Is Xie Lingyun the originator of landscape poetry?

In ancient China, poetry is a very important literary genre, among which landscape poetry is a very important form of existence, it can be said that if there is no landscape poetry, China's poetry culture will be much darker, and when it comes to landscape poetry, there is one person who has to mention, he is Xie Lingyun. Xie Lingyun is a famous poet in the Northern and Southern Dynasties, is the descendant of Xie Xuan, a famous general in the Eastern Jin Dynasty, in the Eastern Jin Dynasty was hereditary on the title of the ancestor of Kangle Duke, and later held many important positions, and so on Liu Song Dynasty after the Jin Dynasty, Xie Lingyun also suffered, first the title was cut, and then was killed by Emperor Wen of Song at that time, only 49 years old. Although Xie Lingyun died very early, his style of indifference to fame and fortune and indulgence in landscapes still had a great impact on later generations.

Xie Lingyun was born very noble, is the son of a famous family at that time, he was raised in a Taoist hall in Qiantang when he was a child, it is estimated that this also had a certain impact on Xie Lingyun's later tranquil heart, he has read the whole book since he was a child, he was able to write poetry at a young age, when he was eighteen years old, he was named Kang Le Gong, and when he was twenty years old, he officially became a member of the official and held a lot of official positions, but Xie Lingyun's mind was not on the official, but placed his affection between the mountains and rivers, in order to facilitate the tour of the mountains and rivers, He also deliberately designed a kind of clogs that can be detached, and the front teeth are removed when going up the mountain, and the back teeth are removed when going down, so that it is convenient to go up and down the mountain. Later, Emperor Wu of the Song Dynasty Liu Yu replaced the Eastern Jin Dynasty, Xie Lingyun was even less interested in power, the court urged him to be an official several times, and he was willing to go, but after taking office, he still didn't do business, and thought about traveling around all day long, if it was just like this, it might be fine, but when the court wanted to arrest him, he dared to resist arrest, and even later conspired to let people rescue him when he was exiled, so Emperor Song Wen could no longer bear it and killed him.

Xie Lingyun's poetic conception is novel, the rhetoric is gorgeous, and the influence is far-reaching, and his poems are full of the spirit of Taoism and nature, running through a fresh, natural and tranquil charm, which has changed the obscure style of Xuanyan poetry since the Wei and Jin dynasties. Therefore, he was known as the originator of Chinese landscape poetry by later generations.

In order to get rid of his political troubles, Xie Lingyun often wandered the mountains and rivers and explored the wonders. Most of Xie Lingyun's poems depict the natural scenery and scenic spots of Yongjia, Huiji, Pengli and other places. Among them, there are many natural and fresh sentences, such as writing that in spring, "the pond grows spring grass, and the garden willows become songbirds" ("Ascending the Pond and Going Upstairs"); wrote about the autumn colors "the wild and sandy shore is clean, the sky is high and the autumn moon is bright" ("The First Trip to the County"); Write about the winter scene "The moon shines on the snow, the wind is strong and sad" ("Twilight") and so on.

The natural scenery is portrayed from different angles, giving people the enjoyment of beauty.

Although Xie Lingyun's poems are full of famous sentences, most of his poems are half about scenes and half about mysteries, and they still have the tail of mystical poems. But despite this, Xie Lingyun greatly enriched and opened up the realm of poetry with his creation, making the description of landscape independent from Xuanyan poetry, thus reversing the style of Xuanyan poetry since the Eastern Jin Dynasty and establishing the status of landscape poetry. Since then, landscape poetry has become a genre in the history of Chinese poetry.

Regarding his talent, Xie Lingyun once said a very wild sentence: "There is only one stone in the world (that is, ten buckets), Zijian (that is, Cao Zhi) occupies eight buckets, I occupy one bucket, and the world is divided into one bucket."

Xie Lingyun is a famous landscape poet in the history of Chinese literature, who is good at using rich and beautiful language to describe the experience of travel and appreciation, depict natural scenes, and have many beautiful sentences with vivid images and beautiful artistic conceptions, which have a certain influence on the development of poetry in the Tang Dynasty.

