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Opera dance is a kind of stylized dance, it is different from ordinary dance but it cannot be said to be completely different, opera dance pays attention to the beauty of rhythm, and the dance of opera is a virtual dance based on the prescribed situation of the plot. It is a kind of profound artistic conception beauty.
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After the Song and Yuan dynasties, classical Chinese dance was completely absorbed by Chinese opera and was no longer performed independently. Modern classical Chinese dance has become an independent art category. Of course, a lot of this is taken from the action of the opera.
And when you talk about opera dance, you should refer to the dance in opera, but it is a classical dance that has been danced (it is not a performance form that is subordinate to opera, nor is it completely in the category of opera). The dance is stronger, but it can have a narrative background (it can be the background of an opera story). Just refer to the materials given upstairs.
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It is the combination of classical dance and opera, using the elements and figures of opera, such as pretty flowers and so on
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Answer: It is a modern stage comprehensive art form that attaches equal importance to singing, dancing and drama.
Drama is a modern stage comprehensive art form that attaches equal importance to singing, dancing and drama. It is often based on narrative, and the performance combines beautiful and popular vocal singing and a variety of dance movements.
** In the early days, the opera was translated as a song and dance drama, which is a stage art form that combines singing, dialogue, acting, and dancing. Through the close combination of songs, lines, **, body movements, etc., the storyline and the emotions contained in it are expressed.
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Repertoire appreciation can not be exhaustive when elaborating, to take out one of the points to discuss, for example, "The Soul of the Qin Warriors", you don't want to describe the characters, theme, plot, lighting, **, stage, etc., you can make a comparison between its action characteristics and mechanical dance, and you can also describe its theme. In short, it is necessary to lead the area from point to point, and this kind of analysis is meaningful.
Take the peacock dance repertoire appreciation as an example:
Yang Liping's "Peacock Dance" is really breathtaking.
Peacock Dance "This dance makes people **, the mood is very good, Yang Liping is wearing a white dress, under the illumination of the stage lights, there are many colors in the white, Yang Liping's movements are beautiful, the bones are very soft, and many difficult movements are made, which makes the audience full of praise.
The gentleness and beauty of women add a unique charm and charm to the peacock dance. The dance movements are mostly maintained in a half-squat posture, and each joint of the body is bent, forming a unique three-way bending dance posture. The peacock dance also pays great attention to the movements of the hands, and uses the image of the hands to represent the peacock's head and neck, which is varied, vivid and expressive, giving people a kind of beautiful enjoyment.
Yang Liping's graceful posture in "Peacock Dance" shows the beauty of the peacock in front of the audience, her slender arms twist slightly in the air, tactful and cute, it seems that there is really a peacock dancing in front of her, as if she has integrated into nature, and she is also greedily enjoying this beautiful painting, which is poetic and picturesque.
Yang Liping with a beautiful dance, elegant posture, beautiful feather coat, the beauty of the peacock to the fullest, appreciate this dance, give people a beautiful enjoyment, pleasing to the eye.
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Dance joined the opera, and the opera expanded the dance, and in retrospect, the opera dance had a huge impact on the specialized dance art. Chinese opera dance has played a pivotal role in casting Chinese dance with distinctive characteristics, which is mainly manifested in the following aspects: (1) "The Essence of Chinese Cultural Knowledge" explains the folk dance of the Han nationality and says:
Due to the large number of performances, dancers often express many vivid characters in connection with the story, forming the characteristics of Chinese dance's ability to portray the characters. Many folk dances are branched, which is incomparable to the folk dances of all countries in the world. The beauty of Chinese folk dance is here.
This unique performance, plot, narrative, branching, and character portrayal are undoubtedly influenced by opera. Not only is the creation and performance of dance deeply influenced by opera, but the aesthetic taste of the Chinese people has also been dyed for a long time, and they always like to watch dances with a bit of plot. Such as "Laundry Dance", "Little Sisters of the Prairie", "Back to My Mother's Home", "Mountain Baby", "Watching Yangge", etc., similar programs are very popular with the audience.
2) The use of props is another major feature of Chinese folk dance. "The Essence of Chinese Cultural Knowledge" says: "Foreign dances also use props, but they are only a decoration, and do not prescribe movements; And once the props in Chinese dance are removed, many of its movements lose their meaning.
Chinese dance is often expressed through the use of props. This is undoubtedly also influenced by opera. There should be no doubt that the dance in the opera should express the story, and the use of props is the need for the performance, and many exquisite dances using props such as oars instead of boats and whips instead of horses have been created, which have been borrowed and used by folk dances.
3) Dance in opera In the long-term stage practice, in order to meet the needs of various plots, we have created performance techniques to express various lives, and it can almost be said that everything that is alive and dead, there is something possible in opera, and dance in opera is to express it. Therefore, dance in opera is indeed a treasure trove of dance techniques that express the various states of life.
Not only many, but also high, but also created a lot of stunts, unique skills, and many have reached a very high level. These treasures will naturally be absorbed by dance. The subtlety of the stunts and unique skills in Chinese dance is also unique in the world dance forest, and this is undoubtedly due to opera.
4) Chinese opera dances also provide themes for folk dances, such as marching dances and square dances in folk societies, many of which depict opera characters. For example, the almost lost "Blowing Bomb" (actually a whip dance) in Jishan folklore in Shanxi Province is based on "The Legend of the West Chamber"; There is also "Fighting Sticks", which the audience likes, not only uses the "open fight" of opera and martial arts, but also takes the theme of "Three Kingdoms Opera".
