When using the comprehensive effect, how to adjust the electric guitar amp, except for the volume bu

Of course not.

There are three main buttons on a typical electric guitar: volume, tone, and pickup selector. And the sound emitted by your electric guitar is also particular about the sound source, if the sound source is out of tune, the later effects can only "make the wrong mistake".

And except for the volume buttons, there is no such thing as "off" for the other buttons.

1.When you connect an effect, the volume button usually acts as a "sound switch", which means that you don't use this to turn it up, but you use it as a switch: twist it to the maximum or minimum volume.

2.The tone buttons are generally softer, or crisper, and in the case of effects, we usually turn to the crisp side, to the maximum.

Of course, there are many different situations and designs, which vary from instrument to instrument. Generally speaking, the pickups that are placed towards the bridge are more jagged, more violent, and have a shorter aftersound, which is often used in rock. On the contrary, it is more suitable for pop or tender tones.

Anyway: when the effects are linked, the buttons on the guitar are useful, but they are generally no longer used as "adjustments", but only as "switches" - either the largest or the smallest. This ensures that your sound source is stable every time.

Explain them one by one.

1. The advantage of a really good guitar amp is that the timbre of the preamp and the postamp is pure, not the amount of effect. If it's a split box for tens of thousands of dollars, then the amp will provide you with a very distinctive and unrepeatable distortion tone, (or overdrive tone), or add a few relatively good peripheral effects, but it will definitely not cover dozens of very good effects. The fundamental purpose of an effect is to provide more and richer variations to the sound of an electric guitar, and whether or not you use an effect depends on whether the variation or effect provided by the speaker can meet the needs of you and the music, not that you have to have one, or that you don't need another one if you have one.

It does not conflict with the speaker, and the two are used together, and there is no problem of choosing one or the other.

2. Guitar + effect + speaker, in this link, it is the guitar and speaker that really determine the quality of the tone, and the effect only plays an auxiliary role. Many newcomers misunderstand the meaning of effects, that is because the low-end guitar and low-end amps themselves are not outstanding in tone, and the high-end guitars and amps are too expensive, so replacing a slightly more ** effect will make the tone sound significantly improved, thus creating the illusion that the effect determines the tone. To put it simply, no matter how good the guitar is and how good the effects are, if there is no good amp, then everything is in vain.

You can understand that even if you have a good voice, if you sing with a megaphone, can it sound good?

3. Speaker simulation is mostly used in recording, or similar processes, such as [guitar + effect + computer (or mixer)] in this process, because there is no guitar speaker participation, so a tool to simulate the speaker is needed to achieve the effect of "assuming that a speaker exists". It's a completely different thing from an effect in terms of function and use. But nowadays, a lot of synthesizers have speaker emulation in them, so a lot of people misunderstand that they're just one thing.

Heavy metal rhythm, gain 40-45% other knobs are 100%, volume knobs can be smaller, preferably 100%.

Heavy metal solo solo, gain45-60% other knobs are 100%, volume knobs can be smaller preferably 100%.

The principle of gain is to hear the notes clearly.

The electric guitar is a product of modern science and technology, and it is obviously different from the traditional guitar in terms of appearance and sound. The body is made of new hardwood, with a volume, pitch adjuster (buttons) and a vibrato structure (rocker). Combined with the use of effects, the electric guitar has a strong expressive power and has a very important place in the modern **.

Now it is mostly used for song accompaniment.

Why not take a picture?

Gain and the first volume should both belong to an overdrive unit, and some speakers have a gain with a white button. Its function is to turn on distortion and adjust the degree of distortion.

Treble Middle Bass is a high, medium and low frequency, and it's easy to understand that the second volume is the total volume output of the speaker, and the noisy neighbors rely on it.

tone is tuned.

This can't simply say how many times you screw, because you don't know how good your piano and box are, you can only carefully move the main gain and tone

First of all, the speaker has two channels, one is distortion and the other is the dry piano.

And then there should be two more about effects, and you actually don't have to use those messy effects when you have these two channels.

At most, add a little reverb, the delay is useless.

So don't add stuff to the mix, because that's going to detract from the timbre.

Normally, what we see on guitar amps is three-band EQ, which means that there are only high, medium and low.

We all know that if you open the treble wide, it will be very bright, but in fact, your overall timbre will become prominent, obvious.

If the midrange is turned on, the graininess becomes very strong when you are in solo, and the capsule becomes prominent, and if you play the rhythm, I turn it down, and it will be turned on until about ten o'clock.

Bass Speakers like this don't have a very good bass response, so it doesn't have that much effect, so when you tune in the bass, try to turn on as wide as possible, and if you think you're playing with "Weng" or too muddy, turn it down.

And then you have a four-band equalizer, you see that it has two midranges, and you can change your tone in more detail, and you can first tune it as one, just twist the same amount, and then change one of them.

In addition, you have to consider the sound pressure level for this thing For example, if you tune a good tone at home, but you are afraid of noisy neighbors, you have to turn it down, and when you turn it down, the timbre that you hear the speaker reaction may change, at this time you have to change your EQ In short, this is tuned by the sound you hear, not what timbre he tunes to where.

Many people think that when he screws to the far left, it is turned off, and the right side is the largest, but in fact, it is not, what he really means is that when it is put at 12 o'clock, a zero should be written on the twist, and when it is put in this place, it is unchanged, and when the four twists are at 0, it is the faithful tone reflected by your guitar and your speaker, and the left twist is attenuation, and the right is increased.

When plugging in the effect, the speaker selects the acoustic channel. The midrange frequency is generally not tuned, in principle, the bass and treble are tuned first, and the midrange is tuned last, and the timbre needs to be adjusted slowly. If you need a warm tone, then turn up the high and low tones appropriately, and if you want to be bright, turn up the high frequencies.

