What is the dragon s rielly? Does Lyri lose weight work?

There are many theories about the origin of dragons:

1) Patchwork totem theory; (2) the theory of the evolution of snakes; (3) lizard evolutionary theory; (4) the crocodile evolution theory on the first floor; (5) atmospheric phenomena; (6) Dinosaur fossil theory; (7) the theory of mutant organisms; (8) Extraterrestrial creatures say.

Let's just talk briefly about dinosaur fossils

Early ancients excavated dinosaur fossils during production activities such as quarrying, mining, and building large-scale projects, and then tried to restore the bones of these huge paleontologists with their own experience and imagination, so they created the image of the dragon.

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**Principle.

1. Scientifically arrange three meals a day.

Under normal physiological conditions, the average person is accustomed to eating three meals a day. The greatest consumption of the human body occurs in the morning of the day. Since the stomach has already been emptied after a night of digestion, if you do not eat breakfast, the energy used up for the whole morning's activities will be completely provided by the previous night's dinner, which is far from meeting the nutritional needs.

In this way, long-term deregulation can easily cause acute gastritis, gastric dilation, acute pancreatitis, coronary heart disease, myocardial infarction, etc. If you eat at night, you will produce excess energy, and the remaining energy will be converted into fat and accumulated, and it will be easy to gain weight. Therefore, it is ideal not to eat anything within three hours of bedtime, especially to avoid alcohol, meaty foods2, control staple foods and limit sweets.

If the original food is large, the staple food can be reduced by 50 grams from three meals a day. Try to eat less or no foods that contain too much starch and are very sweet, such as sweet potatoes, potatoes, lotus root flour, jams, honey, sugar fruits, candied fruits, malt milk essence, and fruit juice sweets. Non-staple foods can be lean meat, fish, eggs, soybean products, vegetables and fruits with less sugar.

3. Eat more meals and smaller amounts.

In the process, it is best to follow the principle of eating more and less, and distribute the total amount of food from three meals a day to five meals a day. And the last meal of the day is best eaten 5-6 hours before going to bed.

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The dragon is a mythical animal in ancient myths and legends in China and other East Asian regions, and it is the chief of scale insects. Reality.

No corresponding creatures or fossils have been found.

The dragon is often used to symbolize auspiciousness, and it is one of the most representative traditional cultures of East Asian peoples such as the Chinese nation, and the legend of the dragon and other dragon cultures are very rich.

The creatures that can be seen in the Chinese classics in ancient Chinese folk myths and legends cannot be found in reality, but the composition of their images originates from reality and plays the role of dispelling evil spirits, avoiding disasters and praying for blessings.

From the cultural era of thousands of years ago, there was no history to study to the Yin Shang, the Western Zhou Dynasty, and then to the Warring States and the pre-Qin, the vessels and ornaments about the image of the dragon have always emerged in an endless stream, with wings, without wings, horns, horns, and more Liangzhu culture of the beast-body dragon, Chahai ruins of the serpentine dragon, its image is also different, so some scholars believe that the origin of the dragon, the source of the multitude.

During the Tang and Song dynasties, the body was thick and plump, returning to the body of a snake, the body and tail were not distinguished, and there were scales from the back to the tail, and there was a circle of fins on the tail in the Song Dynasty. It absorbs the characteristics of the image of a lion, round and plump, with a hyena on the back of the head. In the Tang Dynasty, there were forked antlers, and the antlers were slightly similar in the early stage.

The upper lip is long with a pointed tip, and the lower lip is short and no longer curled. The dragon wings are already streamer-shaped. In the Song Dynasty, four-clawed feet appeared, and the hind limbs and tail often crossed and circled.

Conjecture of the generation of dragons:

1. In China, the symbol of the dragon was born in the Shang and Yin dynasties (16th-11th centuries BC, during the earliest hieroglyphic period in China), and it was engraved on the bones of animals and the shells of turtles. The carvings depict an angular reptilian with teeth, scales, and claws.

2. The above symbols usually indicate that the dragon is seen as a cruel, sinful, and unfortunate creation. Based on these symbols, Chinese scientists have concluded that it is actually a short-nosed crocodile.

