How to distinguish between Xipi and Erhuang, what does Xipi and Erhuang mean

"Xipi" and "Erhuang" are two different vocal chambers.

If you make a detailed analysis from the aspects of key, tonality, melodic structure, and style, it will inevitably be a little too difficult, which makes beginners feel too complicated, difficult to grasp, and afraid of difficulties. So, how to distinguish "Xipi" and "Erhuang" in a simple and clear way? In short, you might as well start with Jinghu's set strings.

First have a perceptual understanding, then gradually deepen it, and then digest it intellectually, and then you will feel that it is so easy to discern it.

The Jinghu string of the "Xipi" singing voice is the "6 3" (la mi) string, that is, the inner string is the "la" note with a low point, and the outer string is the "mi" sound without high and low points.

The Jinghu string of the "Erhuang" singing voice is the "5 2" (gol re) string, that is, the inner string is a simple score with a low note point of "gol" sound, and the outer string is a "re" sound without high and low points.

After their different stylistic attributes and Jinghu Dingxian, in the process of appreciating and singing, it is not difficult for you to grasp another feature that is easy to distinguish between the two - passing through the door. For example, in the case of the opening of the original board (i.e., the prelude before the actor is ready to sing), no matter how it starts, at the end of the passage, the "Sipi" passage always falls to the two sounds, and it starts with a "do" sound and ends there.

The arrows of the la" note are connected to form a descending note, and then the actor sings; And the end of "Erhuang" is always in another form, that is, to "565."

561" On these notes, the three and four "gol" sounds are connected by a line, and then enter the singing cavity.

Pick 3 Because the Xipi cavity was born from the Bangzi cavity, its melody is high-pitched and passionate, and it has obvious northern characteristics.

There are two theories about the origin of the "two yellow cavities". One is said to originate from the Yihuang cavity in Jiangxi; One is said to originate from the Hui tone. Whether it originates from the Yihuang dialect or the Hui tone, in short, it is a southern opera, so its southern ** characteristics are more prominent.

Hope it helps.

"Xipi" and "Erhuang" are two different vocal chambers. Xipi originated from the Qin dialect, and in the late Ming and early Qing dynasties, the Qin dialect was transmitted to Wuchang and Hankou through Xiangyang, Hubei, and evolved into Xipi in combination with local folk tunes; Erhuang is evolved from blowing cavity and high plucking.

In Peking Opera, Han Opera, Hui Opera and other operas, Xipi is used in conjunction with Erhuang accent, collectively known as "Pi Huang". In Hunan opera, Guiju opera and other dramas, Xipi is also called "North Road", opposite to Erhuang called "South Road", or collectively called "North and South Road". Peking Opera Xipi includes a guide plate (inverted plate), a slow plate (slow three eyes), an original plate, and a second plate.

Sixth, allegro, flowing water, loose board, rocking board, back to the dragon and other plate types. Compared with Erhuang, Xipi is generally more high-pitched and vigorous, lively and bright. There is also an anti-Sippy tone, which also includes two.

Sixth, rocking plate and other plate type. It is the main singing voice of Peking Opera.

1. Erhuang. Erhuang is a kind of tone, including guide plate (inverted plate), slow plate (slow three eyes), original plate, stacking plate, loose plate, rocking plate, Huilong and other plate types. Same as Sippy.

In contrast, Erhuang is generally more calm, steady, concise and serious.

There is also an anti-Erhuang tone, also known as Erhuang anti-tone, which also includes a guide plate, a slow plate, an original plate, a loose plate and other plates, and the melody rises and falls more than that of Erhuang.

2. Sippy. Sippi is a kind of tone, singing bright and high-pitched, strong and upright, suitable for expressing joyful, agitated, unrestrained feelings. The Hubei dialect is called "skin", and Xipi is the singing voice from the west to the east; Or it is said that Xipi was born from the "skin" of the Qin cavity, hence the name.

Extended information: Xipi originated in the Qin cavity, late Ming and early Qing dynasties.

The Qin cavity passes through Xiangyang, Hubei.

Passed to Wuchang. The area around Hankou combined with local folk tunes to evolve into Xipi; Erhuang is evolved from blowing cavity and high plucking.

In Peking Opera, Han Opera, Hui Opera and other operas, Xipi is used in conjunction with Erhuang accent, collectively known as "Pi Huang". In Hunan opera, Guiju opera and other dramas, Xipi is also called "North Road", opposite to Erhuang called "South Road", or collectively called "North and South Road".

Peking Opera Xipi includes a guide plate (inverted plate), a slow plate (slow three eyes), an original plate, and a second plate.

Sixth, allegro, flowing water, loose board, rocking board, back to the dragon and other plate types.

Compared with Erhuang, Xipi is generally more high-pitched and vigorous, lively and bright. There is also an anti-Sippy tone, which is also included.

Two. Sixth, rocking plate and other plate type. It is the main singing voice of Peking Opera.

"Erhuang" comes from Anhui formed in eastern Hubei and the adjacent areas of Anhui, in Peking Opera, Han Opera, Hui Opera and other operas, Erhuang is used in conjunction with the Western leather tone, collectively known as "Pi Huang". In Hunan opera, Guiju opera and other dramas, Erhuang is also called "South Road", opposite to Xipi called "North Road", or collectively called "North and South Road". In the skin yellow, the two yellows are dignified, and the west skin is bright.

Sippi is an opera tone. At the end of the Ming Dynasty and the beginning of the Qing Dynasty, the Qin dialect spread to Wuchang and Hankou through Xiangyang, Hubei, and evolved in combination with local folk tunes. In Peking Opera, Han Opera, Hui Opera and other operas, Xipi is used in conjunction with Erhuang accent, collectively known as "Pi Huang".

In Hunan opera, Guiju opera and other dramas, Xipi is also called "North Road", opposite to Erhuang called "South Road", or collectively called "North and South Road". Peking Opera Xipi includes a guide plate (inverted plate), a slow plate (slow three eyes), an original plate, and a second plate.

Sixth, allegro, flowing water, loose board, rocking board, back to the dragon and other plate types. Compared with Erhuang, Xipi is generally more high-pitched and vigorous, lively and bright. There is also an anti-Sippy tone, which is also included.

Two. Sixth, rocking plate and other plate type.

The most direct difference between Erhuang and Xipi is the difference in vocal cavity. The inner string of the Jinghu Ding string of the Erhuang voice is a "gol" note with a low note point, and the outer string is a "re" sound without high and low notes. The inner string of the Jinghu Ding string sung by Sipi is a simple score with a low note point of "la" sound, and the outer string is a "mi" note without high and low points.

Erhuang and Xipi are the most direct differences

The different attributes of the two sound cavities cause different string fixing. Erhuang originated in the eastern Hubei region, and the first tone was mainly spread among the people through puppetry, shadow puppetry, and human performances.

Xipi originated in the Qin cavity and sounded bright and bright, while Erhuang was a low cup.