The situation of Qin Guan and its famous words are also introduced

Qin Guan, a poet of the Northern Song Dynasty. The word Shaoyou, too empty, Huaihai Jushi, Gaoyou (now Jiangsu) people. He used to be the secretary of the provincial orthography and the editor of the National Academy of History.

Because of his political inclination to the old party, he was regarded as a member of the Yuanyou party, and Shao Sheng was degraded after being degradedThe text was appreciated by Su Shi and was one of the "Four Bachelors of Sumen". Gong poems.

The words mostly write about the love between men and women, and they are also quite sentimental about their life experience, with a euphemistic and subtle style, clear and elegant. The style of poetry is similar to the style of words. His words include Huanxi Sha, indifferent and light cold on the small building, Xiaoyin is like a poor autumn, and the light smoke and flowing water paint the screen.

The free flying flowers are light like a dream, the boundless silk rain is as thin as sorrow, and the treasure curtain hangs a small silver hook.

Answer]: Qin Guan shows a unique aesthetic realm in the artistic expression of graceful and sentimental lyrics.

1. In terms of artistic conception creation, Qin Guan's lyrics are good at depicting the quiet and lonely natural scenery, expressing the resentment and helplessness of the emigrants, and creating a bleak and poignant "virtual situation with me".

2. In terms of the use of calligraphy, Qinguan's words have the characteristics of subtlety and beauty, taking images and setting words to pursue the exquisite beauty of imagery, and depicting natural scenes, mostly for flying swallows, jackdaws, weeping poplars, fragrant grass, slanting sun, waning moon, distant villages, Yanzhu, etc.; Imitation of architectural utensils, is a post pavilion, a lonely hall, a painting screen, a silver candle and the like.

1. Qin Guan's poetry style is graceful, the language is delicate and elegant, and the feelings are deep, which are loved and respected by readers of all generations, so that people treat Qin Guan simply as a lyricist.

2. Qin Guan's lyrics have the characteristics of subtle and subtle beauty, taking images and setting words to pursue the exquisite beauty of imagery, and painting natural scenes, mostly for flying swallows, jackdaws, weeping poplars, fragrant grass, slanting sun, waning moon, distant villages, Yanzhu, etc.; Imitation of architectural utensils is post pavilions, solitary pavilions, painting screens, silver candles and the like. With his gentle brushstrokes, he scrutinized and embellished the words in the words, and used exquisite and concise rhetoric to convey a miserable and hazy artistic conception.

First, stick to reality, not empty talk.

Second, the structure is strict and the rules are in order.

In the fourth year of Xining, Song Shenzong adopted Wang Anshi's suggestion to reform the imperial examination method. In order to respond, Qin Shaoyou put a lot of effort into the writing of policy theories, and he paid more attention to the writing of policy theories even more than poetry.

Third, lay out the arrangement, and be full of energy.

Most of the prose of the hundred schools of thought of the pre-Qin dynasty and the prose of the eight masters of the Tang and Song dynasties pay attention to the use of "whole sentences" to lay out and compare, which makes people feel that there is a momentum rushing to the face and is very shocking.