Luo Guanzhong participated in the compilation of the Water Margin, which ones did he write?

Luo Guanzhong wrote Zhengtian Hu and Wang Qing, a total of 20 times. Because of the writing, tone and Romance of the Three Kingdoms in these 20 episodes. Similar.

I don't know the specifics, anyway, now some experts say that he participated in the compilation and is still a student of Lao Shi.

Shi Nai'an and Luo Guanzhong are masters and apprentices, from the Ming Dynasty Huai'an Wang Daosheng's "Shi Nai'an Epitaph" and the Qing Dynasty Hu Yinglin's "Shao Room Mountain House Pen Collection" and other books.

Although there are not many historical records, it can still be tested that Shi Nai'an and Luo Guanzhong both belong to the late Yuan Dynasty and early Ming Dynasty, Shi Nai'an is twenty or thirty years older, and the two have participated in the Zhang Shicheng Uprising.

According to the introduction of "The Continuation of the Record Ghost Book", Luo Guanzhong's "hidden language in Yuefu is extremely fresh", so many scholars believe that the incorporation of poems in "Water Margin" is mostly done by Luo Guanzhong.

As a compiler, Luo Guanzhong revised "Water Margin", so it is normal for some plots to be similar to "Romance of the Three Kingdoms". In general, there must be some kind of connection between the two, and "Water Margin" also has a certain relationship with Luo Guanzhong.

Wu Chengen has been sensitive and well-read since childhood, especially fond of mythological stories. He is good at painting and calligraphy, and is versatile. suffered repeated setbacks in the imperial examination, and Jiajing was promoted as a tribute student.

In the twenty-eighth year of Jiajing (1549), he moved to Nanjing and sold literature for a living. In the thirty-ninth year of Jiajing (1560), he served as the Cheng of Changxing County, Zhejiang, and soon resigned and returned. Due to the difficulties of the eunuch journey, he was determined to advance in his later years, wrote books behind closed doors, and died at home.

Modern scholars generally believe that Wu Chengen was the last spine of Journey to the West, one of the four great classical masterpieces in China.

Luo Guanzhong (c. 1330 – c. 1400).

Han nationality, the name book, the word runs through, and the number of lakes and seas is scattered. He is a famous singer and opera artist in the late Yuan Dynasty and early Ming Dynasty, and the originator of China's Zhanghui.

The dispute over Luo Guanzhong's hometown fell to Dongping Zhu Yuanzhang once chased and killed him all over the door Recently, the news surrounding Yanggu, Dongping, Liangshan and Yuncheng in Shandong Province, where the story of the Water Margin mainly took place, has been constantly reported in the newspapers, arousing people's strong interest here. The hometown of Luo Guanzhong, the author of the immortal masterpiece "Water Margin" and "Romance of the Three Kingdoms", has naturally become the focus of people's exploration.

Luo Guanzhong wrote Zhengtian Hu and Wang Qing, a total of 20 times. Because the writing and tone of these 20 episodes are similar to the Romance of the Three Kingdoms.

One theory: Luo Guanzhong is Shi Nai'an's apprentice and helped Shi Nai'an complete the creation of the Water Margin.

According to the chapter edition of "History of Chinese Literature", "Water Margin" was sorted out by Luo Guanzhong and completed by Shi Nai'an.

The questioner adopts.

This issue is still controversial in academic circles.

The Ming people have different accounts. Lang Ying said in "Seven Revision Manuscripts": "The two books of "Three Kingdoms" and "Song Jiang" were compiled by Luo Benguan, a native of Hangzhou.

There must be a book for the old one, so it is said to be compiled. "Song Jiang" is also called the book of Qiantang Shi Nai'an. Gao Ru's "Baichuan Shuzhi" contains:

One hundred volumes of "The Legend of the Water Margin of Loyalty". Qiantang Shi Nai'an's book, edited by Luo Guanzhong. When Li Zhen's "Loyal Water Margin Biography" mentions the author, he says that it is "Shi and Luo Ergong".

In addition, Tian Rucheng's "West Lake Excursion Chronicles" and Wang Qi's "Compilation of Barnyard History" are both recorded in the middle of the work. Hu Yinglin's "Shao Shan Fang Pen Collection" said that it was "compiled by Wulin Shi" and "Shi Nai'an". To sum up, the Ming people have roughly three sayings:

Shi Nai'an, Luo Guanzhong and Shi and Luo cooperated. Now most of the academic circles think that Shi Nai'an made it. Shi Nai'an's life is unknown, and it is generally believed that he was a person in the late Yuan and early Ming Dynasty.

Wu Mei's "Gu Qulu Talk" records Shi Nai'an, that is, the playwright Shi Hui at the end of the Yuan Dynasty, which is not very reliable. Since the 20s of the 20th century, some materials about Shi Nai'an have been found in Xinghua, Jiangsu, such as "Shi Family Genealogy", "Shi Family Genealogy" and "Shi Nai'an Biography" contained in "Xinghua County Continuation Chronicle". However, there are many contradictions between these materials, and there are obvious untrustworthy points, so the academic community has quite different opinions on the authenticity of these materials, and most researchers are skeptical, which needs to be further studied.

The Water Margin was originally written by Luo Guanzhong, because Shi Nai'an was Luo Guanzhong's master, and later he deliberately erased the name of his apprentice and changed it to his own name, so later generations said that the Water Margin was written by Shi Nai'an.

Beginning in 1772, the Qing Dynasty began to compile the "Siku Quanshu", and Emperor Qianlong strictly controlled his thoughts in order to maintain his rule, and took the opportunity to cut and burn a large number of books that did not conform to his ideas during the compilation period, including the burning and rewriting of "Water Margin" and "Dream of Red Mansions".

"Water Margin" mainly describes the story of one hundred and eight heroes led by Song Jiang in Liangshanbo, Shandong Province in the late Northern Song Dynasty. The whole book describes the grand story of the heroes of Liangshan who resisted oppression, the growth of Liangshan and the surrender of the imperial court, and the suppression of Tian Hu, Wang Qing, Fang La and other political forces that rebelled against the Song Dynasty after the surrender of the imperial court, and finally led to a tragic defeat.

It artistically reflects the whole process of the Songjiang Uprising in Chinese history from its occurrence, development to failure, profoundly reveals the social roots of the uprising, enthusiastically praises the resistance struggle of the heroes of the uprising and their social ideals, and specifically reveals the internal historical reasons for the failure of the uprising.

wrote the stories of heroes one after another, to Liangshan from uprising to prosperity, until finally surrendered to the imperial court and ended the story of Liangshan's great cause.