3. Over the centuries, scientists have come up with many explanations and speculations about dragons. Undoubtedly, the dragon must have been a reptilian animal, a snake, an alligator or a lizard in its original form.

Dragon relics found in China:

1. The earliest dragon-shaped pattern found in China comes from the 8,000-year-old Xinglongwa culture Chahai site, Ao Han Banner is close to Liaoning Province, and the Chahai site is in Fuxin County, Liaoning) found a dragon about 19 7 meters long, stacked and placed with reddish-brown stones.

2. The discovery of this dragon of Xinglongwa culture pushed the history of Chinese dragon worship to 8,000 years ago. In the early days, the ancients could not make a reasonable explanation for most natural phenomena, so they hoped that the totems of their own nation had the power of wind, rain, thunder and lightning, the majestic posture of the mountains, and the ability to swim in the water like fish.

The dragon is one of the oldest mysteries of Chinese culture. In the ancient ruins, there has long been the hieroglyph "dragon", which seems to be an animal with horns, large mouths, tattoos, and twists.

Xu Shen, a scholar of the Han Dynasty, said in "Shuowen Jie Zi": "Dragon, the length of the scale insect, can be dark and bright, and can be short and long." The spring equinox ascends to the sky, and the autumn equinox dives into the abyss.

In myths and legends, the earliest ancestor of the Chinese nation, Fuxi, and the female calamity were dragon snakes with human heads and snake bodies. The picture of Fuxi and female calamity in the cultural relics of the Han Dynasty is an illustration of the image of "the descendant of the dragon".

The image of the dragon seen today is the main body of the snake, receiving the four legs of the beast, the mane of the horse, the tail of the horse, the horns of the deer, the scratch of the dog, and the scales and whiskers of the fish.

Scholars have accumulated the results of research over thousands of years and have come to a relatively consistent conclusion: the dragon is just an animal that symbolizes a good life in the imagination of ancient people; Dragons originated from the totem worship of primitive clan societies.

There are beetle snakes that have no feet and can fly (see "Xunzi Persuasion"); The scaly one is called Jiaolong, the hornless one is called Chi Dragon, and the horned one is called Qiu (Qiu) (see "Lisao" Hong Bu quoted "Guangya"). The winged one is called Yinglong ("Tianwen" Wang Note). Jiaolong, Dragon, Qiu, and Ying Dragon are not the orthodoxy of the dragon, and the orthodoxy of the dragon is called Canglong.

On the bronzes of the Shang and Zhou dynasties of the Warring States period in China, we can see these different kinds of dragons.

The Treatise on Balance says: "The image of a dragon, the head of a horse and the tail of a snake." "Others say that the shape of the dragon is the antlers of a deer, the ears of an ox, the head of a camel, the eyes of a rabbit, the neck of a snake, the belly of a mirage, the scales of a fish, the paws of a deer, and the talons of an eagle.

The Compendium of Materia Medica says that "dragons have nine similarities", which is an outlier that has the strengths of various animals. Legend has it that it can be visible and hidden, small and huge, short and long. The spring equinox ascends to the sky, the autumn equinox dives into the abyss, calling for wind and rain, omnipotent.

These images of dragons, which are already in the late stages of development, are becoming more and more complex than the original dragons, and there are more and more totems that have been integrated, indicating that it is constantly enriching and developing.

Illusory. Represents a symbol of immortality and strength.

I don't know, I just don't know.

The dragon is a legendary creature, but also the totem and belief of our Chinese, we also claim to be the descendants of the dragon, so what about the origin of the dragon? This goes back to antiquity. At that time, human beings were still primitive people, and in order to survive, they had to face birds and beasts in nature every day.

1. Dragons originated from snakes. copy

Eight thousand years ago, bai

The rainfall is abundant, the grass and forests are abundant all over the world, and it is a paradise for snakes. So people imagined a snake body, a camel's head, a unicorn horn, turtle eyes, cow ears, lizard legs, tiger claws, fish scales, and a bearded animal—the dragon. Dragons are powerful enough to subdue all natural disasters and beasts.

2. ** to thunder.

The dragon first came from the image of lightning bending, and the ancestors through the observation of nature and celestial phenomena, believed that there was a kind of divine object in the sky that could call wind and rain, thunder and appear in the image of lightning, according to the thunder they called it dragon. Judging from the pronunciation of the dragon character, "lóng" is a record of the rumbling sound of thunder.

