Compare the language and art characteristics of Warring States Policy and Chinese .

"Warring States Policy" is an important historical work of our country, with strong literary value, we will also be exposed to it since childhood, primary school may have heard some words, to middle school, learning Chinese, learned a lot of "Warring States Policy" articles, "Warring States Policy" recorded a lot of countries governing the country and the story of the world, is a good way for us to understand history.

The overall feeling of "Warring States Policy" is very grand, and the author records the stories of various countries during the Warring States Period with sprinkled brushstrokes, including the story of national self-development and governance, as well as the story of two or more countries. <>

The work "Warring States Policy" not only shows us the historical story, let us understand this part of history, but also shows us a lot of truths, how a person should behave, be an aspiring person, and the truth of governing the country, governing the country and the world. <>

When it tells us the truth, it is not a simple telling, a straightforward explanation, but a very enlightening introduction to us, after we read it, we will add our own thinking and understanding, enhance our perspective on the problem. It is not simply to look at the problem from one side, but to look at the problem from multiple angles and macro dialectics, to learn dialectically and understand the problem. <>

To sum up, this is the language characteristics I listed for you about the "Warring States Policy", you can find it if you are interested, this work is very good, of course, this is my personal opinion, everyone has a benevolent opinion, the wise see the wise, as the saying goes, there are a thousand Hamlets for a thousand readers.

We should look at these issues with our own thinking, literary classics have high value, we must read the classics, learn the classics, let the classics learn in the inheritance, and inherit in the study. Don't let the classics just be classics.

The rebuttal of the skin and pith of the Warring States Policy, the spread of the extension, the unrestrained and unrestrained momentum, the euphemistic and spicy ridicule, the intriguing humor of the rough skin, and the peculiar exaggeration of the majestic rock bury, etc., all show the uniqueness of its language.

The Warring States Policy is brilliant and good at debate, such as fighting the blazing light, brilliant colors, introverted tone, unrestrained and unrestrained tone of hunger, euphemistic and spicy ridicule, and intriguing humor, which together constitute the Warring States Policy.

The book is very majestic in terms of language style, writing the stories of various countries with chic strokes, full of history and culture.

1. The left transmission and Chinese are Spring and Autumn, and the Warring States Policy is the Warring States.

2. The style of Zuo Chuan is chronicle, the national style of Chinese and the Warring States Policy, the order of the Chinese language is orderly, and the order of the Warring States Policy is disorderly.

3. The history of the Spring and Autumn Period can also be sorted out by the left biography, while the Warring States Policy is scattered and disorderly, because the violent Qin specifically destroyed the history books, books, and poetry of the Six Kingdoms, so it is difficult to sort out the history of the Warring States Period.

Zuo Biography takes the Lu Kingdom as orthodox, simple and complicated, writes war stories - "Warring States Policy" writes lobbying stories, fresh and beautiful, the lobbying of the elite to the upper class, how successful - the literary value of "Chinese" is very high, most of it is the advice of the upper class to the princes or kings, and how successful!

The content of Zuochuan and Chinese is Spring and Autumn, and the content of Warring States Policy is Warring States.

The style of Zuo Chuan is chronicle, the content of the Chinese language and the Warring States Policy is the national style, the order of the Chinese language is orderly, and the order of the Warring States Policy is disorderly.

The history of the Spring and Autumn Period can also be sorted out by the left biography, and the Warring States Policy is scattered and disorderly, because the violent Qin specifically destroyed the history books, books, and poetry of the Six Kingdoms, so it is difficult to sort out the history of the Warring States Period

The rebuttal of "Warring States Policy", the extrapolated lay-up, the unrestrained and unrestrained momentum, the euphemistic and spicy ridicule, the intriguing humor, the majestic and peculiar exaggeration, etc., together constitute the unique style of the language of "Warring States Policy": First, it is full of emotion and magnificent. Second, it is exaggerated and alarmist.

In order to sensationalize, the wanderer's words are characterized by exaggeration and fiction. Third, see the big from the small, and the image is vivid. Fourth, introduce metaphors and make good use of fables.

The fables of the Warring States Policy are rich and colorful, and can be roughly divided into three categories: animal fables, social fables and historical fables. Fifth, the language of the characters is personalized. Sixth, use vivid and twisty stories to portray lifelike characters.

Seventh, the Ming Dynasty is popular, and the language of "Warring States Policy" is quite prominent in the pre-Qin prose.

Summary. The rhetoric of the Warring States Policy is galloping, the argument is beautiful and simple and vivid, the image is vivid, the metaphor is harmonious, the momentum is abundant, and the reasoning is sufficient.

What is the artistic style of the language in "Warring States Policy"?

The rhetoric of the Warring States Policy is galloping, the argument is beautiful and simple and vivid, the image is vivid, the metaphor is harmonious, the momentum is abundant, and the reasoning is sufficient.

