What is the final ending of Mei in Mao Dun s Rainbow ?

Mao Dun in 1929.

In Japan, he wrote his second novel, "Rainbow" (the original plan was not completed), describing the heroine Mei Xingsu's long-term ideological experience from the "May Fourth" to the "May Fourth" Movement. Influenced by the new ideas of "May Fourth", Mei left her family in order to rebel against feudal marriage, but she did not find an ideal heaven in society, and the dark reality aroused her hatred and revenge. So far, May's thinking has not gone beyond the same women in Eclipse, no matter how different their personalities may be.

But when the revolutionary wave of the "May Three" came, especially with the help of Liang Gangfu, after learning revolutionary theory, Mei stepped on the rainbow leading to the ideal kingdom of heaven. The first step of "Rainbow" is still on "Eclipse", but it takes the second step, when Mei walks on Nanjing Road in the "Five-Three" movement.

, solemnly declared: "The grand drama of the times is about to be performed in this Oriental Paris, we should go on the stage and take up the mission of history", she joined the ranks of the "mutant" heroes.

Mao Dun, male, modern.

Writer. Formerly.

Shen Dehong, word.

Wild Goose Ice. A native of Tongxiang, Zhejiang. He began under the pseudonym Mao Dun after the defeat of the Great Revolution.

**Creation. 1927 year.

Autumn solstice 1928.

Xia created "Eclipse".

Trilogy. In July 1928, he created the long ** "Rainbow". From the early 30s to.

1937 year.

It is the harvest stage of Mao Dun's creation. During this period, he published the novella ** "Road", "Threesome", and the long ".

Midnight" and the short story ".

Lin's shop. , "Spring Silkworm", "Autumn Harvest", "Remnant Winter".

Anti-Japanese War. During this period, the works created include: the long ** "The Story of the First Stage", the prose "Scenery Talk", "Poplar Praise", the long ** "Corrosion", "Frost Leaves Red Like February Flowers".

and scripts. Before and after Qingming.

Wait. Liberation.

During this period, he created a long ** "Exercise". His.

** With a variety of colors.

Literary typical. He also attaches great importance to the epochal and significant nature of the theme and theme of the work, which can reflect the overall picture of the times and its epic development, and provides a broad historical picture of the evolution of modern Chinese society. Self.

Revolution. to the 40s.

Chinese society. The style and its complex changes, the life of various classes and the conflicts between each other are fully reflected in the text.

Mao Dun is a writer and political activist. Formerly known as Shen Dehong, the word Yan Bing. The main works are:

Long story ** "Eclipse", "Rainbow", "Midnight", "The Story of the First Stage", "Corrosion", "Frost Leaves Red Like February Flowers"; Novella** "Road", "Threesome"; Short stories** "Spring Silkworm", "Autumn Harvest", "Remnant Winter", "Lin Family Shop", etc.

Discrimination ** stock hard work is full of Manager Li.

Engels served as well as Edward looked at what should be the so-called green calyx and about him v

Will it be better to spin brother brother brother sister will be better! There was a huge drug trafficking case on the spinning road! The net profit of the company's shareholders is indeed many, many years.

Mao Dun (July 4, 1896 - March 27, 1981), formerly known as Shen Dehong, the word Yanbing, and the pen names Lang Loss, Pu Lao, Shen Yu, and Wei Ming, was born in Tongxiang, Jiaxing City, Zhejiang Province.

On March 14, 1981, Mao Dun donated 250,000 yuan to establish the Mao Dun Literature Award to encourage the creation of outstanding contemporary novels and the prosperity of social literature, which is one of the highest honors in China.

Divide between the Kuomintang and the Communist Party: The Eclipse trilogy ("Disillusionment", "Shake", "Pursuit") and "Rainbow".

During the period of the Left League: the long story ** "Midnight", the short story ** "Creation", "Lin Family Shop", "Rural Trilogy" ("Spring Silkworm", "Autumn Harvest", "Residual Winter").

Anti-Japanese War period: the long ** "Corrosion", "Frost Leaves Red Like February Flowers", "Exercise" and the script "Before and After Qingming", etc. "In Praise of the Poplar", "Landscape Talk", "Gentleman in the Forest" and other essays.

