How do you distinguish the texture of a sketch with an apple and a jar? Haha

I only want seven points of talent back then, and I will depict you without worry.

There are many types of jars! I don't know what kind of person you are. If it is enamel, it should be more reflective, and it can also be rubbed a little on the belly of the jar.

Then draw the surrounding objects in a blur. And then what if it's ceramic. Don't be too dark overall.

There is not much transition between the highlights and the highlights.

The highlights should be more delicate, uneven, the boundary between light and dark must be very heavy, with about 7b, and the reflection should not be too pale. Inside the mouth of the can, the place where the light is heavy and black, and the eaves of the can can be about HB, pay attention to draw the light and shade of the thickness, and the shadow should also be heavy, which is similar to the boundary between light and dark.

Then you have to control the tone, don't paint the dead black, too many tones will be easy to paint glaze. The texture of the frost should choose the number of b of your pencil, and it is best to close it with 2b and 3b, then it should be excessive, the reflection does not need to be too much, not three-dimensional, then find the boundary between light and dark, grasp the structure of the object, you should know that the structure is the key, there is a three-dimensional sense of the structure, and the tone is secondary.

Look at what kind of jar it is, it is very important to draw the pattern accurately at the beginning After the pattern is drawn accurately, squint your eyes and look at the position of the light Determine the relationship between black, white and gray on the jar and then adjust it Some highlights should pay attention to the white space The effect of wiping out is not good-looking If it is a glazed jar, it is also very important to have a strong contrast More importantly, contact more Come on, after answering.

Contrast, contrast with other objects, that's the most important thing. Secondly, seeing is not necessarily believing, you can draw whatever you want.

It depends on how long you have been learning, beginners will line up, and after learning for a long time, draw soft points, the chiaroscuro contrast should be strong, the three-dimensional sense will be strong, the highlight will be strong, the face will be smooth, the highlight area is large, and the soft will appear moist.

The texture of the jar is roughly divided into two kinds, one is the sand jar that is rough on the surface, and the other is the glazed jar Very smooth The kind of sand that reflects the feeling is rough Then it is recommended that you use a hard pencil with clear strokes and layers of upward tones to express the non-delicate surface texture The gray part must be emphasized.

The glazed jar texture is delicate and shiny good, so it is necessary to show this reflective material, it is recommended to wipe the pen first, and then pave the tone, and finally the highlight shape position must be careful, and it reflects the mirror image of the surrounding things should also be more accurately summarized (do not deliberately increase the intensity of the mirror thing, otherwise it will jump out of the whole).

It depends on what jar, what is the material, what is the color, what is the shape.

If you mean black, the line between light and dark must be black, drawn with hard lead, but not too wide.

If it is round, draw it in the middle;

If it's a cylinder, go from right to left, left to right, until you get highlight.

Note: The black ones are also divided into darker and lighter ones, and you should pay attention to what color you have. And the mouth of the jar must be open.

It doesn't matter, the sense of texture and brightness is not the most important thing, the key is the overall sense, and things can be put in instead of pasted on.

The background should be drawn well, and the composition should be drawn well. (The score regulations of the Academy of Fine Arts - 30 points for composition, 30 points for background, and 40 points for other comprehensive.) ）

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The main thing is that the shadows are blackened and the highlights should be highlighted!

Catch the variation of the reflection as well as the shape of the highlight.

Lines can be drawn. Short. Don't be too close to each other.

The turning point of the memory, the highlights, do not hook the black edge of the can, and make it transparent.

The key to highlighting the texture of a painting is to look at its chiaroscuro, not to paint according to the previous black, white and gray.

Light Light and dark Highlight Handle well The black part is not in the dark, but at the junction of light and dark.