Xie Lingyun. The most famous landscape poems:

1, "Lonely Island in the Ascending River".

The south of the Yangtze River is tired, and the north of the Yangtze River is swirling.

Huaixin Road turns around, and the search for a different scene is not delayed.

The turbulence tends to be extinct, and the lonely island is charming in the middle of the river.

The clouds and the sun reflect each other, and the air and water are clear and fresh.

The spirit of the table is not rewarded, and the truth is passed on.

Imagine Kunshan, the middle edge of Myanmar and Miao.

The first letter of the security period is used to maintain the health of the year.

2. "Stone Wall Cottage Returned to the Lake".

The climate changes at dusk, and the mountains and rivers contain clear light.

Qinghui can entertain people, and the wanderer forgets to return.

It is still early to get out of the valley, and it is already small to enter Zhouyang.

The forest ravines are dark, and the clouds are closing in the sunset.

The lotus is reflected in the blue, and the barnyard is dependent on each other.

Draped in the south path, happy to the east.

Consideration of things is self-light, and it is not contrary to reason.

Send a message to the regents, try this push.

3, "Ascending the Pond and Going Upstairs".

Subtle and charming, Feihong resounded far sound.

The sky is ashamed of the clouds, and the perched river is sinking.

Virtue and wisdom are clumsy, and the ability to return farmland is not responsible.

Favoritism against the poor sea, lying on the empty forest.

The pillow is waiting for the festival, and the opening is temporary.

Listen to the waves and raise your eyes to look at the mountains.

The first scene is changing, and the new yang is changing the old yin.

Spring grass grows in the pond, and willows in the garden become songbirds.

Qi Qi sang sadly, and Meng Meng felt Chu Yin.

Suo Ju is permanent, and it is difficult to be isolated.

Holding the exercise is not only ancient, but there is no stuffiness in the present.

4, "Into the Pengli Lake Estuary".

Tourists are tired of water lodging, and the trend is difficult to discuss.

The island suddenly turned, and the shore collapsed repeatedly.

Ride the moon to listen to the mourning, and the dew is full of fragrance.

The Spring Festival Gala is a green show, and the rock is high and Baiyuntun.

Thousands of thoughts are set day and night, and ten thousand feelings are full of dawn and dusk.

Climb the cliff to look at the stone mirror, and lead the leaves into the pine gate.

Sanjiang has a lot of things to do, and the nine factions are empty.

The spirit is rare and strange, and the secret spirit of the stranger.

The gold paste extinguishes the bright light, and the water is clear and warm.

Composed a thousand miles in vain, and the strings are absolutely Nathan.

5, "First Time to the County".

Peng Xue was ashamed, and Gong Gong was not honored.

Or can you be greedy and competent, is it enough to be called a good student?

Yi Yu Bingwei is still good, and he is humble and famous.

Luyuan is perched on the rock, and the humble position is cultivated.

Although he promised himself, his heart was still unified.

There is no mediocre side of Zhou Ren, and there is a disease like Changqing.

Bi marries a Shangzi, and Bo You is like Bingsheng.

Respect the ancients' intentions and promote the return of firewood.

Drawing silk and Yuanxing, unraveling the turtle in Jingping.

Twenty years of negative heart, in the absence of this will be welcomed.

Rationale for the return of the period, and follow the Zhu to repair the building.

Tracing the river. At the end of the water, climb the mountain and start the mountain.

The wild sandy shore is clean, the sky is high and the autumn moon is bright.

Rest the stone and fly the spring, climb the forest and fall into the Ying.

Defeat the fat, stop the flow and stop.

That is, the Xitang Dynasty, won my landing.

Hello dear! The characteristics of Xie Lingyun's landscape poems are first: they vividly depict the sound, color and light of landscapes.

