What should I do if I can t open my voice when I sing?

Here are a few ways to practice singing:

Treble problem--- First of all, teach you a simple and easy-to-learn, high-pitched technique: hold a toothpick between the corners of your mouth and sing, don't fall off, it's easy to sing high notes.

That is, it is often said that the opening of the inner mouth).

The vibrato --- is mainly through the control of the breath, so that the airflow passes through the throat like a wave, and the vibrato is produced, some people control the airflow through the voice, this kind of singing is very outdated, called vibratogram, the amplitude is very large, unnatural.

Everyone's vocal range is different, some people are born with a high pitch, and pitch is something that needs to be practiced, (but be careful, you can't be too tired and will sing your voice bad,)

In fact, you don't have to be too concerned about pitch, find some songs that suit your vocal range to practice, or a little bit of struggle, but you can still sing high notes.

It is necessary to turn on the voice before singing, and drinking some boiling water can help to turn it on. When the sound is turned on, the throat will not be uncomfortable.

In fact, whether singing is good or not is mainly pitch and rhythm.

With these two points, you can only sing, but feelings are the highest level.

Art is endless, for love is the shore.

Pitch is often the ear, when you sing, in fact, the ear is more important, we often ignore the ear when singing, we must listen carefully to sing out of our own voice, in order to grasp the pitch and emotion (must have heard, people who sing with headphones, ** sound overshadows their own voice, so out of tune).

Then you have to listen to the original song more, and you must also listen carefully to the singer's voice with your ears, the human ear is born with the ability to distinguish, you have to distinguish the accompaniment and vocals from the **, and even to each layer of musical instruments in the future.

Practice your ears first, and then talk about anything else.

Many children who have never learned to sing will have such a problem, that is, their singing throat hurts, their voices can't be released, they are transparent and bright, and they feel that they have no talent. Actually, you are really wrong because you have not mastered the technique. Why can't you let go of the voice?

Start by looking at the area and feeling of force. If you can open your throat completely while singing, the singer's own sensation should be that the throat expands outwards and the throat descends. The correct way to open your throat is to feel your neck expand in all directions, and the muscles on both sides are sore, which prompts the throat to stretch downward, and rightly so.

Why do you say that the singing voice is small? 1.Usually I speak loudly, but when I sing, my voice is so low that I can't let go.

Why? You sing in falsetto throughout the whole process, and you don't use breath, so the whole process of singing is very small, and you can't let it go if you want to. It is advisable for such students to learn to sing with breath, because squeezing your voice is falsetto, and your voice will get better over time.

Once the habit of singing is formed, it is difficult to change it back. We usually recommend that the average student improve their singing voice with proper practice with their real voice, rather than using falsetto all the time. Why can't I let go of my singing voice?

1. YawningIn the early stage of "yawning", don't let the yawn come out, and forcibly shut your mouth. At this time, the soft wind will automatically rise, the nasal cavity will expand with excitement, and the throat will naturally descend. The pharyngeal tube (nasopharynx, oropharynx, throat) moves up and down with the action of "yawning", expanding the spatial volume of the cavity and making the resonance channel of sound spacious and smooth.

2. Finding the fulcrum of the chest can excite and expand the resonant organs such as the throat, thereby opening the pharyngeal tube. Think first of all, a cold cough. When singing, the voice comes from the place where I cough.

The voice should be heavy and deep, and the sound should come from the lowest part of the throat. 3. In imitation, the vocal organ can respond quickly based on the first signal of hearing. This reflex, triggered by the physiological condition of auditory command, can subconsciously adjust the state of vocalization.

For example, imitating a person's "wide voice" singing, imitating a person's "crying", and imitating the "cry" of a cow can make the throat and other resonant organs excited and expand, and the throat is open at this time. 4. When laughing, you can raise your head and cry to help yourself find the feeling of opening your throat and find the place to exert force.

1. Yawning is the easiest way to open your throat.

However, it is also important to avoid yawning too much, which will make the sound too far back.

2. Finding the fulcrum of the chest is conducive to opening the throat.

First think about a cold cough, the sound that comes from the cough when you sing. The voice should be deep and deep, and the sound comes from the very bottom of the throat.

3. Imitating the singing of a person with a generous voice also helps to open the throat.

To imitate the singing of a person with a generous voice, not to imitate that person's timbre, but to imitate his technique.

4. Laughing and crying also help open the throat.

You can tilt your head back and laugh and cry to help you find the sensation of opening your throat.

Feel the resonance of the chest, open your mouth slightly, relax your larynx, close the glottis, and hum to experience the vibration of the chest. Lower the laryngeal gyrus.

The so-called slapping is to open the sockets of the upper and lower large teeth to leave room for oral resonance. You can use your hand to touch the position of the big tooth in front of the ear to see if it is open and then send out some reasons.

