Translation of Ruihe Immortal by Huang Tingjian, and appreciation of the original text and transla

Throw away the tired pillow after sleeping. Remembering the seal Ding incense pin, up and neat. The clear light breaks through the cold ears.

The willow is light and the plum is dyed with gold and powder. The tea is timeless. Trial warp line, Tonghua old well.

Remember the previous back, not green gull waves, recently the swallow celery is green. Due to the province. The spring breeze is the same as before, the face of the people is not the same, and the scene is sad.

The building is high and overlooked. The tide has faith, and the geese are not accurate. Ren Xiangru was sick, Shen Lang was all thin, and there was no sound dust to ask.

Just do nothing, A Que is frequent, and the sleeping group may rise and stabilize. Poetic works:Rui Hexian (Zhou Lu Song Yun).

Remember the river beam folded willows. Ask the painting hall for fun, Yan Hong is difficult to couple. Ten years of review.

But the pavilion is purple and purple, and the difference is Nandou. There are rumors. Plant peach blossoms, kiss and annoy.

The monster returns, the fairy wind of the Dao bones is ethereal, and it is very different. Clear daylight. The south of the Yangtze River is picturesque, before the winter of purple chrysanthemum, after the green orange frost.

Flat boat ferry. Good guests to, famous wine. Calling Qingluan to dance, the cloud window and the moon threshold, a song of mountains and rivers.

Look at each other with a smile, don't come to the jade sea, shallow as before. - Song Dynasty Zhao Yanduan "Ruihe Immortal (for Shou)" Ruihe Immortal (for Shou) Ji Heliang folds willows. Ask the painting hall for fun, Yan Hong is difficult to couple.

Ten years of review. But the pavilion is purple and purple, and the difference is Nandou. There are rumors.

Plant peach blossoms, kiss and annoy. The monster returns, the fairy wind of the Dao bones is ethereal, and it is very different.

Clear daylight. The south of the Yangtze River is picturesque, before the winter of purple chrysanthemum, after the green orange frost. Flat boat ferry.

Good guests to, famous wine. Calling Qingluan to dance, the cloud window and the moon threshold, a song of mountains and rivers. Look at each other with a smile, don't come to the jade sea, shallow as before.

Zhao Yanduan (1121 1175) is a native of Dezhuang, Bianren. The year of birth and death is unknown, and he was alive around the end of Shaoxing in the Song Dynasty. Work is the word, taste the West Lake to the Golden Gate word, there is a sentence of "the sunset at the bottom of the wave is red and wet".

Gao Zongxi said: "My family will do this"! ...Trunk road, Chunxi, (around 1174 AD) to Zhibao Kuanyan Wenge to know Jianning Mansion.

The final left Shiro officer. Yanduan Ci is graceful and delicate, there are four volumes of Jie'an words, and ten volumes of Jie'an collection, and three volumes of the outer collection, all of which are parallel to the "Song History, Art and Literary Chronicles". Zhao Yanduan.

The New Year's Eve is happy to return to the east, sweeping away the traces of the city. Pick the chaotic mountain ring, and fish a pool of clear blue and annihilation. Selling fish and drinking is still sober up, and his heart is paid for the flute. Home is outside Wanzhongyun, and there are sand gulls to get acquainted. - Song Dynasty Lu You "Good Things Are Near (Twelve Four) Good Things Are Near (Twelve Four)".

The New Year's Eve is happy to return to the east, sweeping away the traces of the city. Pick the chaotic mountain ring and fish a pool of clear blue.

Selling fish and drinking is still sober up, and his heart is paid for the flute. Home is outside Wanzhongyun, and there are sand gulls to get acquainted. After the reeds were frosted.

The long wind, ten thousand high willows. Who is the sky, and the lake is misty, it should be for me and the boat. Tangerine was once drunk with Dongting wine.

Rolling clouds, hanging clever with sails in the south. Chasing the old tour, not reducing the business mountain, there are still people, can remember whether or not. - Song Dynasty Fan Chengda "Yi Nan Cao" Yi Nan Cao.

After the reeds were frosted. The long wind, ten thousand high willows. Who is the sky, and the lake is misty, it should be for me and the boat.

Tangerine was once drunk with Dongting wine. Rolling clouds, hanging sails to the south. Chasing the old tour, not reducing the business mountain, there are still people, can remember whether or not.

Reddish and white. According to the water, the horizontal branches are picked at the beginning. A dream of Yangzhou.

The guest meeting is infinitely sad. Dusk courtyard. The fragrance is nowhere to be found.

Looking for a sentence to hold on. Sideburns Wu Shuang is not in the way. - Song Dynasty Yuan Quhua "Minus the word Magnolia (Plum)" minus the word Magnolia (Plum).