Classic masterpieces [Long Story**]: Midnight, "Eclipse" trilogy (including "Disillusionment", "Shake", "Pursuit"), "Corrosion", "Rainbow", "Exercise", "Frost Leaves Red Like February Flowers", "Frost Leaves Red Like February Flowers" sequel, "Polyamorous Relationship". Short **]:

Bao Shi", "Creation", "Rural Trilogy" (including "Spring Silkworm", "Autumn Harvest", "Remnant Winter"), "The Story of the Big Nose", "Lin Family Shop", "Color Blindness", "Poetry and Prose", "Shijie", "The Story of the Hand", "Algae Xing", "Little Witch", "Smoke Cloud", "Aspirant" and "Suicide". Prose]: Poplar Praise", "Scenery Talk", "The Whistle Selling Tofu", "Rayon", "Impression of the National Games", "A Glimpse in the Car", "In the Sound of Firecrackers", "Talking about the Moon", "Occasional Notes in the Fog", "Earth Mountains and Rivers", "Dusk", "Fog", "Skylight", etc.

Mao Dun Literature Award The Mao Dun Literature Award was established in accordance with Mr. Mao Dun's last wishes to encourage the creation of outstanding novels and promote the development of China's socialist literature, and is one of the highest honorable literary awards in China. The "Mao Dun Literary Award" is the first literary award named after an individual in China. The Mao Dun Literary Award was established by the famous writer Mr. Mao Dun who donated his 250,000 yuan manuscript fee, and is one of the highest literary awards in China.

The Mao Dun Literary Award was established in 1981 by the Chinese Writers Association, when it was decided that Ba Jin (deceased) would be the chairman of the jury. The purpose of this award is to introduce and celebrate long-form** writers and works. At that time, it was stipulated that the selection would be held every three years, but now it is selected every four years.

Entries that have not won an award in the first round of the competition will still be eligible for awards in the next and future editions. The first selection was decided in 1982 and was limited to the length of the selection from 1977 to 1981.

Analysis of the Female Images of the New Era in Mao Dun's Eclipse and Rainbow Anonymous 【Abstract】 The group of "women of the times" portrayed by Mao Dun in Eclipse and Rainbow is a unique group, and their appearance reflects the contemporary social changes and the psychological journey of young intellectuals, and also enriches the gallery of characters in modern Chinese literature. Through the analysis of the images of women in the new era in Mao Dun's "Eclipse" and "Rainbow", this paper attempts to explore the differences between the image individuals and the uniqueness of the image groups, fully show the meaning and charm of their own existence, and show their importance to Mao Dun's works, so as to explore the meaning and laws of life, find the truth of some life phenomena, and give people reference and enlightenment. 【Keywords】 Women of the Times, Uniqueness, Personality Independence, Introduction In Mao Dun's early works, the image group of "women of the times" exists in the field of literary research with its own uniqueness, and has also attracted the attention of many scholars.

Most commentators have fully affirmed and highly praised the character characteristics of "women of the times", their status and historical significance in the history of modern Chinese literature, and have conducted in-depth research and analysis. Therefore, the research on this image group has been very fruitful, and the research results are also remarkable. In view of this, this paper attempts to find a different way to analyze and study Ms. Hui, Sun Wuyang, Zhang Qiuliu, and Mei Xingsu in Eclipse and Rainbow as typical types of "new women of the times", in an attempt to explore the differences between image individuals and the uniqueness of image groups, and to explore the significance of writers in shaping "women of the times" and show their own charm.

Full-text address.

"Women's self-consciousness", as the core of Mao Dun's early new concept of women, has very rich connotations: it requires human consciousness, emphasizes that "emancipated women" should have "human rights", and establishes "absolute physical, economic, and political independent qualifications": advocating the sacredness of love, "love-based" marriage and "new sexual morality", "opposing one-sided chastity and couple formalism" and overkill feminist-centric tendencies; Acknowledging that "social transformation" is the fundamental path for new women to "realize themselves" and so on, all of these have become the inner opportunity for him to create the image of women in the era as a profound cultural accumulation.

Although the cultural connotation of women of the times comes first from the writer's true feelings and rich accumulation after "experiencing life", it is also impossible to ignore the imperceptible role of her open new view of women in Hong Kong. Only in this way will there be the success of the image of women in the times.