Liu Chengzhang walks into New York s writing background

1.It refers to the people of the Loess Plateau in the face of drought and desolation of the plateau, but still strong the spirit of survival and the primitive beauty there, desolate, simple, simple and open. (The text quoted is too short, and the context should have some clues about this "folk song").

2.At this moment, thousands of miles across the ocean and sea, washed by the waves, swept by the long wind, and gently slapped by the hands of New York. ）

Anthropomorphic (swept by the long wind, gently slapped by New York's hands.) ）3.Different, it should be the opposite, American journalists are living in the metropolis, facing the pristine and desolate sigh of the Loess Plateau.

The author lives in a big city, walks into a complex metropolis and feels the great contrast between the progress of society and New York and his hometown.

4.I don't know.

The steering wheel of an American car is on the left, but the lane is on the right. So when driving, what the person sitting in the car sees is: the left side (of the lane) is driving from the opposite side, and the headlights are yellow and white.

On the other hand, the road is the rear of the car in front of me, and the lights are red.

Liu Chengzhang: Where is a person's "outstanding talent"? I often don't even know myself clearly. It means: human potential is unlimited, only after continuous attempts, you know that your "talent" is in**.

Feng Junli: Who said love at first sight is always frivolous? Under some kind of chance, how can you not fall in love at first sight when you suddenly encounter something beautiful that you have vaguely longed for or have been pursuing but have not been able to obtain?

The meaning is: love at first sight can also be very affectionate, but you haven't met love at first sight that makes you affectionate.

Liu Chengzhang is a contemporary poet, essayist, member of the Communist Party, and a native of Yan'an City, Shaanxi Province. He is currently a member of the Chinese Writers Association, an executive director of the Chinese Prose Literature Association, and a vice chairman of the Shaanxi Writers Association.

Feng Junli, born in 1955, is a contemporary writer. She used to be the deputy director of the Qinghai Provincial Institute of Literature and Art, and has published essays, reportage, short stories and other literary works in domestic journals many times. The above famous sentence is excerpted from Feng Junli's "Qinghai Lake, a Fantastic Lake", which describes her love for Qinghai Lake.

New York's supergiant stands so tall, and you, stand on the shoulders of New York. "(From Liu Chengzhang's "Into New York").

Answer: Look down, look up, look up.

Liu Chengzhang, a contemporary poet, essayist, and member of the Communist Party, is a native of Yan'an City, Shaanxi Province. Born in 1937, he graduated from the Department of Chinese of Shaanxi Normal University in 1961. He used to be a teaching assistant in the department, a screenwriter of the Yan'an Song and Dance Troupe, the editor-in-chief of "Writer", the deputy director of the Literature and Art Department of Shaanxi People's Publishing House, and the vice president of Shaanxi Provincial Publishing House.

He is currently the vice chairman of the Shaanxi Writers Association, a member of the Chinese Writers Association, a standing director of the Chinese Prose Literature Association, and a first-class writer.

Biography Liu Chengzhang, born in 1937, graduated from the Department of Chinese of Shaanxi Normal University in 1961. He started when he was in middle school with Ansai Waist Drum Liu Chengzhang.

Literary creation, high school poetry, then lyrics, finally drama, and then prose. The eighties were a peak of his work. A first-class writer, his first essay "Zhuan Jiuqu" won the first prize for outstanding prose works.

The essay collection "Sheep Wants Clouds" won the first Lu Xun Literature Award, and "Ansai Waist Drum" won the Lu Xun Literature Award and was selected into the "Essence of Chinese Contemporary Prose". It has been selected as the seventeenth lesson of the fourth unit of the second volume of the seventh grade language book of the People's Education Edition and the fourteenth lesson of the third unit of the sixth grade language book of the Sujiao Edition. The prose of the eighties focuses on:"Ego"Experiential"Free"Writing.

From the echo of social themes to the expression of personal emotions and moods, language and methods pursue the writer's"Personality"。In short, to pat the lead is to pay attention"Self-expression", focusing on the complex inner world of modern people, these works are called"New prose"or"Hazy prose"。The work "Ansai Waist Drum" was selected into the eleventh volume of the primary school Chinese of the Soviet Education Edition as the 17th lesson text.

It has been included in the second lesson of the seventh grade of the Lujiao version of junior high school Chinese, the 17th lesson of the seventh grade of the seventh grade of the people's education version, and the 14 lessons of the supporting textbook of the standard textbook of the compulsory education curriculum of the Jijiao version of the Chinese (sixth grade volume). This article is selected from the October 3, 1986 issue of "People**" It writes the magnificent momentum and sonorous rhythm of Ansai's waist drum, which brings us the galloping of strength.

The main works in this paragraph.

Loess Love", "Selected Prose of Liu Chengzhang", "Delicate Sunshine", "Liu Chengzhang's Prose Collection", "Reading the Tablet", "Sheep Wants Clouds", "Into New York", "Ansai Waist Drum", etc.