What enlightenment does Li Bai s spirit bring us?

Li Bai's life has traveled all over the world, and the ups and downs of his life have made him widely exposed to all aspects of life. His distinctive personality is formed on the basis of fully sucking the breath of the times. Li Bai has been generous and conceited since he was young, unconventional, "often want to make a splash, soar into the sky, and he gradually moves to Qiao, but he can't" (Fan Chuanzheng, "Tang You's Preface to the Tombstone of Li Gongxin, a Bachelor of Hanlin").

He has a very strong chivalrous style: martial and light, off the subtleties, light on wealth and charity, arrogant. When he was young, he "traveled east to Weiyang, less than a year, scattered more than 300,000 gold, and had a down-and-out son, who received all the help" (Li Bai's "Shang'an Prefecture Pei Chang History Book").

He likes to drink and indulge in Booze, and is good at riding and shooting. He disdained to follow the usual path of ordinary scholars from the imperial examination to the official ranks, and hoped to achieve great things in one fell swoop. He also religiously sought immortals to learn the Tao, collected medicine and alchemy, and Dugu said that his outfit was "full of immortal medicines, and Taoist books are full" ("Sending Li Baizhi to Cao Nanxu").

Even, he also received the Taoist seal from Shandong Zunshi Gao Rugui, and fulfilled the ceremony of officially becoming a Taoist. He is quite fond of the strategists who solve problems and disputes, and has the style of a vertical and horizontal family, Cui Zongzhi said that he "is both a clean argument and a palm, and a mysterious talk is absolutely falling." Distinguish the affairs of Chu and Han, and the kings are domineering" ("Gift to Li Twelve Bai").

The New Tang Dynasty Book and Literature Biography also said that he "likes vertical and horizontal arts". In short, "Zhishang Taoism is said to be immortal; do not seek petty officials, and conceit the affairs of the world" (Liu Quanbai's "The Late Tang Dynasty Hanlin Bachelor Li Junjie"), his life ideal is both detachment and active entry into the WTO. The above-mentioned aspects are the salient characteristics of the social habits and cultural spirit of the Tang Dynasty.

Therefore, Li Bai has naturally become the favorite humanistic style of contemporary people. For example, in order to catch a glimpse of Li Bai's abundance, Ren Hua and Wei Wan traveled thousands of miles to track each other; When He Zhizhang, the "Siming Maniac", saw Li Bai, he exclaimed as "an immortal", and took off the golden turtle he was wearing; Wu Qi, a disciple, was willing to go to the soup to fight the fire, crossing the occupied area of the An Lushan rebels to Donglu to pick up the poet's children, and so on. Li Bai's poetry reflects the style and brilliance of the times through the projection of his personality, thus becoming the strongest voice of the Tang Dynasty.

1. "Difficult to Walk".

Through the layers of emotional ups and downs, it not only fully shows the obstruction of the dark and dirty political reality on the poet's grand ideals and ambitions, reflects the poet's strong anguish, indignation and injustice caused by this, but also highlights the poet's stubbornness, self-confidence and his persistent pursuit of ideals, and shows the poet's strong spiritual strength to break free from the bitterness.

2. "Xuanzhou Xie Junlou Farewell School Book Shuyun".

Li Bai was mentally under the weight of depression, but he did not give up the pursuit of the ideal of progress. The poem is still full of heroic and generous feelings, and the whole poem does not give people the feeling of gloom and despair, but the heroic and heroic spirit in the melancholy and depression. This shows that the poet does not succumb to the oppression of the environment, nor to the weight of the heart.

3. "Farewell to Jingmen".

The poet crossed Jingmen along the Yangtze River, and the Shu land where the river flowed was the hometown that once raised him. But the poet does not say that he misses his hometown, but says that the water of his hometown is reluctant to send me all the way away, with deep affection, thousands of miles to send the boat, from the opposite side of the writing, more and more homesick and affectionate. The poem ends with a strong sense of nostalgia and farewell, and the words are endless and the feelings are endless.

Fourth, "Gift to Wang Lun".

The first two lines of the poem describe the scene when Li Bai was about to go by boat, and Wang Lun rushed to see him off by song, which simply and naturally expressed Wang Lun's simple and sincere feelings for Li Bai; The last two sentences first use "a thousand feet deep" to praise the depth of the peach blossom pond, followed by the two words "less than", and use the technique of foiling to turn the invisible friendship into a tangible thousand feet of pond water, vividly expressing Wang Lun's sincere and deep friendship with Li Bai. The language of the poem is fresh and natural, and the imagination is rich and peculiar.

5. "Wangtianmen Mountain".

The artistic conception of the poem is broad, the spirit is heroic, the language is vivid and vivid, and the picture is colorful. Although it is only a short four sentences and 28 words, the artistic conception it constitutes is beautiful and magnificent, and people feel like they are in it when they read the poem. The poet leads the reader's field of vision along the vast Yangtze River to the infinite and vast world, which makes people suddenly feel open-minded and broad-minded.

From the poem, we can see the poet Li Bai's uninhibited spirit and his broad mind who is unwilling to limit himself to a small world.

Li Bai wrote a large number of poems in his life, and there are more than 900 poems that have been handed down to this day. His poetry creation covers a wide range of classical Chinese poetry topics, and his poems, when read and tasted, make people feel that "the aftermath is lingering, and the three words are endless".

The light and shadow of the bright moon in front of the bed, the white and flawless frost, the frost and the sun under his metaphor, praise each other to show the most beautiful side of the moon and frost, after some thinking, it was found that the moonlight was frolicking with the poet, and the axis of life turned from there, outlining a very beautiful picture of homesickness under the moon. Li Bai's ability to capture images is very strong, but when the poet's surging poetry cannot be accommodated by ordinary images, the poet uses his imagination and fantasy to realize the transformation of art. This metamorphosis is based on the intensity of the poet's emotions, which gives the image a fantastical color out of the ordinary.

