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Comparison between ancient style poetry and modern poetry: "poets" are all written for the feeling of things, which is the reflection of the soul. "Ancient style poetry" uses the poetic concept of "thinking without evil" to express gentleness and generosity, sorrow but not complaint, emphasizing "between the incomprehensible and the incomprehensible".
Modern poetry "emphasizes the spirit of freedom and openness, presents the situation with straightforwardness, and carries out the communication between the sensible and the intangible."
Modern poetry, also known as "vernacular poetry", is a type of poetry, which is generally not rigid in format and rhyme as opposed to classical poetry. The discovery of modern poetry can be traced back to the end of the Qing Dynasty, when some poems imported from the West had begun to be translated in the vernacular, but the volume of these works was not very large, so little was known. The name of modern poetry was first used in 1953 when Ji Xian founded the "Modern Poetry Society".
The main genres of modern poetry are the Crescent School, the Nine Leaves School, and the Hazy School.
Compared with ancient poems, although they are all made for the feeling of things, they are all reflections of the soul, but they completely break through the characteristics of ancient poems of "gentleness and generosity, sorrow but not complaint", and emphasize more freedom and openness, straightforward statements and communication between "the sensible and the intangible". The mainstream of modern poetry is free-form new poetry. The free-form new poetry is a product of the "May Fourth" New Culture Movement, which adopts the vernacular in form, breaks the shackles of the old style of poetry, and mainly reflects the new life and expresses new ideas in terms of content.
The original meaning of "ancient poems" refers to poems written by ancient scholars. Around the end of the Wei Dynasty and the beginning of the Jin Dynasty, there were a number of five-character poems made by literati before the Wei and Jin dynasties, which had no title and no author, most of which were lyrical poems, with unique expressions and artistic styles, and were collectively called "ancient poems". The ancient poetry style before the Tang Dynasty was a kind of poetry that did not pay attention to the rhythm and did not have a limit on the number of words and sentences.
After the Tang Dynasty, due to the emergence of near-style poetry, in order to distinguish the ancient style poetry from the emerging rhythmic poetry, the poet deliberately imitated the writing style of the ancient poetry of the Han and Wei dynasties and limited it in some aspects, thus forming a fixed pattern of ancient style poetry in the Tang Dynasty. The result was to turn the completely free poetry style of the Tang Dynasty into a kind of semi-free poetry between metrical poetry and free verse.
In short, ancient poems have a relatively fixed language form and strict rhyme requirements, which makes all forms of ancient poems catchy and sonorous to read. On the whole, various forms of ancient style poems embody a strong sense of rhythm and rhyme. This sense of rhythm and rhythm is combined with people's thoughts and feelings to form a specific linguistic atmosphere.
Modern poetry doesn't care very much, as long as the artistic conception is written, it can be arbitrary.
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Kiss the modern aesthetic works adapted from ancient poems and songs 1, "Quiet Night" - adapted from Qin Shaoyou's "Taoyuan Reminiscences of the Old Orange Debate and Destroys People" 2, "Who Knows My Love at This Time" - Nie Shengqiong (Song) Word Plate: Partridge Day 3, "Rouge Tears" - Li Yu Word Card: Crying in the Dark Night 4, "Yuan Bei People About After Dusk" - Ouyang Xiu Word Card:
Sheng Chazi 5, "Looking at the Tearful Eyes" - Liu Yong Word card: Yu Linling 6, "Sijun" - Li Zhiyi Word card: Bu Operator 7, "Alone on the West Building" - Li Yu of the Southern Tang Dynasty "Seeing Huan" 8, "The Moon is Full in the West Building" - from Li Qingzhao's "A Cut of Plums" Li Shangyin's "Untitled, Difficult to Say Goodbye When We Meet" - Xu Xiaofeng's "Farewell is Difficult" Xin Qiji [Ugly Slave], also known as "Picking Mulberries" - If you want to talk about it, "Silent Night Thoughts" - Bright Moonlight in the Stove in Front of the Bed Anita Mui Ouyang Xiu [Yulou Chun (aka:
Magnolia)] Ten Thousand Leaves and Thousand Voices" Yue Fei "Man Jianghong" - Man Jianghong Li Yu "Yu Beauty" - A Few Sentimentals Su Shi "Water Tune Song Head" - Faye Wong's "I Wish People Were Long" "Pu Jia" in "The Book of Songs" - On the Water Side Fan Zhongyan [Su Musha] - Fangcao Ruthless" Yang Hongji sang the opening words of "Romance of the Three Kingdoms" "Linjiang Immortals Rolling Yangtze River East Passing Water" "Nian Nujiao Chibi Nostalgia" - Nian Nujiao.
