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The black and white is understated, with a heavy feeling, which is the overall atmosphere of the work. It creates a sense of visual depression for the viewer.
The subject of the first work is this child, a child with a delicate face, but the eyes reveal a kind of sadness, a sadness that should not belong to a child of this age, and it is the rescuer's helmet that holds her, indicating that the background of this work was taken at the scene of the disaster. The second work also appears the element of hands, the difference is that these are two pairs of weathered old hands, the wrinkles and furrows on the hands, including the mutilation of nails, indicate that these two hands are hands that have experienced all kinds of labor, and in order to live, these two hands show more old state, more vicissitudes. Moreover, it is clearly the hands of two old ladies.
It can be seen in the silver ornaments on their wrists. The concrete floor under their feet also exposed their living environment, dark and damp, the water stains on the ground were still faintly visible, the cracks in the floor were constantly gushing out moisture, the old people's hands had a lot of black elements, and their nails were smoothed and even bruised, indicating that they were engaged in work that had nothing to do with mental power, that is, manual labor, or plowing coal in the coal yard, or sorting some ore or something. In short, it is an extremely laborious task.
Both works speak to the hand. The first is of children and the second is of old people, their hands, revealing the message that there are factors that threaten the survival of human beings, regardless of age.
Whether this factor occurs suddenly (the first) or gradually (the second, long-term unhealthy labor).
The analysis is complete.
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A group of excellent photographers began to use their lenses to narrate the changes of the times, record the various states of life, and expose the most real human nature. Their lenses depict a wide variety of people, urban and rural, war and peace, time and detail, ......At the same time, these works are marked with a strong sense of individuality, expressing the photographer's ideas, emotions and the way they observe and touch the outside world, they are "witnesses of human nature".
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You should analyze the composition, lighting, lens use, depth of field, contrast, etc.
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Hello, documentary photography only has two methods: photojournalism and reportage, and they have a lot of differences. (1) News photography emphasizes news and timeliness, and the facts reflected must be newsworthy and can meet the audience as quickly as possible, while documentary photography does not pay attention to it. (2) Documentary photography conducts long-term and in-depth documentary research on a certain culture, person, group, and event, and most of them must be accompanied by corresponding text descriptions.
Documentary photography is social, historical, cultural and systematic. Photojournalism is generally short and concise, reflecting the dynamic changes in news facts. (3) News photography is suitable for newspapers, magazines, etc., while documentary photography is more suitable for publishing albums or holding exhibitions, and documentary photography is much more informative. I hope mine can help you and wish you good health and a happy life.
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The difference is that news documentary photography records the facts that the masses want to know but do not know, that is, news facts, mainly for the public, while life documentary photography only records the facts in their own (or related to themselves) life, mainly for themselves (or their own people) to see. Wish.
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Analyze BAI
Photographic works must fully respect the ontological language of photography, and use the different ways of expression and expression that may arise in zhi and dao, and cannot copy the analytical techniques of art works and literary works. What's more, not all photographic works are works of art, and many excellent non-artistic photographic works can never be measured by so-called artistic standards. The most important thing in photography is not art, there are more important things than art.
The following is a brief introduction to the steps and methods of analyzing the work: Ideological aspect: Look at the intention - understand the meaning of the picture.
Look at expression – analyze various expressive techniques inside and outside the picture.
Compare and analyze between photographs.
From the evolution of the creative style of photography (degree of innovation).
to compare and analyze.
Look for comparables in the photographer's own creations.
The idea of the photographic work - the photographer's true intention to shoot.
The range, angle, depth of the ideology.
Technique: The conception of the photographic work - the photographer chooses the specific expression method that is suitable for himself and the subject to be photographed.
Shooting angle. The choice of compositional scheme.
Light processing. Color processing.
In short, for a good photographic work, there are many things that can be analyzed and studied, and many things can be analyzed according to personal perspectives, but generally our appreciation of works is mainly from the theme, composition, color, line, clarity, color contrast and other aspects of rapid analysis.
Egyptian mummies are shocking and admirable at the same time, and while people admire their great wisdom, they also say that they have no humanity, because among the unearthed mummies there are pregnant women who are mummified before the child is born, and this is really heart-wrenching. >>>More