Second feature: anthropomorphic rhetoric. Third Feature:

Many and skillful use of the language of ancient texts. and the natural and dissipation of subjectivity and objectivity in the process of scene painting, as well as the overall blending. Xie Lingyun's landscape poems have greatly enriched and expanded the realm of poetry, and made landscape poetry independent from Xuanyan poetry, and then reversed the <> of Xuanyan poetry since the Eastern Jin Dynasty

Xie Lingyun's landscape poems: "The Stone Wall Essence House is also made in the lake". 【Author】Xie Lingyun 【Dynasty】Northern and Southern Dynasties.

The climate changes at dusk, and the mountains and rivers contain clear light. Qinghui can entertain people, and the wanderer forgets to talk about the past.

It is still early to get out of the valley, and it is already small to enter Zhouyang. The forest ravines are dark, and the clouds are closing in the sunset.

The lotus is reflected in the blue, and the barnyard is dependent on each other. Draped in the south path, happy to the east.

Consideration of things is self-light, and it is not contrary to reason. Send a message to the regents, try this push.

Interpretation: The weather changes at dusk and early morning, and the scenery between the mountains and rivers contains a clear light like a clear spirit. The lightness of the mountains and rivers is so pleasant that they forget to go back when they travel through the mountains.

It was still early when I came out of the canyon, and by the time I got on the boat, it was already late. The surrounding woods and ravines are filled with evening scenery, and the sunset in the sky condenses and flutters in the night sky.

Water chestnut leaves and lotus flowers echo each other in the blue water, and cattails and wheat grow together in one place. Walking around the south side of the path with a whisk of dust, I was very happy to admire the doors and windows on the east side. If there are fewer things to worry about, you will naturally feel that there are no worries, and you will feel very happy when you are in a good mood.

I would like to give these words to those who wish to take care of their bodies, hoping that they can use this method to maintain their health.

Background:

In the autumn of the first year of Song Jingping (423 AD), Xie Lingyun resigned from his post as Taishou in Yongjia (in present-day Wenzhou, Zhejiang) due to illness, and returned to the manor in his hometown Huiji Shining (now Shangyu, Zhejiang).

In addition to the general characteristics of the poems of the early Song Dynasty pointed out by Liu Xian, this article also has two obvious personality characteristics: first, the structure is dense, closely following the word "yet" in the title, writing the whereabouts of the day, from the stone wall, to the lake, to the home, and the order is orderly. However, the focus of the painting is on the lake scenery in the evening, so the first few sentences only describe the feelings in general.

Although the time and space span is very large, because the virtual and real details are appropriate, there is no sense of cumbersomeness of running accounts.

Appreciation:

In the autumn of 423 A.D. (the first year of Song Jingping), Xie Lingyun resigned from his post as Taishou in Yongjia (now Wenzhou, Zhejiang) due to illness, and returned to the manor of his hometown Huiji Shining (now Shangyu, Zhejiang). This was once the place where his great-grandfather Xie An lay down, and it was the manor originally operated by his grandfather Xie Xuan, with a large scale, including two mountains in the north and south, and the ancestral house in Nanshan.

After Xie Lingyun resigned and went home, he lived in Beishan Beiying. Shibi Jingshe is a study he set up in Beishan. The retreat, that is, the place where the Confucian gave birth to the disciples, and the descendants also called the Buddha house as the retreat.

Lake, referring to Wu Lake, is the only waterway between the two mountains in the north and south. This date was between 424-426 A.D. (the first to third year of the Yuan Jia).

The originator of landscape poetry - Xie Lingyun plays the potato.

Xie Lingyun, a poet of the Eastern Jin Dynasty and the founder of Chinese landscape poetry, is known as the "originator of landscape poetry". Xie Lingyun greatly enriched and opened up the realm of poetry with his creation, so that the description of landscape was independent from the Xuanyan poems, thus reversing the style of Xuanyan poetry since the Eastern Jin Dynasty and establishing the status of landscape poetry. Xie Lingyun's landscape poems often have no sentences, but the style and achievements he has formed have had a great influence on the development of landscape poetry in later generations.