What do you think of the Japanese writer s remarks Write a reflection or comment 50

Shoot yourself in the foot" is to describe the predicament of the Japanese writer. The Japanese have one of the greatest strengths: they are afraid that they will not gain much when they win, and they often talk about the trauma of war when they lose.

Chinese, when have you heard about every time the Japanese team won a war against China since the Sino-Japanese Naval War, and there were people throughout the country condemning this unjust war? "Literature and art are the mouthpieces of politics" - I have studied the history of foreign literature, and I have never heard of a Japanese person or writer with a conscience who stood up and apologized, even if it was to say something fair. What are they doing at this point?

It is not necessarily a piece of the pie, but it is possible to celebrate the victory of the Yamato nation in a holy war.

In World War II, Japan was defeated and bombed by atomic bombs, and they were in pain. It is undeniable that the Japanese are so clever that they talk about "world peace" and "the teacher of the past and the future" whenever they meet people, and it is undeniable that the unity of the Japanese people is that every year they pay tribute to those who died in the atomic bombing. However, I can't help but ask

The Japanese are people, but what about the Chinese? Don't forget, after the fall of Nanjing, how did 380,000 people die!

Remember? In the process of learning from the West in modern China, some people ask questions and hesitate as to why teachers bully students. Now the Japanese are the opposite, they have learned from the master, and when the wings are hard, they will go to fight the master.

This is still fresh in people's minds. From sending envoys to the Tang Dynasty to the First Sino-Japanese Naval War to cooperating with the coalition forces of the other seven countries to invade China, and then to the attempt to destroy China in the thirties. From learning from the West during the Meiji Restoration to the surprise attack on Pearl Harbor, we became enemies of the people of the world.

Doesn't that verify the phrase "Tengu eats the moon"? How can a small skin accommodate the next world! - It may be more accurate to say that "greed is not enough to swallow an elephant", or that it is a femme fatale.

Wake up, Japanese, be more conscientious, less ignorant, more sensible, and less impetuous. True history, returning to oneself and finding one's own place is fundamental!

Yasunari Kawabata's aesthetic thought is based on oriental beauty and Japanese beauty, and is in line with his passionate dedication to the Orient and Japanese traditions. 1

In Kawabata's view, beauty and sorrow are inseparable and mutually reinforcing. For example, in the essay "Immortal Beauty" (1969), he quoted the poet Kotaro Takamura (1883-1956) with a quote that "beauty is constantly changing, but it does not disappear": "This sentence penetrated my heart.

Why did he feel so deeply about Kotaro Takamura's words? Because Kotaro Takamura's words were written after Japan's defeat in World War II, he believed that although Japan was defeated, Japan's beauty would not be extinguished. Yasunari Kawabata agrees.

He also believes that beauty is sometimes associated with war, defeat and even the destruction of the country, and the more this beauty is, the more touching it is. The literature and art of Ashikaga Yoshimasa, who built Ginkakuji Temple (1489), are more attractive than those of Ashikaga Yoshimasu Shogun who built Kinkakuji Temple (1397), because Kyoto is still preserved and created beauty despite the long war. So, he took it a step further: "In Japanese, the word sad is synonymous with beauty.

Shortly after the war, he said that he would only be able to sing about Japan's sorrows. According to him, the sorrow he spoke of at that time included beauty. In his essay "The Expression of Japanese Beauty" (1969), he pointed out that the elegance and mourning of the Heian period (794-1192) became the source of Japanese beauty after that.

The so-called "mourning" originally contained deep feelings, nameless sadness, sentimentality, and life. The literary critic Nobunaga Honju (1730-1801) used it in his review of The Tale of Genji, believing that the main theme of the ** is mourning. It can be seen that Yasunari Kawabata still thinks that the beauty of Japan is inseparable from sorrow.

In addition, it is recorded in the article "Interview with a Writer: Yasunari Kawabata" (1953, Yoshio Nakano).

Yasunari Kawabata admits that the sadness in Japanese customs, habits, and ways of feeling has penetrated deeply into his heart, thus forming a kind of sentimentalism; He even felt that popular songs during the war, including military songs, were often filled with sad moods. The beauty of Kawabata's literature is based on the spirit of mourning formed in the Heian Dynasty centered on The Tale of Genji, and often contains a sense of sorrow and sympathy. Kawabata inherited the classical Japanese tradition of "mono mourning", but also permeated with the influence of Zen Buddhism, the influence of the idea of impermanence centered on the formula of "birth-death-life", and the concept of emphasizing the mystery, impermanence and nothingness in the consciousness of beauty, which constituted another characteristic of Kawabata's aesthetics.

First of all, Japan itself has a lot of ghost culture, and many of the early reasoning ** is based on ghosts as the proposition that the works have become bizarre, but we all know that ghosts and ghosts are actually not that scary. After World War II, Japanese reasoning was based on the theme of socialism, mainly because there were many social problems in that period. Kiyohari Matsumoto is a representative of the social school, and he is very concerned about the dark side of society.

Although it has since entered the new Benge era, there are many mystery solving methods in the secret room**, such as the works of Shoji Shimada. But under the leadership of Keigo Higashino, Japanese reasoning ** is now the original character plus society, so the black elements of the Matsumoto Kiyohari era continue to exist. <>