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If we don't return to the people, but let the state system treat it as a kind of lofty and elegant thing, opera will be as if it has become an artist who does not eat the fireworks of the world, and it is so arrogant that it will definitely be more difficult for the more desperate brother to go. A fusion of theatre and dance, because theatre itself includes dance. <>
As a traditional form of China, opera can be the most unique artistic feature in China, so many people will associate opera with dance, and then slowly develop a complete opera art system, which is very good. <>
Contemporary dance is also a product of social development, and it also absorbs and uses the performance and creation of traditional Chinese dance, which is also very ornamental, so it is very good, so opera and dance can also boldly usher in a new innovative work.
At the same time, drama and dance can be combined with each other, and will create a characteristic drama dance, which is a very good form of opera, which is the appearance of the taking, and will also bring a new visual effect, bringing people better sensory appreciation. At the same time, the expression of Chinese opera through singing and dancing is also a performance technique and a form of expression of drama reflecting life. <>
At the same time, in order to create more artistic images for contemporary life, and at the same time, they have also created a common character image with various elements, and the creative spirit has begun to play a role. There will be a lot of performance forms, but this is not a difficult thing, to combine them requires the actors to rehearse more hard, so this is also not easy to solve, but I believe that the form of drama performance will be more abundant in the future.
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The opera contains singing and dancing, there is a singing and dancing, so these things can be well displayed.
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You can go to the bureau to choose a dance related to opera, so that it can be well displayed, or you can find a song related to opera, so that it can be shown to everyone in this form.
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Through the perfect combination of song and dance, there is finally such a form, with a different style and charm, and a different form of expression.
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Chinese classical dance is a dance system compiled and created by the older generation of artists in the early days of the founding of the People's Republic of China. It is not a dance handed down from ancient times. At that time, a relatively mature art form had already formed in China, Chinese opera.
Therefore, the artists borrowed many characteristics and advantages of opera to enrich classical Chinese dance. For example, hands, eyes, body, method, and steps are the essentials of the charm of classical dance, which originates from opera.
Another example: the ways and methods of classical dance practice, hooking feet and pressing legs, breath sinking, and the most typical round field, all originate from opera. Therefore, there are many similarities between Chinese opera and classical Chinese dance.
But now classical dance has absorbed many of the advantages of ballet.
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Classical Chinese dance is based on opera, martial arts, and then borrowed from ballet training, such as mopping the floor, etc. At that time, the founder of Korean dance, Choi Seung-hee, came to China and said that Chinese dance must have its own national characteristics, and opera and martial arts have a long history, so one of the leaders, Mr. Lee Jeong-il and others founded Chinese classical dance!!
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Wow! Simple Dead Pull! I'm a dancer who has studied opera dance and classical dance, both of which have a long history, so it feels a bit boring, but they will never grow old, they will always be so classic.
But the most unique thing is that it will not pass by because of the dissipation of time.
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From the perspective of dance principles, the performance of opera shows the characteristics of lack of lines, songs, circles and verticals. The march of the dance is marked by a line (see the previous passage on the stage).
The song is first shown from the dance program of doing hits. A more general and generalized morphological feature than the meandering argument is the circle. Classical dancer Su Zuqian once summarized the experience of opera performance artists, and believed that the circle has multiple meanings in classical dance, such as the trajectory of the movement of the limbs, and the trajectory of the human body on the stage is mostly required to be circular or arc-shaped; When doing movements, the lines of the human body are also required to be round and smooth.
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First of all, what do you mean by singing and dancing?
If your "singing and dancing" means "singing, dudancing" zhi
Then opera, singing, and dancing are all art forms that thrive in the national art garden. They are like plum blossoms, orchids, and chrysanthemums in the garden, and their cultural ideas are homologous. In the course of thousands of years of development, each other has some learning and reference that they can accept.
Since dance is mainly expressed in body language, most of the borrowings and absorptions from opera are in form and modeling.
Since singing is mainly expressed in terms of **, words, singing skills, etc., most of the references to opera are **, literature and singing skills.
Since opera is comprehensive, he synthesizes almost all kinds of arts, and he draws on and absorbs most of the songs and dances. Or: "When song and dance are combined, expressing a relationship or expressing a story, it is already an opera."
In terms of language and martial arts, it is an absolute opera."
Maybe it was really the marriage of song and dance that produced opera, and then between the three, you have me, I have you and you develop together, and then learn from each other. The other two categories develop into what you see.
The fool is humble and hopes to be corrected.
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Opera absorbs the essence of song and dance, and some artistic expressions are displayed by song and dance, giving people a sense of artistic beauty, enriching the content of opera, and at the same time making song and dance have a new form of expression. New developments have been obtained.
Dance is a way of expressing oneself with the body ...
Must, it means, but why don't we just use certain? We are asking others to do something, so we need to be tactful. When it is necessary, express your urgency and emphasis.
If you can't go, you can't stay well.
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Wu dance, also called"Dada"、"Jumping", commonly known as"Ghost play"or"Dancing grimaces"。It originates from the totem belief in the ancient clan society, is the gene of the primitive cultural belief, and is widely spread in various places with a kind of folk dance with the function of exorcising ghosts and epidemics, sacrificial functions, and is the dance part of the ritual, which is generally performed during the first day of the new year to the sixteenth day of the first lunar month. It was originally a primitive dance of ancient sacrifice, in which dancers wore hideous masks and dressed up as legends"Fang Xiang's", with one hand in hand and the other hand in hand, dancing at the same time"Su, ......"The earth shouted, ran to all corners, jumped and danced, searched for bad things, to drive away the plague spirits, and prayed for a safe year. >>>More
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