In the cloudy weather, whenever they saw the wind and clouds, heard the sound of rumbling thunder, and sometimes even saw the lightning that followed, the ancestors knew that it was the dragon coming. And the dragon makes them unpredictable, and sometimes very frightening, and makes them feel more and more awe. Thus, the worship of the dragon began.

The 8,000-year-old dragon culture has a deep accumulation in Chinese folk, and countless folk customs and festivals are related to dragons.

In Chinese dragon culture, the dragon is regarded not only as a divine beast that reaches through the sky, but also as an auspicious beast. In the eyes of the ancients, since the dragon can communicate with heaven and earth, of course, it can also represent heaven or god and give people protection. Therefore, it is natural for people to regard the dragon as a sign of auspiciousness and happiness.

Ancient rulers even regarded the appearance of the dragon as a symbol of national peace and security.

The production of Spring Festival couplets].

It is said that Meng Chang, the king of the Later Shu Kingdom in the fifth dynasty, was a monarch who liked to be unconventional, and on Chinese New Year's Eve at the end of 964 AD, he had a whimsical idea to have one of his bachelors named Xin Yinxun write two sentences on a peach wood board and hang them as peach charms on the door frame of his apartment. These two sentences are "New Year's Day, Jiajie Changchun". The gist of the first sentence is:

The New Year enjoys the legacy of the ancestors. The gist of the second sentence is: The festive season indicates that spring is always there.

Since then, the form and content of the peach charm have changed, which is not only manifested in the beginning of the use of the pun body to replace the "gods" and "Yu Lei", but also to expand the connotation of the peach charm, not only to ward off evil spirits and drive away disasters, but also to increase the content of blessings and wishes. This became the earliest Spring Festival couplets in China.

By the Song Dynasty, it was quite common to write couplets on mahogany boards. Wang Anshi's poem "Yuan Ri" wrote, "In the sound of firecrackers, the spring breeze sends warmth into Tusu." On the pupil day of thousands of households, the new peach is always replaced with the old charm" reflects the grand occasion of hanging peach charms on every Chinese New Year's Eve.

At the same time, with the advent of the door god and the use of red paper to symbolize joy and auspiciousness to write peach charms, the mission of the previous peach charms to ward off evil spirits and avoid disasters was gradually transferred to the door gods, and the content of the peach charms evolved to express people's good wishes for good luck and abundant crops in the coming year.

The appearance of the term "Spring Festival couplets" was in the early years of the Ming Dynasty. After Ming Taizu Zhu Yuanzhang became emperor, he liked the pomp and excitement, and he also liked the peach charms posted by large families every Chinese New Year's Eve, so he wanted to promote it. Before Chinese New Year's Eve, he issued an imperial decree requiring every household in Jinling to paste the Spring Festival on their door frames written on red paper to welcome the new year.

On the morning of the first day of the Lunar New Year, Zhu Yuanzhang made a micro-service inspection and inspected the Spring Festival couplets door to door. Whenever he saw a well-written Spring Festival couplet, he was very happy and full of praise. When he saw that there was no Spring Festival couplets posted during the inspection, Zhu Yuanzhang was very angry, so he asked what the reason was, and the attendant replied:

This is a master who is engaged in pig killing and pig plowing, and he is very busy during the Chinese New Year, and he has not yet had time to ask someone to write. Zhu Yuanzhang ordered someone to bring pen, ink, paper, and inkstone, and wrote a Spring Festival couplet for this family: "Split the road of life and death with both hands, and cut off the root of right and wrong with one knife."

After writing it, continue to make the round. After a while, when Zhu Yuanzhang returned to the palace after his inspection, he passed by here again, and saw that the butcher's house had not yet pasted the Spring Festival couplets he wrote, so he asked what was going on? The owner of the house replied respectfully

This couplet was written by the emperor himself, and we hung it in the middle hall to burn incense every day. Zhu Yuanzhang was very happy to hear this, so he ordered the attendants to reward the family with thirty taels of silver. It can be seen from this that the naming and promotion of the "Spring Festival couplets" was promoted by Zhu Yuanzhang by means of administrative orders and the promulgation of imperial decrees.