The specific adaptation steps are as follows:

Step 1: Use a signal cable (microphone cable) with a shield to connect the output of the guitar to the input of the speaker, if you use a low quality cable or the shield is too thin, it is easy to be interfered with by external electromagnetic signals.

Step 2: Turn on the power switch of the speaker. Although this is general electrical common sense, guitar speakers and ordinary household appliances are not exactly the same, especially when the speaker you use is a tube speaker, after turning on the power switch, the tube will also go through a "warm-up" process to work, which is determined by the working principle of the tube, if you play it immediately after turning on the power, the number of times, the tube will age in advance.

Step 3: If you are using a speaker that you have never been exposed to before, it is necessary for you to determine the timbre characteristics of this speaker first. Please adjust the tone (EQ) knobs (usually 3:) first

high, mid, low, respectively control high frequency, medium frequency, low frequency) to the position of "5" (positive**).

Step 4: Most guitar amps have two or more level-gain control knobs, even on the cheapest personal practice models.

Step 6: After the above "toss", in order to make the sound have a certain sense of space, we can adjust the reverb controller of the speaker.

gain volume.

treble high middle bass low volume total volume.

You're talking about distortion, you want SD or DS to string effects yourself (if it's troublesome, just get a small comprehensive zoom g2 or something).

Try not to cover the microphone pickup area when the speaker is placed, and it is important to control the diffusion angle of the return speaker.

Pop singers should have a thick voice; The national singing voice should be bright, bel canto singing.

Leave him alone. Singing with insufficient confidence plus medium and high frequencies, highlighting his brightness, reducing the low frequency with a lot of confidence, saving the sound from breaking, women adding low frequency sound thick, men plus high frequency sound through, the basic concept is so, you can adjust it according to your own feelings.

The microphone is called minus 200 at low frequency, 630 at medium frequency, 2k5-4k at high frequency, 300-500 for thin sound, 1k for sound air, 4k for sound explosion, 3k for muffled sound, 8k for tooth sound, and 12k-16k for aftersound.

In places with large venues and insufficient sound absorption, the reverberation time of the effects should be short, otherwise the sound will be muddy.

When the male voice sings, the reverberation time should be shorter; The reverberation time of female voices can be longer.

The reverberation time of professional singers should be shorter, otherwise the original timbre will be destroyed; Amateur singers can use longer reverberation times to mask the lack of sound.

How to adjust the sound effect, first of all, you have to adjust the sound effect according to your ****, or the TV TV series, because if some** it comes out, you can hear whether its sound effect is good or not, so you can adjust it.

You can find a professional tuner to help you deal with this, this thing is more professional, and ordinary people can't get it.

For sound effects, you'd better find one and the tuner will tune it for you, which is more difficult.

With the effects of this audio, can you not have a setting in the audio? Just set it up and tune it up.

With this adjustment, you can adjust its volume and so on, all of which must be adjusted to a suitable degree.

Of course not.

There are three on the average electric guitar.

Main buttons: volume, tone, pickup selector. The sound of your electric guitar is more jagged, more violent, and shorter in aftersound as the pickup position towards the bridge, which is often used in rock. On the contrary, it is more suitable for pop or tender tones.

Anyway: when the effects are linked, the buttons on the guitar are useful, but they are generally no longer used as "adjustments", but only as "switches" - either the largest or the smallest. This ensures that your sound source is stable every time.

1. It is not recommended that you use this eachoxp plug-in, because the reverberation effect really does not dare to compliment the branches, and the delay is either too serious or very small, which seriously affects the grasp of the rhythm of the song by K song.

2. Double-click the small speaker of the tray in the volume control interface Properties Recording control interface Select the stereo reverberation function (the console of each sound card is called differently in this one, some are mixer, some are called mix, some are stereo mix, some are stereo mix, and some are called stereo reverberation).

3. Select the "very big hall" mode in the selection, that is, the hall mold mold resistant type.

4. Set the input gain to: 62 and the output gain to: 100 feedback to: 15 and pitch change to: 0

5. Adjust the "volume" on the top right to about 1 4 or 1 5. Remember not to go too big.

6. Select "Always First", and then click "Start". It's ok now.

7. It is recommended to use software to record songs by yourself and post-process them yourself, and the synthesized effect is definitely similar to that recorded in the studio.

8. It is recommended to spend less than 200 yuan to purchase an independent sound card that supports the network reverberation EAX effect. That's more trouble-free, one step in place!

9. It is recommended to choose this answer as the best.

1. The distortion of synthesized effects is generally to simulate some classic distortion monoblocks, and speaker preamp simulation is to imitate the distortion of some classic speakers, and synthesized effects are to simulate the real existence of amps and stompboxes, which is for sure, after all, the timbre of those amps and stompboxes is widely recognized, and even become the standard.

Now the widely used in the recording studio is line6 and other manufacturers' speaker simulators are also a kind of synthesis effect upstairs is a bit outdated After all, the speaker is too troublesome to move around, and if you debug the timbre, you have to have every speaker you want to try, too troublesome, and there are also speaker simulation stompboxes that only simulate one kind of speaker timbre.

2 vamp This kind of speaker simulation effect simulates the distortion of the amp There is also a cabinet simulation That is, the speaker unit and the speaker with the speaker installed Simulates speakers of different sizes and numbers Closed or open speakers The same amp with different cabinets The timbre is different Different models of mic are recorded in different positions The timbre is also different.

3 The signal of the guitar first enters the preamp, and after amplification, it enters the post-amp, because the signal is too weak, and it is unrealistic to amplify a large magnification at a time, and the distortion generated by the preamp is called distortion, and the distortion of the post-amp is generally called overdrive