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Ancient style poetry is a type of poetry as opposed to close style poetry. Before the formation of near-body poetry, there were various poetic genres except Chu Ci. It is also known as ancient poetry and ancient style.
The ancient style poems are free in rhythm, informal, even, rhyme wider, length is not limited, and the sentences are four, five, six, seven and miscellaneous. There are many poems in the ancient style of five words and seven words, referred to as five ancient and seven ancient. Miscellaneous words have one word to more than a cross, generally.
The third, fourth, fifth, and seven words are mixed, and the seven words are the mainstay, so it is customary to belong to the category of seven ancients. Since the Han and Wei dynasties, Yuefu poems have been cooperated, with songs, lines, songs, words, etc. Tang people's music poems are not happy.
In addition, ancient quatrains also had authors in the Tang Dynasty; All belong to the scope of ancient style poetry. In the process of development, there was an interactive relationship between ancient style poetry and near-style poetry, and in the later period of the Northern and Southern Dynasties, there was a new style of poetry that emphasized sound rhythm and duality, but had not yet formed a complete rhythm, and was between ancient style and near-style. Some ancient poems of the Tang Dynasty tended to be regularized, and even ancient style works often incorporated near-style sentence patterns.
However, there are also some ancient poets who consciously distinguish themselves from the close body, and often use achievous sentences and occasionally scattered culture to avoid the law.
The name of modern poetry was first used in 1953 when Ji Xian founded the "Modern Poetry Society". Meaning of Modern Poetry:
1.The form is free.
2.The connotation is open.
3.Imagery is more important than rhetoric.
Comparison between "classical poetry" and "modern poetry": "poets" are all written for the feeling of things, which is the reflection of the soul. "Classical poetry" uses the poetic concept of "thinking without evil" to express gentleness and generosity, sorrow without complaint, emphasizing "between the incomprehensible and the incomprehensible".
Modern poetry "emphasizes the spirit of freedom and openness, presents the situation with straightforwardness, and carries out the communication between the sensible and the intangible."
Ancient style poems: It belongs to poetry.
Modern poetry: articles, separate sentences and layout.
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1. Classical Poetry and Modern Poetry Classical poetry: This mainly refers to the ancient metrical poetry of China, and when this section is finished, the extension of classical poetry can be extended to all "non-expressive" poems and poetry creation practices. Modern Poetry:
Here it mainly refers to the theory and practice of poetry creation since the twenties of the twentieth century. Since I have only been exposed to very few modern poems (such as Eliot's), and my views on modern poetry are based more on my observations of modern Western painting, my views may be extremely biased. Classical poetry came into being with the formation of early writing, and it is the product of people's direct identification of words, concepts, and ideas with the existence of the unconscious.
The rhythm developed by classical poetry is the construction of the aesthetic form of words in the process of gradually mastering the tools of words. Classical poetry has fully developed the technique of structuring words and assembling sounds, but the world of words has not yet been differentiated from the world of thought, and there is no difference between mental processes and the history of natural physiology – or, although there are differences, they are not consciously perceived by the observer, and classical poetry is basically reproduced. Modern poetry, on the other hand, is fully aware of this differentiation and difference, and actively conveys the understanding of this differentiation and the fact of differentiation in his works, so modern poetry is expressive.
Although modern poetry has not yet constructed a form that conforms to the harmony and rhythm of modern words like classical poetry, it has completed the transformation of the world of words from the world of thinking and the independent expression of the content of the world of thought. Poetry is a combination of words, and this "form" should be understood as "formalization" in mathematics According to this, a long and short sentence that is not a metrical sentence is not necessarily a modern poem, because its combination of words may be a reproduction of the combined form of thinking content, just like the classical poem. All non-expressive poems are not modern poems, at most they are linguistically free.
