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It's still night at sea, but the sun is already out. It's still at the end of the year, but it's already spring.
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"Day and night", "spring into the old year", all indicate the alternation of time, and it is so hurried, how can this not make the poet in the "Klook" feel homesick? These two sentences of refining words and sentences are also very skillful.
The author focuses on the meaning of refining, takes "day" and "spring" as symbols of new beautiful things, mentions the position of the subject and emphasizes it, and uses the word "sheng" to personify it, giving them human will and feelings. The wonderful thing is that the author has no intention of reasoning, but in the description of the scenery and the season, there is a natural rationality of rolling difference. The sea is born in the waning night, and will drive away the darkness; Jiang Chun, the "spring" expressed by the scenery on the river, breaks into the old year and will drive away the harsh winter.
It not only depicts realistic scenes and accurate narratives, but also shows the transformation of life truths with universal significance, giving people an optimistic, positive and upward artistic inspiration.
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The word "in" is wonderful in the author's unintentional reasoning, but in the description of the scenery and the season, it contains a natural rationality.
Original text]: Under the sub-Beigu Mountain.
Dynasty: Tang Dynasty withered oak.
Outside the green mountains of Klook, in front of the green water. (Outside the green hills: under the green mountains) the tide is wide on both sides, and the wind is hanging.
The sea is born in the night, and the spring of the river enters the old year.
How can the township book be defeated and closed? Return to the edge of Yanluoyang.
Translation]: The journey is outside the green mountains, and the boat is in front of the turquoise river.
The tide is full, and the water between the two banks is wide, and the sails of the boat sailing downwind are just right.
The night has not faded, the rising sun has risen on the river, and in the old year, Jiangnan has the breath of spring.
I don't know when the letter sent out will arrive, and I hope that the wild geese returning from the north will be brought to Luoyang.
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"The sea is born in the night, and Jiang Chun enters the old year" uses duality and anthropomorphism.
Meaning of the poem: These two poems contain a natural interest in the alternation of time in the description of scenery and seasons, and vividly write the changes of night and sunrise, winter and spring.
Content: It shows the time rushing, time flies, and the wanderer in a foreign country suddenly feels homesick.
Expression: "Day" and "Spring" symbolize the beautiful things of new life, and express the author's optimistic, enterprising, and positive thoughts and feelings.
Rhetorical method: "Sheng" and "Enter" use anthropomorphic techniques, which are full of interest.
Rhetorical method: These two poems use the rhetorical method of duality, "Hairi" vs. "Jiangchun", "Sheng" vs. "Enter", "Residual Night" vs. "Old Year", the parts of speech are the same, corresponding to each other, the sentence structure is neat, the image is vivid, and the words are catchy.
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depicts the end of the night, the rising sun from the sea; Although the season is in the old year, spring has broken into the south of the Yangtze River. The description of the scenery in the alternation of time suggests the passage of time and contains the rational interest of nature.
The sea is born in the night, and Jiang Chun enters the old year from "Under the Solid Mountain in the Second North". This poem describes the magnificent scenery of green mountains and green waters, flat tides and wide shores that the author saw when he anchored at the foot of Beigu Mountain in late winter and early spring, and expressed the author's deep homesickness.
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The meaning of the sentence "The sea is born and the night is broken, and the spring of the river enters the old year" is as follows
The night has not faded, the rising sun has risen on the river, and in the old year of Peimin, Jiangnan has the breath of spring.
Appreciation: Mausoleum.
1. This sentence uses a figurative figure of speech to describe that when the night has not yet subsided, a red sun has risen from the sea; When the old year has not passed, the river has already shown a scene of spring.
2. On the one hand, Hairi was born in the middle of the night, indicating that the darkness will be driven away, and the "spring" expressed by the scenery on the river will also break into the old year and drive away the harsh winter, which all mark the universal meaning of the truth of life, giving people a positive, optimistic and upward inspiration.
3. On the other hand, this scene expresses the rapid alternation of seasons and the passing of time, so that the author touches the scene during the journey, and gives birth to a strong sense of homesickness.
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"The sea gives birth to the night, and the river spring enters the old year" uses a figurative rhetorical device to describe that when the night has not subsided, a red sun has risen from the sea; When the old year has not passed, the river has shown spring, expressing the rapid alternation of seasons, the rush of time passing, so that the author has a strong sense of homesickness during the journey. The sea is born in the waning night, and will drive away the darkness; Jiang Chun, the "spring" expressed by the scenery on the river, breaks into the old year, will drive away the harsh winter, but also shows the truth of life with universal significance, giving people an optimistic, positive and upward artistic inspiration.
The sea is full of nights, and the spring of the river enters the old year: the night has not disappeared, a round of red sun has risen from the sea, the spring on the river is early, and the old year has not passed and the new year has come.
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