Can anyone help me find some idyllic poetry, the light and the countryside, there will be a lot of t

Updated on culture 2024-03-13
6 answers
  1. Anonymous users2024-02-06

    Past the old man's village. Meng Haoran.

    The old man Gu Ji invited me to Tian's house.

    The green tree village is close to the edge, and the green mountain Guo is oblique outside

    Open the noodle garden, and talk about the wine

    Stay until the Double Ninth Day, and come to chrysanthemums.

  2. Anonymous users2024-02-05

    The poems of the countryside mainly describe the natural scenery and people's lives, showing the local feelings of tranquility and peace, simplicity and nature.

    The fields are bathed in the sun, the cattle and sheep are eating the grass, and the beautiful butterflies are dancing among the flowers, all of which make people feel relaxed and happy, and are the common depiction techniques used by poets. In rural poetry, poets often use natural objects to express human emotions. The small bridge and flowing water, the village house cattle and sheep are used as a metaphor for family, friendship, love and other emotions, and the feelings expressed are profound, simple and sincere.

    The peasants plough and the herdsmen graze, they are the most industrious people in the village, and poets often describe their hard work and simplicity and kindness in a praising tone. The poems of the rural idyll can also reflect social reality. Some poets used meteorological and natural disasters to reflect the isolation and hardship of the peasants' lives at that time, as well as social injustice and the voice of the people.

    The poetry of the countryside also reflects a profound cultural heritage. These poems reflect the traditional customs of the countryside, religious beliefs, food culture, etc., and fully demonstrate the charm of local culture. In short, the poetry of the rural countryside has rich connotation and artistic value, and is an indispensable part of the treasure house of Chinese poetry.

    Expand your knowledge:

    The so-called rural pastoral style mostly refers to the rural style of the American West. While feeling comfortable and reflecting a sense of leisure, the pastoral style shows a kind of romantic yearning. The design emphasizes the natural return of the soul, giving people a rich atmosphere.

    Back to nature, the rural pastoral style design gives people a sense of intimacy back to nature, and is more and more liked by people living in the city. The lines used in the rustic pastoral style are quite concise and not finely carved. There is no sense of heaviness of the traditional countryside at all, but it is a little more rough.

    And every design detail is tasted carefully.

    Fabric sofa should be designed in a thick, rustic pastoral style, and fabric sofa is an important choice, because the fabric reflects the simple flavor of the countryside. The early rustic style was very functional and practical.

  3. Anonymous users2024-02-04

    Summary. Hello.

    Poems about rural idyllic scenery (3 paragraphs).

    Hello. The poems that describe the idyllic scenery are:1

    The old man Gu Ji invited me to Tian's house. ——Meng Haoran, "The Old Man's Village" 2Last night, I went back to the north, and now I am in the east.

    Meng Haoran "Tian Jia Yuan Ri" 3The tall trees are sad and windy, and the sea is rippling. - Cao Zhi, "Noda Yellow Sparrow".

    4.Frost grass and insects cut, the south of the village and the north of the village pedestrians are absolutely "Village Night" Tang · Bai Juyi 5Mo Ci wine is thin, and no one cultivates the millet land, "Three Songs of Qiang Village, Its Three" Tang · Du Fu 6

    Outside the slanting sun, the jackdaws are ten thousand points, and the flowing water surrounds the lonely village "Full Ting Fang, Mountain Wipe Micro Clouds" Song · Qin Guan 7Since going to the church on the swallow, close to the gull in the water "Jiangcun" Tang Fu Du Fu.

    For reference, I hope it can help you.

  4. Anonymous users2024-02-03

    The rural idyll is as follows:1. In December of the eighth year, there was a lot of snow on the fifth day. Bai Juyi's "Bitter Cold in the Village".

    2. Qingjiang is a song that hugs the village flow, and everything in Changxiajiang Village is quiet. Du Fu "Jiangcun".

    3. Children return early from school, and they are busy taking advantage of the east wind to release paper kites. Gao Ding's "Village House".

    4. The frost grass and the insects are cut, and the pedestrians in the south and north of the village are absolutely uninhabited. Bai Juyi's "Village Night".

    5. There are one or two chickens in the rain, and the road and bridge in Zhuxi Village are oblique. Wang Jian's "Rain Over the Mountain Village".

    6. The green mountains are all over the white river, and the rain is like smoke in the sound of the sub-rules. Weng Fei's "April in the Country".

    7. The eaves of the elm willow shade, in front of the Tao Li Luo Ji Zheng Noisy Hall. Tao Yuanming's "Returning to the Garden and Living in One of the Fields".

    8, a different dynasty city, this saying is true. Tao Yuanming's "Returning to the Garden and Living in the Fourth".

    9. Mo laughs at the farmer's wine, and the guests are full of chickens and dolphins in the harvest year. Lu You's "Tour of Shanxi Village".

    10. The dog barks in the deep alley, and the rooster cries in the mulberry tree. Tao Yuanming's "Returning to the Garden, Tianzi Serving in One of Them".

    11. After the countryside is sparse and dry, the flesh and blood are displaced from the road. Bai Juyi's "Feeling of Looking at the Moon".

    12. Even if the wind blows away overnight, it is only by the shallow water of the reed flowers. Sikong Shu's "Jiangcun is the Thing".

    13. Lonely Yanyuan Village under the mountain, a lonely tree plateau on the horizon. Wang Wei's "Seven Songs of Pastoral Music".

    14. The peach color is full of rain, and the willow green is more smoky. Wang Wei's "Seven Songs of Pastoral Music".

    15, the flowers have not been swept away, and the warblers are still sleeping. Wang Wei's "Seven Songs of Pastoral Music".

