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“Ouyang Xiu put forward the literary theory of "poetry is poor and then work" in the "Preface to Mei Shengyu's Poetry Collection", which can be demonstrated by example
Du Fuhas been displaced all his life, and has experienced too much in the Anshi Rebellion, so he has a broad vision, and with his innate spirituality and acquired experience, he has written many popular chapters, such as the famous"Three officials", "three farewells".Wait.
Li YuAfter the death of the country, he was deeply touched by life, so he wrote many "articles made of blood and tears", the most famous of which is one poem"When is the Spring Flower and Autumn Moon of Poppy"., wrote all the joys and sorrows.
Cao XueqinThe family fell in the middle of the road, and experienced the decline from brocade clothes and jade food to porridge and often credit, from a luxurious family to a big family with nowhere to live, such an encounter made him fully understand the warmth and coldness of human feelings, and thus created an immortal"Dream of Red Mansions".
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In literature, it is believed that "poetry is poor and then work", and that only poets can create excellent poems under extremely difficult circumstances, such as Du Fu's best poems were written in exile.
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Poor and then work specific explanation.
Poverty and then work is an important view of ancient literary theory, which believes that the more impoverished the literati are, the better the poetry will be written. From Song Ouyang Xiu's "Preface to Mei Shengyu's Poetry Collection": "The world is said to be a poet who is few and poor, how can the husband be!"
Most of the poets who have been passed down by the world are from the words of the poor in ancient times, and they are ......The poorer the cover, the more work. However, it is not the poetry that can help the poor, and the poor will work later. ”
In the history of ancient literature, there are many examples of "poor and then working": King Wen performed "Zhou Yi"; Zhong Nieu's "Spring and Autumn"; Qu Yuan's exile is endowed with "Lisao"; Zuoqiu is blind and has "Chinese"; Sun Tzu's bare feet, "The Art of War" is revised; Buwei moved to Shu, and the hereditary "Lu Lan"; Han Fei imprisoned Qin, "Difficult to Say", "Lonely Anger"; There are 300 poems in "Poems", which are probably what the sages did when they were angry.
Even from the "Li Du" in the literary circle of the Tang Dynasty, we can also see the shadow of "poor and then working". If Li Bai Dufu has a smooth road and a proud spring breeze in politics, then it is likely that there are two great writers missing in the history of literature. The well-known "article hateful" and "complaining and complaining" are the incisive summaries of the two of them on this complex life experience.
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In general, there are still many views on this kind of work, so you can check it.
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As: Funny Chang for example).
8。(1) There is no virtuous and foolish when the light is shining, and the poet must seek the holy Yu.
However, at that time, no matter whether people were virtuous or stupid, when talking about poetry, they would inevitably ask Sheng Yu for advice.
2) Although I know deeply, I don't recommend it.
Although I know him very well, I still don't recommend him.
3) Yu cried and remembered it, because he asked for it in his home.
I wept bitterly and wrote an epitaph for him, and I asked for it from Jing Zhi and his family.
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Mei Shengyu (1903-1964) was a famous modern Chinese writer, essayist and poet. His poetry is robust and natural, subtle and profound, and is known for its unique artistic appeal and profound thinking. In his poetry collections such as "Daydream" and "Marie Curie", he combines reasoning, writing about people, and talking about poetry to create a rich poetic world.
In the Preface to the Poetry Collection of Mei Peimu Shengyu, Mr. Liang Shiqiu commented on Mei Shengyu's poetry, saying that it "created a new, affectionate, soft, beautiful and strong poetic style". At the same time, he also conducted an in-depth analysis and evaluation of Mei Shengyu's poetry creation.
Mei Shengyu combines reasoning, writing people, and talking about poetry in her poems. His poems not only have profound thoughts and feelings, but also are resonant and tactful, which not only contain literary and philosophical reflections, but also integrate life feelings and artistic talents, and have a high degree of literary aesthetic value.
Mei Shengyu's poems can be said to be based on writers, and through vivid and specific characters, they show the poet's deep thinking about life. However, his poetry is much more than that, and his works often contain philosophical, ideological, and cultural issues and interpretations. At the same time, he is also able to talk about the essence of poetry and creation through the artistic technique of Peikong Sen's poetry, reflecting a high level of understanding and application of techniques in poetic art.
To sum up, Mei Shengyu combines reasoning, writing, and talking about poetry in his poems, so that his poems not only have ideological depth and cultural thickness, but also show a beautiful poetic style and profound literary and artistic penetration.
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It can be understood in this way: However, there is no virtuous and foolish, and those who speak poetry must seek it (in) Shengyu.
The object used here to introduce action is the meaning of "to", and "zhi" refers to the preceding "poem".
Then, the order of translation is: those who speak and poet must seek it from Shengyu. (Anyone who discusses poetry will ask Mei Shengyu for advice (poetry)).
Therefore, "Seeking the Holy Yu" is an inverted sentence.
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