How to understand the full scholarization of Dongpo words

The "scholarization" of Dongpo words refers to the change of Su Shi's theme from the traditional "words of the worker" to the "words of the scholars" in his creation. This kind of change has made the literary form of the word more expressive and higher artistic value, and more in line with the ideological and emotional expression needs of the scholar class.

Specifically, Su Shi is no longer limited to traditional themes such as love, parting, and lovesickness in his creation, but has expanded the subject matter of words to many fields such as society, history, life, and philosophy. His lyrics are full of thoughts and feelings about life, nature, society, culture and other aspects, and have profound ideological and emotional connotations. For example, his works such as "Water Tune Song Tou - When Will the Bright Moon Exist" and "Jiangchengzi Mizhou Hunting" are all representative works of Dongpo Ci "Shidafu".

In addition, Su Shi also pays attention to the innovation and exploration of the rhythm, sentence structure, language and other aspects of words in his creation, making the literary form of words more rich and diverse in artistic expression. For example, his works such as "Nian Nujiao, Chibi Nostalgia" and "Dingfeng Bo: March 7th" are all reforms and innovations of traditional word cards, showing a new artistic style.

In short, the "scholarization" of Dongpo words is a change carried out by Su Shi in his creation, he shifted the subject matter and expression of words to the ideological and emotional expression needs of the scholar class, and at the same time paid attention to the artistic innovation and exploration of words, making the literary form of words more cultural and artistic value.

Regarding Su Shi's innovative style of words and "poetry as words", there are many comments from predecessors and today. However, I always feel that there is still something that is not "explained". This paper intends to re-understand Su Shi's contribution to the innovation of word style from the specific perspective of the "scholarization" of words.

The "scholarization" of the word was first proposed by Wang Guowei. "Words in the World" says: "The words to the Lord Li and the vision began to widen, and the emotion was deep, so the words of the workers became the words of the scholars."

Putting aside its past disparagement, Li Yu's previous words were "the words of the worker".

Li Houzhu's words are called "bone show", and there is also the evaluation of "the word to Li Houzhu, the vision is wide, the emotion is deep, and the words of the workers are changed to the words of the scholars", which is indiscriminate. Later, Yan Ou and the two were rated as "the words of the queen, the same uncle is handsome, and Ouyang Yongshu is deep." Later, Su Shi studied under Ouyang Xiu, and developed a way of writing with text as words, and the words were more scholarly.

ps: This paragraph is written from memory, I am afraid that the quotation is wrong, for reference. You can take a look at Yuan Xingpei's history of Chinese literature for a better understanding.

The words of the late Tang Dynasty are gorgeous and profound, and they are first recommended by the Wen School, the originator of the words between flowers. . .

Next.. Five generations later, another group of people appeared to push the word to a new peak... That is, Li Yu... Liu Qi. Xin Qi disease... The two fathers and sons of the Yan family and others...

They salvaged the words of the past from the thick and indissolvable flowers in front of the flowers, and used a more clear and graceful style of lyrics to add a layer of hazy and graceful beauty of "like a flower or not a flower" to the words. . . and "Xiaoxiao twilight rain sprinkled on the river sky" bold bright gale...

It can be said that uh. The word begins with the Don. Stereotyped rain five generations. Better than Song...

To say that the amount ... Xin Qi's disease can be described as a school of its own...

Liu Qi created the slow and long tone, which has greatly expanded the expression of words since then.

Su Zi is endowed with poetry, which lays the elegance of words. . .

Jiang Kui and others still attach importance to the rhythm and retain the normativity of words. . .

And also... Ouyang Xiu. Li Qingzhao. Wait a minute...

It can be said that . . . Everyone has an impact to some degree or another ...

I'm sorry uh... Mobile phone code words are too difficult... If you need it ... I'll explain it in detail next time...

I'll give you an idea.

China is a country of poetry, starting from the Book of Poetry of the pre-Qin Dynasty, to the five-character poems of the Wei and Jin dynasties, the poems of the Tang and Song dynasties, and the poems of the peak to the Yuan, Ming and Qing dynasties were transformed into lyrics, songs and prose and continued, that is to say, this is a continuation of poetics.

Compared with the poetics of ancient Greece, China has more continuity and comprehensiveness.

Li Yu's early style of words was beautiful and soft, and he did not get rid of the habit of "between flowers". According to the content, it can be roughly divided into two categories: one is to describe the magnificent court life and the love affair between men and women.

There is also a type of heavy sorrow when he feels the fate he is powerless to get rid of under the pressure of the Song Dynasty, such as "Seeing Huan":

Silently go up to the west building alone, the moon is like a hook, and the lonely Wutong deep courtyard locks Qingqiu. Cut constantly, the reason is still messy, it is sorrowful, and there is a taste in my heart.

Due to the great changes in his life, his later words wept with a swan song of blood, making the king of the dead country the "king of the south" (Qing Shenxiong's "Ancient and Modern Words") in the eternal world, which is "the unfortunate poet of the country, and the words to the vicissitudes of life". These later lyrics, bleak and tragic, with far-reaching artistic conception, have laid the groundwork for the so-called "bold" school of Su Shi and Xin Qiji, and are the great masters of the history of words.

His words are deliberately carved at the beginning, the pursuit of meticulous carving of words and sentences to the pursuit of high-tech and beautiful in the later stage. It can be said that it is a metamorphosis, creating a huge change in the style of words from the "words of the worker" of "small family" to the "scholar" of "everyone's style". In the history of words, the style of words is also from his later works, no longer paying attention to the carving of words and sentences, but paying attention to the lofty artistic conception of words.

Therefore, Mr. Wang Guowei commented in the words of the world, "The word reaches the master of Li Houzhu and the realm begins to be great, so the words of the worker are changed to the words of the scholar".

The word is generally written in the eclectic class of words in the boudoir before the emperor Li Yu, if the name rhymes with the word "collect" flowers and send flowers, Li Yu pre-words, however, the conquest of Li Yufeng a change, conquest and family loss, such as a heavy injection, get rid of the word flower shackles personal lingering resentful feelings. So his "vision began", "deep emotion", and the words of the literati changed Ling Gonggong.

Wang Guowei said that "the word to the Lord and the vision began to widen, and the emotion was deep, so it changed into the words of the worker and became the words of the scholar" can be understood as:

The word "developed to the Southern Tang Dynasty, and he (referring to Li Houzhu) wrote beautiful and soft lyrics in the early stage, and did not get rid of the habit of "flowers"; The later lyrics are bleak and tragic, and the artistic conception is far-reaching.

As a result, the literary genre of "words" has gradually changed from the lyrics of courtesans and courtesans to the words created by the scholars and doctors with a high level of education.