The spirit of independent personality and self-esteem consciousness that does not "break the eyebrows and bend the waist to the powerful", and has a sense of independent personality and self-esteem; The pure spirit of caring for the people with a heart and a heart; the spirit of loving the great rivers and mountains of the motherland and cherishing friendship; The heroic spirit and romantic spirit of not valuing money, loving things in the cup, and howling when drunk.

Li Bai's poems not only have a typical romantic spirit, but also have typical romantic artistic characteristics from image shaping, material ingestion, genre selection and the use of various artistic techniques.

Boldness is the main characteristic of Li Bai's poetry. In addition to the factors of ideology, character, talent, and affection, the artistic expression techniques and genre structure adopted by Li Bai's poetry are also important reasons for the formation of his bold and elegant style.

It is generally believed that Li Bai's poems reflect the "prosperous Tang Dynasty".

Li Bai mainly lived in the Tang Dynasty, and he was inevitably influenced by the atmosphere of the social era. Zeitgeist.

Literary style, influenced his poetry creation, coupled with his personal ideological character and extraordinary literary talent, made him an outstanding poet in the Tang Dynasty, he was like a thunderstorm, a hurricane, with earth-shattering prestige, with a shocking power to conquer the authors of the same era, influencing later generations. He entered Chang'an with a song "Shu Road Difficult".

He Zhizhang, who made the honor of Jinghua at that time.

amazed and impressed, he called him "the immortal"; Du fu.

On the way, I met him, changed the route, and then went east, and after saying goodbye, I never forgot him, and praised him and said, "Bai is also invincible, and he is not a group of thoughts" ("Spring Memories of Li Bai").

Wangwu Mountain. Wei Wan admired Li Bai, traced thousands of miles to meet him in Guanglin, praised Li Bai as "Henghai Kun, negative Tianpeng", and praised Li Bai's poems as "ghostly"; Ming Tangyin said: "Li Bai had a month in front of him, but only Li Bai's poems could say it.

Li Bai is now immortal, how round is the moon in the blue sky? Today's people still sing Li Bai's poems, and the bright moon is still like Li Baishi; I should be Li Bai to Mingyue, can the moon and Li Baian know? Li Bai can regain the ability to write poems, and I will return to a thousand songs in a hundred glasses today.

Although I am ashamed that I don't have Li Baicai, I don't think Yingyue thinks I'm ugly. I don't board the ship of the Son of Heaven, and I don't go to sleep in peace. There is a thatched hut outside the city of Gusu, and the peach blossoms of ten thousand trees are full of moon.

At the same time, Li Bai also enriched and strengthened the meteorology of the Tang Dynasty and made great contributions to the formation and development of the meteorology of the Tang Dynasty.

Let's talk about ancient poems first, mainly long ones, such as the difficulty of Shu Dao, sleepwalking in the sky and leaving farewell.

The road is difficult, and the wine will enter.

etc., part of it is to write the famous mountains and rivers of the motherland, the beautiful scenery is written in heaven and earth, the dangerous scenery is written thrilling, and I like to use exaggerated techniques very much, rich in mythological beauty; Part of it is to write about drinking goodbye with friends. Many of the opening chapters are very impressive, such as "I am a madman in Chu, Feng Ge laughs at Kongqiu", "You don't see the water of the Yellow River coming up from the sky", etc., the text is like his person, very wild and eclectic; At the end, personal disdain for the powerful or attitude towards officialdom is often added: such as "An Neng broke his eyebrows and bent his waist to serve the powerful, making me unhappy", "Life is not satisfactory in the world, and the Ming Dynasty distributed all over the boat".

In fact, I guess Li Bai has Zhuge Liang.

complex, he hoped that the official hat was given to him by the superior himself, so he did not participate in the imperial examination.

Instead, he was recommended by a friend, but was soon squeezed out by the Chang'an magnates and left Chang'an.

Speaking of laws, I like Li Bai's five laws the most, with 300 poems in the Tang Dynasty.

, Li Bai's five laws have only five, far less than Du Fu.

number, but what I remember deeply is Li Bai's songs. "The drunken moon is frequently in the saint, and the flowers are not a thing", "Waving his hand to go, Xiao Xiaoban Ma Ming", "Washing the water with a guest heart, and ringing into the frost bell", "Yu can also sing highly, and people can't hear it", all of them are allusions, and they are not used traces, which are appropriate and natural. The scenery describes "the flying mirror under the moon, the cloud is born and the sea is closed", and the "blue sea flying golden mirror" in the song of the cave immortals of the Song Dynasty can find the shadow from this.

The emotional description of "still pity the water of his hometown, send off the boat for thousands of miles", originally he was reluctant to leave his hometown, but said that the water of his hometown was reluctant to send him away, and the description from the opposite side was even more touching, and poets of the same period such as Du Fu in "Moonlit Night.

It is also written in this way "tonight in the moon of Yanzhou, the boudoir only looks alone", not writing about looking at the moon by himself, but writing about his wife looking at the moon. I don't know if this writing is original to Li Bai, but the noun usage in "floating clouds and wandering children, sunset and old people" is Li Bai's first precedent.

Li Bai's poems are extremely creative, and some of the writing methods are only created by him, which has become the object of emulation by his contemporaries, leading the trend of the times; His poems are extremely romantic.

Color, full of positive and optimistic spirit, is something that we are desperately lacking right now. Li Bai's poems are undoubtedly a valuable literary wealth left to us, and what we need to do more is to read, to understand, to communicate at the spiritual level, and to learn the sublimation of the ancients' personality such as open-mindedness, optimism, and self-cultivation.