Mozart s Symphony No. 40 The symphonic course of the first movement

The first movement, a very fast allegro, in G minor, in 2 2 time, opens with the accompaniment of viola chords, and is played by the violins in a beautiful and mournful first theme, which is so famous that it is often adapted as a light ** piece to be played alone.

The first movement of the piece is a very fast Allegro, in G minor, 2 2 beats, sonata style.

Accompanied by the gently oscillating chord patterns of the viola voice, the violin voice directly plays a singing lyrical theme, which is slightly lively and excited, and this theme is very famous, and has often been adapted into various light ** pieces and played alone.

The first theme is thickened by instrumental sounds, and the mood becomes more tense, and after the full sound, there is a melancholy, contemplative second theme. It is first sung softly and calmly by the violin part, and then by the flute and reed.

The development department is based on the juxtaposition of the enthusiastic and excited first theme with the elegant and quiet second theme. At the same time, in the process of development, the first theme prevails for development.

The first theme in the re-enactment is still agitated and uneasy, and the second theme is even darker, and the whole work ends in such an atmosphere. This is an appreciation of the first movement of Mozart's Symphony No. 40 in G minor.

Completed by Mozart in 1788, it is the most representative of the mental journey of a free man, tender, sad, emotional intensity and depth that previous works do not have, and it is a realistic work of the last years of Mozart's life.

1. Mozart's representative symphonies: Symphony No. 39 in E flat major, Symphony No. 40 in G minor, Symphony No. 41 in C major.

2. Symphony No. 39 in E flat major, composed in 1788. The piece was once revered as the "Swan Song" as an expression of admiration for Mozart and the work. The most distinctive feature of this work is the dance rhythm and melody that runs through it from beginning to end, showing the author's love for life and optimism.

3. Symphony No. 40 in G minor, composed in 1788. The whole symphony is full of enthusiasm and emotional music. Although the symphony still bears traces of the Baroque, it nevertheless took the absolute of the time a step forward, and when it was played in Leipzig in the early 19th century, it was criticized with words such as "shuddering" or "slow".

This work is similar to the scene of "The Troubles of Young Werther". It can be said that it is a work that is close to the Romantic school step by step.

4. Symphony No. 41 in C major, also known as Jupiter's Symphony, composed in 1788. This work is the last of Mozart's three major symphonies, and it is one of the finest instrumental works of his many outstanding works. There is no sign of Haydn's influence and family economic influence in this symphony (Mozart's family income plummeted when he finished his Symphony No. 40 in G minor, but he still maintained a cheerful mood), and it is a representative work of Mozart that exerts his compositional characteristics, showing Mozart's skillful compositional skills in his later years.

It is also a good example of balanced contrast. Jupiter is the name of the highest creator god in Roman mythology, and it is very appropriate to use it as an alias for this song, but this is not the name set by Mozart himself, but added by later generations.