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Perhaps the simple point is that modern poetry can be used by anyone, but ancient poetry is to use the simplest words and exquisite sentences to describe and reflect a truth and event, and the high realm requires extremely high talent and scrutiny!
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Modern poetry is vernacular, ancient poetry is literary language, modern poetry does not pay attention to rhyme, ancient poetry has rhyme.
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Just ha, cold, cheering, watching the show, witch kkk, come to the two-way crossing, kill the two intersections, people, add me.
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1.It is necessary to pay attention to rhyme and peace2, which are the expression of the poet's feelings or ideals or opinions.
3. They all pay attention to artistic conception and pursue beauty.
4. They are inseparable from the real world, ** and life.
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It's all written by people, and it's all about emotional drops!
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First, the theme is biased. Most of the themes of ancient poetry are ambitious.
The theme of modern poetry creation here refers to a certain direction, that is, modern lyric poetry and love poetry. Second, artistic conception and imagery. Ancient poetry has elevated artistic conception to a fairly high status, and modern poetry has inherited this and extended it.
Whether a poem is good or not depends on whether the artistic conception is good or not, and whether it easily and clearly brings the reader into the author's world. Third, aesthetic orientation. Ancient poetry has changed for thousands of years, what is beautiful and what is ugly has left an indelible mark in people's hearts, and it is naturally reflected in modern poetry.
For example, if you want to sing praise, it must be applauded by everyone; Whatever is despised and disgusted must be spurned by all.
Personal opinion.
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The main reason why there were classical Chinese and poetry in ancient China was because there was too little paper and there were not many people who could write, so it was necessary to use the shortest words to express and record some words, deeds, and thoughts. On the one hand, the influence on modern literature spreads and records the ideas of the ancients, which has a certain educational significance, and creates a way of literary language for modern literature.
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Most ancient poems have some rhymes at the end of a sentence or in a sentence, and most of the ancient poems have a set number of words per line. There are no special rules in modern literature, and there is no limit to the number of words per line, as long as it is smooth.
Meaning of ancient poems:
Judging from the number of words in the poems, there are so-called four-word poems, five-word poems, and seven-word poems. Four words are four words and one sentence, five words are five words and one sentence, and seven words are seven words and one sentence. After the Tang Dynasty, four-character poems were rare, so they were usually only divided into two categories: five-character and seven-character poems.
Five-character ancient style poems are referred to as Wugu; Seven-character ancient style poems are referred to as Qigu; Those who use both three, five and seven words are generally considered seven ancients. The five-word rhythm poem is referred to as the five laws, which is limited to eight sentences and four crosses; The seven-word poem is referred to as the seven laws, and is limited to eight sentences and fifty-six characters. Those with more than eight sentences are called long rhythms, also known as row rhythms.
Changlu is generally a five-character poem. those with only four sentences are called quatrains; There are 20 words in the five absolutes, and 28 words in the seven. Quatrains can be divided into two types: legal and ancient.
The law must be limited by the law of the plain and the ancient. Ancient Absolute is generally limited to the Five Uniques. Modern Poetry:
The writing style is free, which is more suitable for expressing the emotions of modern people.
The meaning of modern poetry: the form is free, the connotation is open, and the imagery is more important than rhetoric.
Comparison between "classical poetry" and "modern poetry": "poets" are all written for the feeling of things, which is the reflection of the soul. "Classical poetry" uses the poetic concept of "thinking without evil" to express gentleness and generosity, sorrow without complaint, emphasizing "between the incomprehensible and the incomprehensible".
Modern poetry "emphasizes the spirit of freedom and openness, presents the situation with straightforwardness, and carries out the communication between the sensible and the intangible."
I think the way to understand modern poetry is actually to understand some of the author's living background, under normal circumstances, after understanding the author's life background, you can understand what he does, under normal circumstances, people with a better life will not worry about the fate of life, and people with better lives will not sigh about fate, in fact, it all comes from some of the author's own meaning.
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