What is the place of the Tang Dynasty in the history of Chinese poetry?

The Tang Dynasty was the first period in the development of Chinese poetry, with many innovations.

In the early Tang Dynasty, the poetic conception of Biansai was majestic and far-reaching. Song Zhiwen, Shen Quanqi created a seven-character poem. Chen Ziang, Zhang Ruoxu and others abandoned palace poems. In the Tang Dynasty, Bai Juyi advocated the New Yuefu Movement.

1.Tang poems cover a wide range of subjects. Some reflect the class conditions and class contradictions of the society at that time, and expose the darkness of feudal society; Some sang the praises of the just war and expressed patriotic thoughts; Some depict the beauty of the motherland's rivers and mountains; In addition, there are also those who express personal ambitions and experiences, those who express the love and admiration of their children, and those who tell about friendships and joys and sorrows in life.

In short, from natural phenomena, political dynamics, labor life, social customs, to personal feelings, they cannot escape the keen eyes of poets, and they have become the subject of their writing. In terms of creative methods, there are both realist and romantic schools, and many great works are models of the combination of these two creative methods, forming an excellent tradition of classical poetry in China.

2.The forms of Tang poetry are varied. The ancient style poems of the Tang Dynasty basically have two types: five characters and seven words.

There are also two kinds of close poems, one is called quatrain, and the other is called rhythmic poetry. Quatrains and rhymes are different from each other in five and seven words. Therefore, there are basically six basic forms of Tang poetry:

Five-word ancient style poems, seven-word ancient style poems, five-word quatrains, seven-word quatrains, five-word rhythm poems, seven-word rhythm poems. Ancient style poems have relatively wide requirements for rhyme and rhythm: in a poem, the number of sentences can be more or less, the chapters can be long or short, and the rhyme can be transformed.

The requirements for the rhyme and rhythm of the near-body poems are relatively strict: the number of sentences in a poem is limited, that is, four quatrains and eight sentences of rhythmic poems. The lyric also requires the middle four lines to be a battle. The style of ancient style poetry is handed down from previous generations, so it is also called ancient style.

Near-style poetry has a strict rhythm, so some people also call it a rhythmic poem.

3.The form and style of Tang poetry are colorful and innovative. It not only inherited the tradition of Han and Wei folk songs and Yuefu, but also greatly developed the style of song style; Not only inherited from the previous generation.

5. Seven-character ancient poems, and developed into a long-form masterpiece of narrative romance; It not only expands the use of five-character and seven-character forms, but also creates a particularly beautiful and neat style of near-body poetry. The creation and maturity of near-style poetry was a major event in the history of the development of poetry in the Tang Dynasty. It has pushed the artistic characteristics of syllable harmony and concise words of ancient Chinese poetry to an unprecedented height, and found the most typical form of ancient lyric poetry, which is still particularly popular with the people.

However, because of the strict restrictions of the rhythmic poems, the content of the poems is easily constrained and cannot be freely created and played, which is a big defect brought about by its strengths.

1, Shixian - Li Bai.

Li Bai (701-762), the word Taibai, called Qinglian Jushi, also known as "Qi Xianren", is a great romantic poet of the Tang Dynasty, known as "poet immortal" by later generations, and Du Fu is called "Li Du", in order to distinguish from the other two poets Li Shangyin and Du Mu, that is, "little Li Du", Du Fu and Li Bai are also called "big Li Du".

2, poetry saint - Du Fu.

Du Fu's influence on classical Chinese poetry is very far-reaching, and he is called the "poet saint" by later generations, and his poems are called "poetry history". Later generations called it Du Shiji, Du Gong Department, also known as Du Shaoling, Du Caotang.

3, Poetry Buddha - Wang Wei.

Wang Wei Shen Zen enlightenment, learn Zhuang Xindao, proficient in poetry, calligraphy, painting, **, etc., with the name of poetry in Kaiyuan, Tianbao, especially long five words, many landscapes and pastorals, and Meng Haoran together called "Wang Meng", known as "Poetry Buddha".

4, poet ghost - Li He.

Li He (c. 791 - c. 817 A.D.), whose name is Changji, was "the founder of Changji style poetry." "In the Tang Dynasty, he was born in Fuchang, Henan (now Yiyang County, Luoyang, Henan), and lived in Changgu, Fuchang.