Reddish and white. According to the water, the horizontal branches are picked at the beginning. A dream of Yangzhou. The guest meeting is infinitely sad.

Dusk courtyard. The fragrance is nowhere to be found. Looking for a sentence to hold on. Sideburns Wu Shuang is not in the way.

"Ruihe Immortal, Huanchu All Mountains".

All around Chu are mountains. Looking at the deep beauty, Langya Mountain also. The mountain travels six or seven miles, there is a wing on the spring, and the drunkard pavilion is also. Weng Zhile also. The heart of gain, the wine of the house. More wild and beautiful trees, the wind is high and the sunrise, and the scenery is endless.

Tour also. The mountain cuisine is wild, the wine is fragrant, and the boiling chips are also. Too drunk too. The noise is also crowded. The feast is full of joy, not silk and bamboo, and it is too happy. Asked who was Taishou at that time, and the drunkard was also.

Vernacular translation. The city of Chuzhou is surrounded by mountains on all sides. From a distance, the place where the vegetation is lush and deep and beautiful is Langya Mountain. Walking along the mountain road for six or seven miles, the eaves of a pavilion are cocked, like a bird spreading its wings, standing high by the spring, this is the Drunken Man Pavilion.

Taishou enjoys the pleasure of watching the landscape, realizes it from the heart, and pins it on the wine. Coupled with the fragrant weeds and shady trees, the beautiful scenery is truly endless.

The situation of playing, the game in the mountains, the rare vegetables on the plain, the wine is clear, the spring water is sweet, and the cup is full. After that, Taeshou got drunk, and the people were still loud and laughing, which was a sight of the guests enjoying themselves. Moreover, the pleasure of drinking at the banquet is not to play the piano and music, but to be happy with the happiness of tourists.

If you ask who Taishou was at that time, it is naturally the drunkard Ouyang Xiu.

Ruihe Immortal, Quiet Suburbs Original Belt Guo".

Author: Zhou Bangyan.

Quietly in the suburbs, the road is eternal, and the passengers go to the car dust and desert. The slanting sun reflects the mountains and sets, and the surplus is red, and the corner of the lonely city is still in love. Ling Bo is weak, too short pavilion, what to use Suyu. There is a warbler who advises me to re-untie the embroidered saddle and slowly lead the spring drink.

Don't remember the early twilight of the return, who will help you on the horse, and sleep in the Zhu Pavilion. The curtain is shocking, the disabled are drunk, and the red medicine is around. Sigh in the West Garden, it is already a deep flower, what is wrong with the east wind? Let the streamer pass by, and he is still happy to be happy.

Vernacular translation. The wilderness on the outskirts of the city is next to the city. The journey was long, and the guests had already left by car, leaving behind a cloud of confused dust and smoke. There was silence and loneliness.

The setting sun reflected the distant mountains and slowly set, but they couldn't bear to take away the last trace of their red, just like the corner railing on the upper floor of the city. The courtesan who accompanied me to see off the guests had a light gait along the way, and at this time I also felt tired, so I came to the short pavilion to rest, and unexpectedly met my good lover. She persuaded me to dismount, untie the embroidered saddle, and drink a few cups of spring wine, and her soft and melodious voice and warm and considerate persuasion made me very comfortable.

When I woke up, I found myself sleeping in the Red Mansion, wasn't I drinking with my lover in the short pavilion? When did you come back, last night or this morning? And who helped me into the saddle?

I can't remember it all. Suddenly, a gust of wind blew the curtain and turned it. With a drunken spirit, I hurried to the West Garden, picked up the blown down peony, and sighed around the safflower, sighing that my West Garden was full of ruined flowers, why did this ** east wind do so evil?

Let's go, let's go, let's let the spring light pass like water, I'm still glad that I still have a blessed land, and I can enjoy myself.

"Ruihe Immortal, Huanchu All Mountains" is a lyric work by the Northern Song Dynasty writer Huang Tingjian, written by the author in a single-plank bridge style, including Ouyang Xiu's famous prose work "The Story of the Drunkard Pavilion". The first sentence of the first sentence of the word writes about the spatial environment around Chujie Mountain, and then writes that Langya Mountain is lush and deep and beautiful. Then he pointed out that the joy of Taishou is not only the natural beauty of Leshan and Leshui, but also the "heart of gain, the wine of residence", so the joy is endless; In the next film, the author focuses on the amusement of Taishou and the guests, and greatly renders the lively atmosphere of the food and drink of the mountain food and spring wine between him and the guests.

This kind of non-silk and non-bamboo joy is the result of Taishou and folk music. The word valley is implied in the whole text, and the whole article can express the friendship of enjoying the mountains and rivers and having fun with the people. It is rare to be able to hide without losing its spirit.

If it is more demanding, then the original text is mostly used in the word, and the novelty is a little insufficient. But the flaws are still not hidden.