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It can be said that sincere humanistic care, profound philosophical thinking, and strong literary nature have always been the main stylistic characteristics that linger in Li Cangdong's films. He is good at portraying characters in extreme situations, setting up extreme situations, and paying attention to the structure and skills of plays.
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In fact, when I watched "Mint Candy", I was not very impressed, but after watching his "Miryang" and "Oasis", I felt more and more that Li Cangdong had been torturing the question of faith. For director Li Cangdong's works, I have watched these three. Among them, "Oasis" is my favorite one, because while torturing religious beliefs, this one focuses more on the emotional drama of the protagonist itself to arouse the audience's thinking.
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I have only watched Li Cangdong's movies "Mint Candy", "Miryang", and "Poetry". Talk about my impressive "Miryang". The theme of the film is about the ultimate care for people, and it is about how a person can survive in a situation where they lose the most important value and good things in life.
Among them, there is the torture of human nature, the questioning of religion, and the return to the simple view of heaven and earth.
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Korean director, there is no suspense at present. I like most of his works, most of them like Oasis and poems, especially Oasis, in which the heroine's acting skills are breathtaking, almost exactly the same as the cerebral palsy patients I have seen. Actors can do this part, not only can be summed up lightly by the word dedication.
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Before he became a director, he was a writer, wrote **, won literary awards in Korea, screenwriting, and even after he became a director, he was still a screenwriter. This "Burning" is adapted from Haruki Murakami's ** "Burning the Barnhouse". In 2003, he even joined the Cabinet as Minister of Culture and Tourism, a position he resigned after 16 months.
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The highest achievement of art is always to face the ultimate problem of human existence. Neither Bergman nor Brecht, in their stories, God remains silent in the face of human questioning. And Li Cangdong also said in an interview:
I believe that the happiness and salvation of life is not in heaven, but in the earthly world. ”
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Li Cangdong carefully prepared the script for the year + brought (I suspect it was) in order to make this movie without military service, and Liu Yaren, who was scolded miserably by the South Korean people, confidently took "Burning" into the main competition unit of Cannes. But the Palme d'Or was taken away by Hirokazu Kore-eda's "Thief Family".
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Judging from the number of works, Li Cangdong really can't be too famous, because from 97 to now, he only has 6 works. In 2002, he won the Best Director Award at the Venice Film Festival for "Oasis", and then his "Miryang" sent Jeon Do-yeon to the throne of Cannes actress.
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He is very literary in the setting of key imagery. The symbolism of mint candy's youthful and beautiful first love, the inadvertent beauty and care in Miyang's fate, and the poem's metaphor for women who are full of poetry and reality that cannot be reconciled are all signs of Li Cangdong's high level of creation.
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Oasis, a film that focuses on the emotions of the lives of marginalized people. Xiao Crawl thought that it would be as sadistic as other similar movies, exposing the sinister nature of human nature, the darkness of society, and so on. But in this sullen movie, Xiao Crawl sees more pure love, the life attitude of marginal people towards the harsh living environment.
Kyung-so (the heroine) has a physical disability and is unable to take care of herself in most cases. First of all, this character is special enough to give the audience a psychological sympathetic hint, and Xiao Crawl is even more deeply touched, because my cousin's youngest son is also like this, polio, many behaviors can not be controlled autonomously, whenever he wants to express an idea or do an act, he has to "struggle" for a long time. But compared to the situation of the heroine in the film, the situation is much better, the heroine has basically lost all her athletic ability, and her face, hands and feet are deformed.
And the role setting of Zhongdu (male protagonist) is also special.,Just finished serving two years of prison service.,Naïve personality.,Xiaozhou doesn't fit in in the secular society.。 But it's very nice to everyone, and in the eyes of my mother, it's a child who can't grow up. So, both are social"Abandonment"Of course, this is just from the perspective of a bystander, they are actually the same as ordinary people in their hearts, full of hope for life, and eager for good things.
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