Later generations called Li Changgu, is the Tang clan, Tang Gaozu Li Yuan's uncle Li Liang (King Zheng) descendants, known as "poetry ghosts".

5, Poetry Devil - Bai Juyi.

Bai Juyi's poems have a wide range of themes, diverse forms, and easy and popular language, and are known as "poetry demons" and "poetry kings". The official is a bachelor of Hanlin and a doctor of Zuo Zanshan. In 846 AD, Bai Juyi died in Luoyang and was buried in Xiangshan.

6, Shihao-Liu Yuxi.

Liu Yuxi (772-842), a native of Luoyang, Henan, claimed to be "a native of Xingshang, a native of Luoyang", and said that he was born in Zhongshan. The first was Liu Sheng, the king of Zhongshan. A writer and philosopher of the Tang Dynasty, he was known as a "poet".

7, Shijie - Wang Bo.

Wang Bo (c. 650 – c. 676), Zi'an, Han nationality, Tang Dynasty writer. A native of Longmen (now Hejin, Shanxi) in ancient Jiangzhou, he was born in a Confucian family, and was known as "Wang Yang Lu Luo" and "Four Masters of the Early Tang Dynasty" together with Yang Jiong, Lu Zhaolin and Luo Binwang.

Because of his fluent and graceful poems, grandiose and vigorous, and unique, he is known as "Shijie".

8, poetry madness - He Zhizhang.

With a liberal temperament, he calls himself "Siming Maniac". Because of his poetry and openness, he is known as "poetry mania".

9, poetry prisoner - Meng Jiao.

Writing poems is painstakingly lonely, bleak management, and there is no good questioning, and he was once called a "poetry prisoner".

10. Shinu-Jia Island.

All his life, he took poetry as his life, and he deliberately groaned, and people called him "poetry slave".

Although there were many famous poets in the Tang Dynasty. But there is nothing fixed about the statements of the seven great poets. There are only three major poets who say it.

It is the saying of the three great poets. There are two kinds of both. One is Li Bai, Du Fu, and Bai Juyi.

The other is Li Bai, Du Fu, and Wang Wei. The first type of Li Dubai is basically roughly segmented according to time. The second type of King Li Du came according to the style.

Li Bai is a representative of the Taoist style. Du Fu is a representative of the Confucian style. Wang Wei is a representative of the Buddhist style.

Status: Tang poetry is the highest achievement in the development of poetry in China. The poetry of the Tang Dynasty is the culmination of ancient poetry in China, reaching a status that is difficult for later generations to reach, and is the highest peak in the history of Chinese poetry.

Influence: The poetry of the Tang Dynasty was composed in a variety of ways, with rich themes, which provided a good template for the poetry creation and punishment of later generations.

Status: Tang poetry is the highest achievement in the development of poetry in China. It inherited the essence of poetry since the Wei and Jin dynasties, and due to the open atmosphere of the Tang Dynasty, the politics of the Qingming Dynasty, and the respect of the rulers, the poetry of the Tang Dynasty has made great progress.

Moreover, most of the poets of the Tang Dynasty liked to roam, such as Li Bai and Du Fu, who traveled all over most of China, which broadened the poet's horizons, and the poetry had a wide range of themes and rich associations. In short, the poetry of the Tang Dynasty is the culmination of ancient poetry in China, reaching a status that is difficult for later generations to reach, and is the highest peak in the history of poetry in China.

Influence: The poetry of the Tang Dynasty was created in a variety of ways and with rich themes, which provided a good template for the creation of poetry in later generations.

Similarly, because the achievements of Tang poetry were too high to be surpassed by later generations, new literary fields were developed, and the emergence and development of Song poetry is a good example.

The Tang Dynasty (618-907 AD) was the heyday of the development of classical poetry in China.

Tang poetry is one of China's outstanding literary heritages, and it is also a splendid pearl in the world's literary treasure house.

Although more than a thousand years have passed since then, many of the Psalms are still widely circulated for us.

The Tang Dynasty was the most powerful unified empire in Chinese history (covering an area of more than 11 million square kilometers).

And at that time it was the most advanced and civilized country in the world! At the height of the Tang Dynasty, the Fan Yin period was not only materially rich and prosperous, but also extremely prosperous culturally, and poetry was especially developed; It is a highly mature era in the history of Chinese poetry.

