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"Lin Family Shop" is a microcosm of the vast society at that time, and it is a typical image presentation. Realism pays attention to "truly reproducing typical characters in typical environments", and selects, refines, and generalizes real life materials through typical methods, so as to profoundly reveal some essential characteristics of life. It can be said that typification is the core of realism and the mark that distinguishes it from naturalism.
The phenomena of life are complex and complex, and the truthful recording of life is nothing but the craft of a photographer; Realism requires the author to select meaningful characters and events from the colorful real life, and through personalized and generalized artistic processing, to create typical characters and typical environmental images. The authenticity of the details is also shown in this film. Realist works require realistic details to be depicted, and social life is reflected with historical and concrete life pictures.
At the beginning of the film, when the town's shops sell at reduced prices to welcome the end of the year, a series of details of the reduction in farmers' purchasing power are depicted. The peasants were hungry for a wide variety of goods, but they hurried away just to see them. This problem is not only in the Lin family's shop, but widely in all merchants.
The bankruptcy of the rural economy is obvious. Thirdly, the work also presents the objectivity of the specific way of depiction. Through an objective and specific description of real life, the editors naturally reflect the creator's ideological tendencies and love-hate feelings from the scenes and plots of the work, rather than the creators themselves or through the mouths of the characters.
For example, in the portrayal of the character of Boss Lin, a significant modification of the original work of the film is the addition of the plot of Boss Lin asking for debts from a smaller merchant, Boss Wang. To say that it is remarkable is not in the sense of the plot, but in the attitude of the creator. Through this small change, the creator's attitude towards Boss Lin has surpassed the "pitiful" in the original work and become neutral.
And through the detailed presentation of the scene, people feel that this attitude is real and convincing. The film's plays fully follow the creative requirements of literary realism, which is the basic guarantee of film realism.
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Boss Lin is a cautious small businessman who operates groceries and auxiliary goods, and he has a good way of doing business, turning part into a whole, and seeing the big from the small.
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Shou Sheng, shrewd and capable, loyal, he is Boss Lin's right and left hand, when the Lin family shop was facing closure, he had no illusions about the reactionary ruling group at that time, and persuaded Boss Lin to leave, which was a manifestation of his "weak" resistance, as for what to do after leaving, he did not have a "vision", which was also determined by his own limitations as a small clerk, but for his class, there was still a certain progressiveness.
About the Author. Mao Dun (1896-1981), formerly known as Shen Dehong, the word Yanbing. Han nationality, a native of Tongxiang, Zhejiang.
He is a famous modern Chinese writer, literary critic, cultural activist and social activist, one of the pioneers of the May Fourth New Culture Movement, and one of the founders of China's revolutionary literature and art. From the autumn of 1927 to the summer of 1928, he composed the Eclipse trilogy. In 1928, he created the long ** "Rainbow".
From the early 30s to 1937, he created and published the novellas "Road" and "Threesome".
Feature-length ** "Midnight".
and the short story ** "Lin Family Shop".
Spring Silkworm" and other masterpieces. Anti-Japanese War.
There were also a large number of excellent works in the period up to 1944. His ** has a rich and colorful literary model of sensitive mathematics, pays attention to the epochal nature of the theme and theme of his works, and reflects the historical picture of the evolution of modern society in the capital country of Zhongqiao.
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Mao Dun's "Lin Family Shop" depicts the bankruptcy of a small shop in a small town near Shanghai before and after the "128" incident. The boss's surname is Lin, and he is accustomed to doing business diligently, and does not let go of the small profits that can be obtained in every transaction. However, the imperialist economic invasion, the flooding of the market with oriental goods, and the rise of the salvation movement, the boycott of Japanese goods affected the town, and Boss Lin was impacted.
Under the influence of the war in Shanghai, the money village tightened its chassis, and the debt collectors in the town were dispatched one after another, so that Boss Lin's financial resources dried up. The biggest impact is the reduction of farmers' purchasing power, which makes the business of the Lin family's shop depressed and cold. In addition, the reactionary army extorted, bandits, public order, extortion by Kuomintang officials, and unscrupulous competition among peers, the Lin family shop was embattled.
The young clerk Shou Sheng, who was smart and capable, quickly adapted to the new environment, and learned some capitalist business methods, such as selling "one-dollar goods", which made the business seem to have a turnaround; But it is only a return to the light, and in the end it cannot escape the inevitability of bankruptcy. When Boss Lin was in danger, he married the young lady and ran away in a hurry. In the end, it was a group of poor people who demanded debts from the Lin family who suffered the heaviest losses.
Although it is written about the fate of a small shop, it reflects the reality of the economic collapse of the entire country. A short story can have such a deep meaning, which is rare in modern **.
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Through real artistic depictions, the film connects the rise and fall of the Lin family shop with the entire era in a unique way, reflecting the complex times and society from ordinary events. The choreographer's combination of an easy narrative style, beautiful visual imagery and smooth montage makes the whole film smooth and profound. "Lin Family Shop" embodies the authentic artistic tradition of Chinese cinema.
The basic experience of all excellent films from the beginning of China's cinema to the 60s of the 20th century can be reflected by it.
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**Through the description of the whole process of the closure of the Lin family shop, it fully demonstrates the social and economic development of the township during this period, profoundly exposes the social contradictions in this period, and ruthlessly indicts the decadent and dark social reality.
The first contradiction to be exposed is the contradiction between Japanese imperialism and the Chinese nation, and the second major contradiction to be exposed is the contradiction between the bureaucratic bourgeoisie and the working people.
The third contradiction that the work aims to expose is the contradiction between the landlord class and the working people.
In addition, the author also focused on the dumping and exclusion of Mr. Wu, the boss of his peer Yuchangxiang, to the Lin family's shop.
Contradictory works, and thus night skylights are particularly good works.
The Lin family is a declining landlord family, and she left the family very early, and in feudal society, women have no conditions to inherit the family property.
Mao Dun in 1929.
In Japan, he wrote his second novel, "Rainbow" (the original plan was not completed), describing the heroine Mei Xingsu's long-term ideological experience from the "May Fourth" to the "May Fourth" Movement. Influenced by the new ideas of "May Fourth", Mei left her family in order to rebel against feudal marriage, but she did not find an ideal heaven in society, and the dark reality aroused her hatred and revenge. So far, May's thinking has not gone beyond the same women in Eclipse, no matter how different their personalities may be. >>>More
During the "May Fourth Meeting", Mao Dun was a core member of the Literary Research Society. () >>>More
Midnight", formerly known as "Sunset", is a modern Chinese novel**, about 300,000 words. Mao Dun began writing in October 1931 and completed the manuscript on December 5, 1932, with a total of 19 chapters. Some chapters have been published in ** Monthly and Literary Monthly, respectively. >>>More