of scholars.

In addition, the identity and status of the opera creators, the transformation of social concepts and sympathetic objects are also important factors.

In the Song Dynasty, people did not hesitate to use tragedy, soul chasing, and heavenly punishment to frustrate the scholars with negative hearts, without pretense.

This is because the scholars of the Song Dynasty had a privileged social status, and they had a good future, which could penetrate the pride of the sky.

Whether they are proud or down, life opens its doors to them.

However, in the Yuan Dynasty, scholars fell from heaven to hell.

When the scholars of the Yuan Dynasty were in a predicament and couldn't save themselves, and then they grabbed their bad deeds when they were proud in the past, it was like smearing salt from a wound, and I couldn't bear it.

Therefore, in the opera of the Yuan Dynasty, scholars actually became the object of sympathy.

Although it also describes the embarrassment of their lives, the difficulties of their careers, and the difficulties of marriage and love, they still make them happy and happy in the end.

This is the result of social sympathy, and it is also a picture cake that people talk about, from which it reveals a deep nostalgia for the prosperous times of the past.

Answer]: The structure of "The Legend of the Silver Mill Pipa" adopts the method of double-line contrast and staggered development, starting from the seventh out, one side writes Feng Kaidou Cai Bo and Toad Palace to win the laurels, enter the Prime Minister's Mansion, and enjoy all the glory and wealth; On the one hand, Zhao Wuniang worked hard to support her parents, and fell into a desperate situation step by step. Two threads are staggered:

One starred in Zhao Wuniang's famine, one starred in Cai Bo's cave room flower candle, one starred in Zhao Wuniang's Sun Gai's "bad chaff and self-loathing," and one starred in Cai Bo's lotus pond playing the piano; On the one hand, the Mid-Autumn Festival feast and drink, and the moon is appreciated at night; While cutting hair to buy burials, wrapping soil to build graves. The two lives form a sharp contrast and complement each other, highlighting the tragic image of Zhao Wuniang, strengthening the tragic atmosphere, and receiving a strong dramatic effect.

Summary. The Pipa is one of the top ten tragedies in classical Chinese opera. "The Pipa Story" is a true portrayal of the miserable life of the working people in feudal society, writing about tragic contradictions, and the dramatic conflict in a bleak and tragic atmosphere, giving the audience a feeling of grief and indignation.

What is "The Pipa Story", is it a tragedy or a comedy in classical Chinese opera.

The Pipa is one of the top ten tragedies in China's classical opera. "The Pipa Story" is a true portrayal of the miserable life of the working people in feudal society, writing about the tragic contradictions of the mountain, and the dramatic conflict in the bleak and tragic atmosphere, giving the audience a feeling of grief and indignation.

Hope it helps.

On the one hand, Gao Ming clearly put forward the creative idea of "not about weathering, even if it is good, it is in vain" in his creation, emphasizing the social and educational role of the work, and trying to elevate the "path" of drama to the status of an educational tool. On the other hand, with his literary accomplishment, he improved the literary taste of Southern Opera. With his creations, he changed the crudeness of Southern Opera, so that it could keep pace with miscellaneous operas and other literary styles in the history of literature, so that Southern Opera entered the study of literati from the people.

With this as a sign, the creation of Southern Opera has entered a new stage.

In terms of ideas, it shows a great difference from previous works. Although it still focuses on family and marriage, it is no longer a criticism of the literati's negative intentions, no longer a praise of the literati's loyal love, but through the story of Cai Bojiao, it arouses people's moral reflection on the literati's "marriage" and "official", and expresses a common confusion in the literati's hearts. In "The Pipa Story", the author recreated the image of Cai Bojiao, and the closed state made him change from abandoning his relatives and betraying his wife to cherishing his relatives, and in the author's pen, Cai Bojiao is a weak and wavering literati who cannot decide his own fate.

He was reluctant to leave his parents and wife to go to the test, but at his father's request, he complied; After winning the examination, the imperial court was not allowed to return to the province, Prime Minister Niu Cheng was forced to marry, and Cai's resignation was rejected, and in the face of power, he obeyed again. Compromise and obedience again and again not only brought endless suffering to his relatives, but also caused him to fall into deep pain. Its change to Cai Bojiao's image, on the one hand, is of course to show virtuous and filial piety, but on the other hand, it also gives the script a deeper meaning.

If the Song Dynasty drama "Zhao Zhennu" explains the cause of the tragedy of the Cai family from an ethical point of view, it breaks through the scope of Lao Pin ethics, and then criticizes and thinks about the secular pursuit of fame and fortune and the authority of the imperial court. At the end of the script, although the sedan chair source is full of tables, this table is a false name in exchange for the lives of parents and the suffering of wives, and what we read from it is the contradiction between loyalty and filial piety, and the illusion of fame and fortune.