The kind of Peking Opera with a high voice? Say the name of the opera? Don t come if you don t have

Shiro's mother is called Xiaofan, and the father and son in Xiaoyao Jinli are sad and crying in the palace. If the voice is good, just adjust the door and set the height. Don't bother so much ...

"Fighting tigers up the mountain" in the forest sea snow field.

The singing voice of Peking Opera is mainly "Xipi" and "Erhuang", referred to as "Pi Huang". Xipi and Erhuang are the general names of the two tones, and they are both divided into a number of "plate types". These patterns are based on a tune.

Xipi and Erhuang have "original board", "slow board", "fast three eyes", "loose board", "rocking board" and other plate types, and Xipi also has "two six", "flowing water", "allegro".

There are both connections and differences between the various plate types of the same kind of Xipi and Erhuang. The difference lies in the strength and dispersion of the beat, the density of the rhythm, the speed of the speed, the complexity and simplicity of the melody, etc. These plates can be used as stand-alone segments or as complete sets.

Different plate forms express different feelings. In singing and playing, singing is in the first place. Singing is an important means of shaping the image of a character.

In addition to Xipi and Erhuang, Peking Opera also has tones such as "Siping Tune", "Nanbangzi" and "Gao Dial".

Peking Opera ** is also stylized, and various tones and styles can be reused (of course, not completely copied). For example, Su San in "The Female Solution" sang "Xipi Adagio", and Liu Yingchun in "Fenhe Bay" also sang "Xipi Adagio". This is absolutely not allowed in opera.

Therefore, appreciating Peking Opera requires careful identification of the differences in singing voices.

Peking Opera belongs to the Pihuang system and absorbs and integrates the best elements of Kunqu Opera, Bangzi and other vocal cavities. It is composed of three parts: singing, percussion, and music cards.

The singing cavity is dominated by the west skin and two yellow of the plate cavity.

There are also Xipi doll tunes, anti-Xipi, anti-Erhuang, suona Erhuang, Liantan Erhuang, Siping tune, Nanbangzi, Han tune, Hui tune, Gao Dial, Qingjiang Yin, etc.

The Heavenly Maiden scatters flowers.

Life and death hate Qin Xianglian's lock in the bag.

Xipi opera comes to the tone, and the main tone of the Peking Opera singing tone.

One of the bai tunes, it is generally believed that du is in the Bangzi cavity, the Qin dialect in the late Ming and early Qing dynasties spread to the area of Xiangyang, Hubei, and combined with the local folk tunes to evolve into the Xiangyang tune, later known as the Huguang dialect, also known as Xipi. The western leather dialect is also widely spread, and it is called "North Road" in Hunan opera and Guiju opera, "Bangzi" in Cantonese opera, and "Xiangyang tune" in Yunnan opera. Peking Opera Xipi was as early as the 44th year of Qianlong, after the Qin actor Wei Changsheng entered Beijing, on the basis of the confluence of Hui and Qin, Hubei actors Wang Honggui and Li in the Daoguang period.

Sixth, Yu Sansheng and others entered Beijing, bringing the so-called Chu tune, which was once again formed by the confluence of Hui and Han. Sipi cavity belongs to the plate cavity, and its structural characteristics are as follows:

7. The first word of the three phrases of the cross sentence is the symbol, which is the so-called "eye rise and fall". The melody jumps in more, the melody is ups and downs, the rhythm is diverse, the speed is fast, and the huqin is sung in Peking Opera.

The strings are la, mi, and most of the singing ends on the palace tone, which has the characteristics of the palace tone style (Danjiao is the tone), compared with Erhuang, it has the characteristics of high-pitched, agitated, active and bright mood, and is used to express active and brisk, impassioned emotions. There are many types of plates in Xipi, including "original plate", "slow board", "fast three eyes", "two six", "flowing water", "allegro", "guide plate", "rocking plate", "loose plate", etc., and there are also counter-tones.

1. The singing cavity structure is dense and compact.

2. Stretch and relax the cavity method, use the holding tone to hold up and tighten the singing cavity, and then end the singing sentence with the flowing rolling small cavity method.

3. Extensive use of syncopated rhythms.

4. Drawing on the method of pronunciation, we can see a lot of shadows of the old school singing in the Cheng school singing.

The artistic characteristics of the drama are, first of all, that its performance itself is an extremely complex and comprehensive art. We know that all drama is an integrated art. But this kind of integrated art is not the same concept as we call integrated art.

