Why didn t the photographer give the original film Zhihu

Foreword: I've finished reading this article, and I hope to see it both photographers and customers take a look. My point of view is that now customers are asking for the original film, and if we don't give it, we will lose some customers, how to solve this problem?

Yes, if we give all the original films to the customer, we will think that many of the waste films we shoot will also be visible to the customer, which may affect the customer's visual experience and the evaluation of the photographer. On the other hand, if you give all the original films to the customer, will the customer feel more at ease? Will customers have more choices?

Soloviev's point of view:

1.Clarify the rights of customers.

First of all, the customer does not have the right to receive the "semi-finished product in production", in this case there is no final product**. If you commissioned an artist to paint, would you ask them to give you the sketch as well? Or when you ask a tailor to make a garment, will you ask the other party to leave a sample and leftovers?

Apparently not. It's the same thing. Many of the photographers' shots are "drafts" or "scraps".

These ** are not part of the "final product" that the photographer is going to hand over to the client.

2.Harm to photographers.

3.Behind a **.

Let's face it, not every ** is perfect. In a single shoot, the photographer may shoot a large number of **. Many of them may be the same poses and content.

There are also a large number of waste tablets that cannot be used. On-set shooting is only a small part of the photographer's job, he needs to further select and beautify** the film, and finally hand over the perfect work. These end works are the best you can get.

The waste film and the original film that has not been processed are of no use to the customer at all.

4.Trust your photographer.

If you still want to see all the ** right now, ask yourself why. Do you feel that among those that are ready to be deleted, there are still hidden masterpieces that have been overlooked by photographers? Or do you think you're going to be more retouched than your chosen photographer?

Trust your photographer. You chose them because you recognized their talent and technology. I believe that they will do everything to show you the most beautiful results.

Put your trust in the photographer and let the photographer do their job.

Photographers do not give the original film to their work, many of them are out of copyright protection considerations, and the original film is the best evidence to prove that the work is their own. In commercial photography, the original film is not given, it is more used as a bargaining chip for negotiation, and if you want the original film, you have to add money. Wish.

Say it before shooting, generally sign a list before taking pictures, and it is written on the list, and it is difficult to investigate afterwards. There seems to be no restriction in any of the laws and regulations.