According to the incomplete statistics of Tang Dynasty poetry, in the Tang Dynasty, in the past 289 years, there were at least more than 2,300 famous poets and nearly 50,000 poems.

This is two to three times more than the total number of poems left over from the Western Zhou Dynasty to the Northern and Southern Dynasties in 16,700 years! Among the more than 2,000 famous poets, there are 50 or 60 famous poets with unique styles other than Li Bai, Du Fu, Bai Juyi, Wang Wei, etc., and this number is also much more than the total number of famous poets from the Warring States period to the Northern and Southern Dynasties.

Even Lu Xun said: "I thought that all good poems had been done in the Tang Dynasty, and if I didn't turn out the 'Monkey King' in the palm of my hand, I wouldn't have to do it anymore."

Of course, this is not to say that there were no good poems after the Tang Dynasty; It is really a lack of sedan chairs for later generations to write ancient poems, and it is necessary to read Tang poems first.

Tang poetry represents the highest achievement of Chinese poetry, and it is undoubtedly a colorful stroke in the Chinese and world literary circles! It is also the most literary and towering peak in the history of world cultural development and development.

Others:

Because, there were many outstanding poets in the Tang Dynasty, such as Li Bai.

Because the connotation of Tang poetry is very profound.

Poetry developed to the Tang Dynasty and was at its peak. The poets of the Tang Dynasty, led by Li Bai and others, have reached the point of mastery and pinnacle in terms of artistic techniques and emotional expression, and at the same time, the open social background of the Tang Dynasty itself has provided the necessary conditions for creating a large number of outstanding poets. So it's no surprise that Tang poetry can achieve the highest achievement.

1. Tang poems.

Tang poetry generally refers to poems created in the Tang Dynasty. Tang poetry is the most precious cultural heritage of the Chinese nation, a pearl in the treasure house of Chinese culture, and has also had a great impact on the cultural development of surrounding ethnic groups and countries.

There are basically six basic forms of Tang poetry: five-character ancient style poems, seven-character ancient style poems, five-character quatrains, seven-character quatrains, five-character rhythm poems, and seven-character rhythm poems.

2. Song Ci. Song Ci is a new style of poetry, a Han literary genre prevalent in the Song Dynasty, marking the highest achievement of Song Dynasty literature. Song words and sentences are long and short, which is easy to sing. Because it is the lyrics of the ensemble, it is also called the lyrics of the song, the music house, the movement, the long and short sentences, the poems, the piano and so on.

It began in the Han Dynasty, was stereotyped in the Tang Dynasty and the Five Dynasties, and flourished in the Song Dynasty. Song Ci is the glorious pearl in the crown of ancient Chinese Han literature, and in the Lang Yuan of ancient Han literature, she is a fragrant and gorgeous garden. With her charm of purple and red, she competes with Tang poetry and Yuan Qu, and has always been known as a double masterpiece with Tang poetry, both representing the prosperity of a generation of literature.

Later, there was a book of the same name, "Song Ci".

The representative figures of Song Ci mainly include Su Shi (bold faction), Xin Qiji, Liu Yong (graceful faction), and Li Qingzhao.

3. Yuanqu. Yuanqu is also known as sandwich. Yuan opera is a form of literature and art that prevailed in the Yuan Dynasty, including miscellaneous operas and loose operas, and sometimes refers specifically to miscellaneous operas.

Miscellaneous opera, a form of performance in the Song Dynasty characterized by being funny and funny. In the Yuan Dynasty, it developed into the form of opera, and each book was mainly composed of four folds, with a wedge at the beginning or between the folds. Each fold is composed of the same palace tune and rhyme of the northern song suite and binbai.

Such as Guan Hanqing's "Dou E's Injustice" and so on. It was popular in the Dadu (now Beijing) area. There were also miscellaneous dramas in the Ming and Qing dynasties, but each book was not limited to four folds.

Sanqu was a form of music that prevailed in the Yuan, Ming and Qing dynasties without binbai. The content is mainly lyrical, and there are two kinds of small orders and loose sets.

We will continue to carry forward the spirit of the crater earthquake relief efforts.

Tang poetry represents the peak of ancient poetry and has made great achievements in the history of poetry.

Tang poetry shows the maturity of classical Chinese poetry, and it is the people who have innovated on the inheritance of the advantages of the Book of Songs and Chu Ci to promote the maturity of Tang poetry.