Generally speaking, drama is a comprehensive art, which means that drama is a comprehensive art that includes literature, acting, art production, lighting, etc. but peking opera is only for performance , it is itself a comprehensive art , including singing , reading , acting , playing , four categories .

If music, art (including makeup, face painting, stage design, set painting, etc.), lighting, clothing (embroidery), furniture (handicraft), etc., are included, Peking Opera is actually a very complex and comprehensive art. Another characteristic of the art of Peking Opera is that it cannot be copied from life. Peking Opera does not take the natural form of life as it is realistically copied on the stage, but starts from life and takes life as the basis for a high-level generalization.

The refinement, exaggeration, beautification, and decoration of forms, language, and movements in life to form a special means of expression, and then use them to reflect life, is the most fundamental aesthetic feature of Peking Opera.

Sweat and horses, absolute dust, Anwai Zhen, won the bid for the history of Jinyang, Kaitai, rich people, Qing government, a new chapter of the exhibition, spring is full of the world.

The singing voice of Peking Opera belongs to the plate variant, with Xipi and Ergong as the main singing voices.

Peking Opera singing.

Xipi two yellows and two yellows.

In addition to the natural attributes (gender, age) and social attributes (identity, occupation) of the characters, the division of Peking Opera is mainly based on the personality characteristics of the characters. The Peking Opera Troupe used to have the saying of "Seven Elements and Seven Branches": the seven elements are the life line, the Dan line (also known as the occupation line), the net line, the ugly line, the miscellaneous line, the martial line, and the popular.

Everything on the stage of Peking Opera does not appear according to the original appearance of life. The characters on the stage of Peking Opera do not appear according to the original appearance of people in life, but according to the gender, personality, age, occupation and social status of the characters played, some artistic exaggerations are added in makeup and costumes, so that the characters on the stage are divided into four types: sheng, dan, pure and ugly. The special noun for these four types in Peking Opera is called "Xingdang".

Peking Opera is mainly divided into two categories: "Xipi" and "Erhuang Naimu".

Among the common repertoire, there is "Shiro Visits the Mother", Yang Yanhui's "Unspoken Tears Can't Help Tears" is the old student's "Xipi Guide", and Princess Tiejing's "Husband and Wife Sitting in the Palace Courtyard" is Tsing Yi's "Xipi Guide". The Sippi guide is used to start a large number of singing segments, which is more commonly used. Such cover letters and Yang Zongbao sang "Yang Zongbao uploads the general's order on the horse" in the play is Xiaosheng's western leather guide, "Bao Longtu sits in Kaifeng Mansion" sung by Bao Zheng in "Quanmei Case" is the west skin guide of Jingxing, and the "dragon horse and phoenix enter the imperial city" sung by China Tai in "Playing Dragon Robe" is Lao Dan's west skin guide.

The singing method of the stuffy curtain guide is basically the same as that of the general guide board, but it is sung behind the scenes first when the actor is not on the stage, such as Liu Xie (Emperor Han Xian) in "Eliminating Yaojin" has a large section of singing "Fathers and sons cry sadly in the palace courtyard" is the stuffy curtain guide, and the characters only appear after singing. But this is a two-yellow guide plate, not a West Skin guide plate.

The artistic characteristics of the drama are, first of all, that its performance itself is an extremely complex and comprehensive art. We know that all drama is an integrated art. But this kind of integrated art is not the same concept as we call integrated art.

Generally speaking, drama is a comprehensive art, which means that drama is a comprehensive art that includes literature, acting, art production, lighting, etc. but peking opera is only for performance , it is itself a comprehensive art , including singing , reading , acting , playing , four categories .

If music, art (including makeup, face painting, stage design, set painting, etc.), lighting, costumes (embroidery), tools (handicrafts), etc., are included, Peking Opera is actually a very complex and comprehensive artAnother characteristic of the art of Peking Opera is that it cannot be copied from life. Peking Opera does not take the natural form of life as it is faithfully copied on the stage, but starts from life and takes the life type as the basis for a high-level generalization

The refinement, exaggeration, beautification, and decoration of forms, language, and movements in life to form a special means of expression, and then use them to reflect life, is the most fundamental aesthetic feature of Peking Opera.

Sweat and horses, absolute dust, Anwai Zhen, won the bid for the history of Jinyang, Kaitai, rich people, Qing government, a new chapter of the exhibition, spring is full of the world.