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I think this mood is similar to Stockholm syndrome, because there are many negative characters in the movie, they are not originally bad, but there is a reason and hardship to develop into a "bad person", many people are more likely to sympathize with the characters because they have the same psychological feelings, and we watch the movie with strong personal emotions, which can't be said to be bad, it can only be said that everything has a boundary, you don't cross the line, and it is understandable to release your emotions in the movie.
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In fact, it is often the supporting roles, or even the villains, that are easier to do well. Because the protagonist is restrained, there are many things that the author cannot arrange for the protagonist to do, and the protagonist is more of a symbol than a living flesh and blood person. Negative characters are the opposite, they can love and hate, they don't need to be perfect, they can do things in their own way, and they can not be bound by rules.
When the writer can perfect a negative character, it is easier for him to gain the affirmation of the reader and the audience.
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Villains are easier to play well and more easily remembered. The protagonists are generally tall and full-style, and their personalities are not distinctive enough or we are used to seeing them. And the opposite angle is easier to shape the plump character traits in the details. More like a person.
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Compared with the positive characters, the negative characters are cool and cold, and all kinds of positive characters are purely reversed, which is something that the positive characters can't bring.
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Personally, the positive characters are too similar, too versatile, too perfect, and I don't like that bit of perfection. Far from being impressive and brilliant on the opposite side. For example, in the Body of Steel, I would think, what if the opposite side succeeded?
The film should not be so standard for American blockbusters.
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The more difficult it is to get the villain, the more difficult it is for the protagonist to get the villain, but the protagonist must win the villain in most cases, so this highlights that the protagonist's ability is not small. This is called "dragging".
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Some people also don't like the negative characters of some dramas, but compared to the positive characters, they still support the negative characters without hesitation, and the reason is that they want to make the future development of anime move towards your expectations through this attitude.
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The villain who made me feel sympathetic was An Lingrong in Zhen Huan's biography, and she became bad because she was too inferior.
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There are many negative characters that make me feel sympathetic, like Runyu in the fragrant honey sinking embers like frost, and Yuwen Hu in the lonely world.
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Zhang Niangzi in "Qingping Le", I really love and hate her, because I feel very sympathetic to her when I see that several of her children have died, and her love for officials is also very real.
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