  5. Anonymous users2024-02-02

    The poems about the rural idyll are as follows:1, "Two Quatrains".

    Tang) Du Fu. In the late days, the rivers and mountains are beautiful, and the spring breeze is fragrant with flowers and plants.

    The mud melts and flies the swallows, and the sand warms the mandarin ducks.

    2, "Bamboo Pavilion".

    Tang) Wang Wei. Sitting alone in the secluded grate, playing the piano and howling.

    People in the deep forest don't know, and the bright moon comes to take pictures.

    3, "The Old Man's Village".

    Tang) Meng Haoran.

    The old man Gu Ji invited me to Tian's house.

    The green tree village is close to the edge, and the green mountain Guo is oblique outside

    Open the noodle garden, and talk about the wine

    Stay until the Double Ninth Day, and come to chrysanthemums.

    4, "Gongchuan Idle Residence Presents Pei Xiucaidi".

    Tang) Wang Wei. The cold mountains turn green, and the autumn water is murmuring.

    Leaning on the cane outside the firewood door, listening to the twilight cicadas in the wind.

    The sun sets over the ferry, and there is lonely smoke in the ruins.

    The summer value is drunk, and the wild song is in front of the five willows.

    5, "Pastoral Words".

    Tang) Li Bai. Jia Yi has been in the country for three years, and the class is more than 10,000 miles.

    How can he lead a white calf, drinking water to the clear stream.

    Appreciation of "Two Quatrains":At the beginning of the poem, he writes from a large place, depicting the clear and gorgeous spring scenery in the Huanhua River area under the bright sunshine of early spring, with a concise pen and rich colors. "Late day" is spring, and the words "Spring is late" in "Book of Songs, Quiet Wind, July".

    It is used here to highlight the early spring sunshine to capture the whole story. At the same time, the word "beauty" is used to dye the "rivers and mountains", showing the beautiful scenery of the spring sunshine, the green of the four fields, and the stream reflecting the sun. Although this is a broad stroke, the bottom of the pen is spring.

    In the second sentence, the poet further uses the warm spring breeze, the first flowers, the grass, and the rich fragrance to show the bright and good spring. Because the poet organically organizes the spring breeze, flowers and plants and the fragrant fragrance they emit, through association, you can have the feeling of benefiting the wind and smooth, the flowers blooming, and the wind sending the fragrance of flowers, and receive an immersive artistic effect. On top of the bright and far-reaching picture, the third and fourth sentences turn to the specific and vivid depiction of the early spring scene.

    In the third line, the poet chooses the most common and characteristic dynamic scene of early spring to depict. The spring flowers are blooming, the mud is melting and the soil is wet, and the swallows that return to spring in autumn are flying around busily, building nests in the mud. This vivid description makes the picture more vibrant, full of spring, and a kind of dynamic beauty.

    Du Fu's observation of swallows is very detailed, "mud melting" is closely related to the first sentence, because spring returns to the earth, the sun shines before "mud melts"; Ziyan is newly returned, making a nest in the mud and flying non-stop, showing a spring mood.

  6. Anonymous users2024-02-01

    [Poetry].In December of the eighth year, there was a lot of snow on the fifth day.

    In December of the eighth year of Yuanhe, there was heavy snow for five days in a row. )

    Don Bai Juyi's "Bitter Cold in the Village".

    Qingjiang is a song hugging the village flow, and everything in Changxia Jiangcun is quiet.

    The clear water of the river meanders around the village, and everything in the village looks elegant in the long summer days. —Tang Du Fu, "Jiangcun".

    The children returned early from school and were busy putting paper in the east wind.

    The children in the village hurried home after school and took advantage of the east wind to fly the kite into the blue sky. —Qing Gao Ding, "Village Dwelling".

    The frost grass and the canthus are cut, and the pedestrians in the south and north of the village are absolutely untouched.

    In a field of frost-battered gray-white autumn grass, insects whispered, and pedestrians disappeared around the mountain village. )

    Don Bai Juyi's "Village Night Selling Boredom".

    There are one or two chickens in the rain, and the road and bridge in Zhuxi Village are oblique.

    On a rainy day, the changing sky attracts a few rooster crows, and the mountain village path crosses the sloped bridge. )

    Tang Wang Jian, "Rain Over the Mountain Village".

    The green mountains are all over the white river, and the rain is like smoke in the sound of the sub-regulations.

    The grass and trees on the hillsides are lush, and the water in the rice fields reflects the light of the sky. The sky was misty and rainy, the cuckoos were crying, and the earth was a thriving scene. )

    Song Wengjuan's "April in the Country".

    The elm willow shades the back eaves, and the peach and plum Luo Hall are in front of the hall.

    Elm and willow trees cover the back eaves, and peach and plum trees are lined up in front of the hall. —Wei Jin Tao Yuanming, "Returning to the Garden and Living in the Garden".

    Mo laughs at the farmer's wine, and the guests are full of chickens and dolphins in the harvest year.

    Don't laugh at the wine brewed in the farmer's wax moon, the dishes are very rich in the harvest year. - Song Lu You's "Tour of Shanxi Village".

    The dog barks in the deep alley, and the rooster cries in the mulberry tree.

    A few dogs barked in the deep alleys, and a rooster crowed on top of the mulberry tree. —Wei Jin Tao Yuanming, "Returning to the Garden and Living in the Garden".

    The old man Gu Ji invited me to Tian's house.

    An old friend had prepared a sumptuous meal and wanted to invite me to his hospitable farmhouse. —Tang Meng Haoran, "The Old Man's Village".

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