Feel the change in your voice, smile and speak, the corners of your mouth are slightly upturned, and you can feel the wings of your nose open, you can try to see if your voice becomes clearer. When talking loudly or practicing your voice, please maintain the above states to improve your voice, but be sure to relax, do not overcorrect, and do not only pay attention to the form of pronunciation. The breath problem should be adjusted, the voice should be loud, the middle breath should be full, the breath should be deep and long-lasting, a certain breathing pressure should be maintained at any time, and more exercises should be done for deep inhalation and slow exhalation.

One trick that allows you to turn on your voice and sing a good song.

How to solve the problem of singing voice that can't be let go? As long as you keep it that way, you can solve the strong ads.

Open your throat, breathe deeply, feel your diaphragm fill with air, and make a sound, it is best to start practicing with the Ah Hui sound, paying attention to breath control.

Answer, don't just sing a few words and gasp. Practice slowly so that the voice leans upwards, to the nasal cavity, to the cranial cavity. After practicing, I feel that the sound is coming from the door of the brain, which is very bright, very loud, and very smooth. Come on.

I don't know how, but you can start by making your throat 'move', like making a "hiss-" sound, or opening your mouth and closing your mouth, opening your mouth and closing your mouth, and repeating it all the time, that's what the teacher called us.

Singing is not with the voice, but with the qi of the dantian.

<>1. If you can't open your throat, you have to practice vocalization in the morning and insist on learning.

2. The air is fresh in the morning, while going out to exercise, it is necessary to practice often, and then continue to find a few simple songs that can be practiced slowly.

The easiest way to do this is:

Take the sound in the lower abdomen as the root, imagine that the sound passes through the back of the spine, to the back of the head, to the back of the mouth, and the whole sound should be erect and backward. Look for the sensation that when you take a big bite of an apple, expose your upper teeth, and at the same time make an "um" sound, and feel the position of the sound at the back of your mouth and the upper part of your nose, which is a resonance point of bel canto vocalization.

Next, sink the breath, expand the lower abdomen, push a little the lower abdomen, and make a sound in the position just now, the male voice Adam's apple is pressed, and the female voice pays more attention to the position of the voice on the back of the head, and you will find that the voice is much louder than before.

Practicing against the wall often helps with vocalization, because leaning against the wall touches the back of your spine, making it easier for you to find sensation, and the resonance of the ribcage resonates with the wall, making it easier for you to find the sensation of resonance in the ribcage. Start with the practice of "Mi Ma" and gradually work your way up to help practice the treble breath; Practice from top to bottom, repeat, and one day you will find the feeling.

Bel canto is "transparent", often imagining that one's voice is erect rather than flat; In addition, we pay attention to "resonance", and the sound will be mellow and full after passing through the resonance of the chest cavity or above.

Open the throat. "Opening the throat" is a very important central part of singing training, which directly affects the quality of the voice. "Open the throat" means to stabilize the larynx in the correct position, the mouth cover is actively contracted upwards into an arch, the base of the tongue is relaxed, and the lower teeth are placed flat, the teeth are opened, the jaw is relaxed and naturally lowered and pulled later, at this time the throat is open.

So how can you help beginners "open their throats"?

1) The state of "yawning"The state of "yawning" can make the mouth open naturally, relax, lift the mouth cover, and increase the space in the mouth. Therefore, when singing, the throat should not be occluded, but the throat should be opened, so that the breath can be sent out freely, and the "yawning" state is indeed a good way to open the throat, and it also ensures that the singer is in a good singing state. When you close your mouth and yawn, the state inside is also open and raised, if you can maintain this state when singing, then your voice will not be "white" and "flat", and your voice will be "vertical" and "round".

2) Use the "smile" state to open the throat The "smile" we talk about is not just laughing, but referring to lifting the "laughing muscles". The "laughing muscles" are lifted to open the nose and pharyngeal cavity, open the big teeth, and the laughing muscles (cheekbones) on both sides of the face are smiling, so that the smile state can open your throat and make you get a high voice. "The state of singing is the yawn inside, the smile everywhere", this is a very incisive statement.

The practice method of singing without opening the voice is as follows:

If you can't open your throat, you have to practice speaking in the morning and insist on studying. The air is fresh in the morning, while going out to exercise, you must practice often, and you can practice slowly when you are constantly looking for a few simple songs, and when your mouth is wide open, you must practice often.

It is necessary to practice vocal pronunciation in the morning and keep studying. You can also adjust the breath, qigong practice, in the process of inhaling and exhaling, inhale deeply, exhale slowly, inhale gently, and can't use too much force. When you inhale, the lower abdomen will contract, and then the lower abdomen will slowly open when you breathe, repeat this exercise, and the singing will slowly become better.

Singing

Singing is an art, in order to improve people's ability to learn to sing, they should be given singing skills training, including singing posture, breathing, breathing, vocalization, and articulation and other aspects of the requirements.

When a singer sings, the role of the larynx is Dahui Hall, but the heart can also influence it. When singing, the movement of the larynx is completely spontaneous, and when the singer sings, the vocal cord tension and the number of oscillations will be completely consistent with the thought. Of course, when vocalizing, you also need to use rapid force such as the diaphragm, abdominal muscles, ribs, and mouthpiece.