Why is the poetry scene in the early Tang Dynasty full of sentimentality?

Care for reality and sympathize with the people's suffering. Most of the poets of the Middle and Tang dynasties showed sentimental overtones. Wait a minute.

Using poetry to fight against dark reality, he is good at refining the plot and language, striving to understand in simple terms, and some of his lyrical poems are also written fresh and natural.

The spirit of using Yuefu poems to write about current affairs vigorously advocates the use of Yuefu poems to look at people's livelihood and sufferings in theory and creation, so that the realist spirit of Du Fu's poetry can be further carried forward.

They use poetry to express their emotions and grievances.

Most of the poems are sad

Most of the poets of the Middle and Tang dynasties showed sentimental overtones.

On the one hand, by the infection of the spirit of the Tang Dynasty and the influence of the art of the Tang Dynasty, the poems will also show the inheritance of the Tang Dynasty, such as the spirit of the pursuit of meritorious service and heroic heroism, and the poems also reveal heroic pride and patriotism, showing a high-spirited emotional tone and strong spirit, still concerned about the society, It also reflects real life to a certain extent; On the other hand, the rise and fall of the times have caused a strong psychological loss in them, and the ardent desire to advance has been replaced by a negative sense of seclusion from the world. In addition to singing and composing for entertainment, their poems mainly write about the trivial matters of daily life, natural scenery and sorrowful travel, expressing the feelings of loneliness and coldness, and expressing the secluded atmosphere of transcendence and seclusion. This fashion of the times and the taste of life affect their aesthetic taste.

In the poems, the ideal colors and romantic mood of the Kaiyuan and Tianbao prosperous times gradually faded, and the artistic pursuit of dilution and peace, the pursuit of faint and distant charm, although there was flavor and the spirit of the bones declined.

The development of Tang poetry is divided into four periods: the early Tang Dynasty, the prosperous Tang Dynasty, the middle Tang Dynasty, and the late Tang Dynasty. In the early Tang Dynasty, the poetry circle inherited Qi Liang's floating poetry style, popular palace style poetry, and the poet who could get rid of the influence of the palace style poetry style was Wang Ji, who admired Tao Yuanming's life attitude and poetry style, mainly describing the pastoral scenery and personal pastoral life, and the poetry style was sparse and simple.

The "Four Masters of the Early Tang Dynasty" refers to the four poets Wang Bo, Yang Jiong, Lu Zhaolin, and Luo Bin Wang, whose main contribution was to destroy and transform the palace style poems, lay down the five laws, and develop the seven words and songs. After the "Four Masterpieces", the two poets who made the rhythm of poetry stereotyped were Shen Yanqi and Song Zhiwen.

The first writer in the Tang Dynasty to raise the banner of poetry innovation was Chen Ziang. He admired the ancient poetry of the Han and Wei dynasties, advocated the "Han and Wei style bones", "elegance and prosperity", he took the retro as the innovation, swept away the floating poetry style of palace style poetry, corrected the development direction of Tang poetry, and paved the way for the arrival of the peak of Tang Dynasty poetry.

2] The poetry of the Tang Dynasty represents the highest achievement of Tang poetry. The two major poetry schools of the Tang Dynasty were the landscape idyllic poetry school represented by Wang Wei and Meng Haoran, and the Biansai poetry school represented by Gao Shi and Cen Shen. The important poets of the Biansai poetry school also include Wang Changling, Wang Han, Wang Zhilian, Li Ji, Cui Hao, etc.

Li Bai and Du Fu were great poets who stood side by side in the Tang Dynasty, and their poems represent the highest achievements of Tang poetry and even classical Chinese poetry. Zhang Ruoxu and He Zhizhang, Zhang Xu, and Bao Ronghe are called "Wuzhong Four Scholars".

3] Poetry creation in the early Tang Dynasty was at a low ebb, and prosperity reappeared in the later period. The ten poets who enjoyed a good reputation in the poetry world during the Tang Dynasty were collectively called the "Ten Talents of the Great Calendar". In the early period of the Middle and Tang Dynasty, Yuan Jie and the situation focused on reflecting the reality of people's livelihood, and he was a transitional poet between the new theme Yuefu initiated by Du Fu and the new Yuefu movement headed by Bai Juyi.

Liu Changqing and Wei Yingwu in the early Tang Dynasty were famous for their landscape poems, and they were the remnants of Wang Wei and Meng Haoran; Lu Lun and Li Yi's side poems are the aftermath of Gao Shi and Cen Shen. The two major poetry schools in the late Middle and Tang Dynasty were the Xin Yuefu School and the Han and Meng Poetry School. In the Tang Dynasty New Yuefu Movement, a group of poets represented by Bai Juyi and Yuan Zhi consciously carried forward Du Fu's realistic spirit, sought poetry materials from the source of life, and wrote a large number of Yuefu poems with new themes, new languages, and new poetry titles, setting off a new Yuefu movement, and the backbone poets of the New Yuefu Movement were Zhang Ji, Wang Jian, Li Shen, etc.

The Han and Meng poetry schools and the Xin Yuefu school appeared almost at the same time, represented by Han Yu and Meng Jiao. They advertise "Chen Yanwu go", still clumsy, seeking adventures, avoiding familiarity in art, deliberately seeking novelty because it is difficult to see coincidence, forming strange and dangerous style characteristics. In addition to the two major poetry schools, poets who can be unique and have outstanding achievements include Liu Yuxi, Liu Zongyuan, Li He, etc.

4] The late Tang Dynasty was the sunset period of Tang poetry. The overall situation of the poetry world is that the sentimental atmosphere is strong, and the carving atmosphere prevails. The most famous poets in the early Tang Dynasty were Li Shangyin and Du Mu, who were known as "Little Li Du".

They were also the most accomplished poets of the late Tang Dynasty. In the late Tang Dynasty, a group of poets represented by Pi Rixiu, Nie Yizhong, and Du Xunhe appeared, carrying forward the creative spirit of the New Yuefu School in the Middle and Tang Dynasties, focusing on reflecting the social and people's livelihood, but their artistic achievements were not high.

This question is too technical, and it is recommended to look up the literature of the Middle and Tang dynasties. The Middle Tang Dynasty is the transition from the prosperous Tang Dynasty to the late Tang Dynasty, and the youthful spirit in the poem gradually diminishes.