What debating skills.

Sorry, good to see the information.

"Warring States Policy" mainly shows the thoughts of the Zonghengjia. In that turbulent Warring States era, the Zongheng family couldn't wait to show their political ideas and strategies, hoping to be developed and verified. As a result, they used all sorts of methods to make those in power at that time aware of their troubles and misadventures.

This has the various schemes and clever debate skills inherited from the present generation in "Warring States Policy".

Convincing people with reason and moving people with emotion is one of the highlights of the debate skills of "Warring States Policy".

The use of fables and anecdotes can also enhance the persuasiveness of the argument, which is also a major feature of the "Warring States Policy".

The most prominent thing in "Warring States Policy" is to promote the life and morality of the Zongheng family, and emphasize the role of travelers. The article also reflects the characteristics of "scholars": they have no scruples in speaking and are unashamed; Emotional real, close to life; Majestic, vertical and horizontal; Make good use of metaphors and make vivid images.

"Warring States Policy" likes to use exaggeration, metaphor, and allegory in art, and the characters and stories are very interesting; The language style is unbridled and unbridled, making good use of sentences and sentences, resulting in a strong language, coupled with brilliant rhetoric and vivid expression, the language ability has been improved and developed compared with the previous historical prose.

The writing style of "Chinese" is mainly based on facts, focusing on objective description, it is not like "Zuo Chuan" and "Shi Ji", which add comments such as "Junzi Yue" and "Taishi Gongyue" to indicate the author's position, but through objective and specific descriptions, let readers savor and figure out the author's writing intentions. "Chinese" mainly describes the speeches of the nobles of various countries from the Western Weekend to the Spring and Autumn Period, and shapes the characters through the language of each style and characteristics, expresses the thoughts and fates of different characters, and records magnificent historical events. The use of language to record history, vivid, concise, praised by the past dynasties.

The rhetoric of "Zuo Chuan" is very beautiful, the reasoning is clear, the pen is flexible, the changes are numerous, the language is concise, but the meaning is rich. In particular, it selectively includes the wonderful diplomatic language of many diplomats, which also adds luster to it, and the predecessors called the characteristic of "Zuo Chuan" the beauty of pedestrian rhetoric, but "Zuo Chuan" is influenced by the chronicle, in order to seek the drama of events, the coherence of the plot and a large number of rigorous, heavy words, so that the moral meaning is strong, and the artistic interest can only be secondary. and "Warring States Policy" has fluent and sharp language, unbridled arguments, and unscrupulous speech.

He is good at skillfully interspersing fables and stories in the text to illustrate abstract truths and expound his own arguments, which is a model of argumentative writing. Its narrative is more vivid, more meandering, more dramatic, and more gripping. Sweep away the simplicity, elegance, and heaviness of "Zuo Biography" and replace it with freshness, liveliness, and romance.

"Warring States Policy" is the words of the strategist, pay attention to extravagance and exaggeration, the writing is hearty and full of changes, often with momentum and rhetoric to win, showing a typical vertical and horizontal style. Narrative form, landed sound; The argument is reasonable, and the momentum is magnificent. The extensive use of rhetorical devices such as exaggeration, metaphor, comparison and duality, greatly increases the momentum of the article and the power of language.

For example, in "Su Qin Speaks of the King of Qin with Lian Heng", the first paragraph of Su Qin's rhetoric, dual sentences and comparative sentences are stacked, and the topography, material potential, political situation, military situation, and popular situation of the Qin State are exaggerated, the sentence structure is short, the whole is changed, the tone is sonorous and harmonious, and the words are eloquent and sharp, resulting in an aggressive momentum, which has a strong agitation and persuasive power, which is very different from the euphemistic and tortuous characteristics of the rhetoric of the "Zuo Chuan".

The popularity of the language of "Warring States Policy" is quite prominent in the prose of the pre-Qin period. For utilitarian purposes, the strategists must understand their rhetoric as soon as they hear it, otherwise, even if it is a clever plan, it will be in vain. Therefore, the language of "Warring States Policy" is easy to understand, very close to the spoken language of the people at that time, and there are very few obscure questions, awkward sentence patterns or strange expressions.

Even if you quote poems, books, and idioms, you can naturally and harmoniously melt the ancient, modern, and spoken languages into one furnace to form a seamless artistic whole and produce touching artistic charm. Compared with the plain and natural language of "Chinese" and the euphemistic and subtle language of "Zuo Chuan", its style is obviously different.

The rebuttal of the skin and marrow of the Warring States Policy, the extrapolation of the spread, the unrestrained and unrestrained momentum, the euphemistic and spicy ridicule, the intriguing humor, the majestic and peculiar exaggeration, etc., all show the uniqueness of its language.