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What do you want for the table, those tables can go to buy books, it's not expensive, or refer to some teaching videos.
To be honest, in my own experience, it is difficult to learn the pipa on my own. Even if you have some foundation before, it is more difficult to get started with an instrument such as the pipa, so it is recommended to find a teacher to learn the basics first and then learn it yourself. It will be of great help to learn some basic counterparts, special situations, etc.
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Although Wang Yuanba, Yue Buqun and others didn't understand the rhythm, they couldn't help but be intoxicated. Master Yi is even more depressed. Mrs. Yue sighed, heartily I don't understand.
Imagine in the air, how can the aftermath be around? How can it be three days long? It wasn't until I listened to Mr. Xiaoyu's story that I realized the wisdom of the ancients' wording.
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You might as well buy a pipa textbook for grades 1 and 3 and take a look.
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Techniques for playing the pipa: hand level, strength level, string level, change check level and endurance level.
1. Hand type off.
Whether the type is correct or not plays a decisive role in the quality of pipa performance. Generally speaking, if the hand shape is right, it is half the way to learn the lute.
The left and right hands should be in the shape of a half-clenched fist, the palms of the hands are empty, and the angle of the back of the right hand forms a plane with the pipa panel, and it is advisable to not see the palms of the hands when playing. The middle and small joints of both hands are curved. The big finger and index finger of the right hand should be bent into a semicircle, and the tips of the two fingers should be pinched together, like a soybean in the middle, and the hand account is round, which is the shape of longan fingering.
2. The strength is off.
The so-called force, mechanically speaking, is used to attack the opponent's gravity. Objectively speaking, the human fingers are in the nerve endings of the human body, which determines the weakness of the tips of the two fingers, and the pipa is played in the first direction, not to grasp the strings inward, but to play the strings outward, so the strength of the fingers is even weaker.
3. Pass the string level.
String crossing is a difficult technical problem, which is a challenge to the ability of the left and right hands to change the number of strings. The standard is that the right hand can pick multiple strings as quickly as it can pick a string.
4. Change the checks.
The change is due to the arrangement of the pipa phonemes according to the twelve equal laws, and it is also a connection action with a large range of changes in the pipa performance. Fingering is a vertical shift between the left fingers, wrist, and arm between the four frets, and its range is as wide as the cello's range.
5. Endurance pass.
Endurance is a key factor in being able to play the pipa quickly. This is because some solo pipa pieces and etudes are relatively long, especially when playing those fast and long passages, it is difficult for the fingers to adapt without sufficient stamina and latent ability.
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The way to play the pipa is as follows:
1. When playing, the fingers should hit the strings quickly to reduce the number of hits between the nails and the strings. Each time you play, it can be reduced to the point that after one impact, before the second impact, the nail has left the strings. The contact surface should be small, the speed should be fast, and the touch should not stay on the string.
The strength of the fingers should be even, and the elasticity should be good.
2. The nail should be shallow in the string, which can reduce the friction time of the nail against the string and reduce the number of hits of the string on the nail. The shallow entry of the chord also reduces the vibration of the nail itself, because the less area the string is in contact with the nail, the less sound it produces to rub. Of course, it should be used moderately, not too shallow, otherwise it is easy to bounce or the sound is thin.
The shallow entry of the string avoids the friction of the tape against the string.
3. The strength of the string should be moderate, and do not exceed the load that the string itself can bear. When the force is too large, the amplitude is easy to be too large, which will cause the whole string to hit the fret or phase, making a crackling noise. In order to change the timbre during playing, it is often necessary to play to the upper part of the string, which must be very well controlled and not overforced.
4. When playing the wheel finger, first of all, pay attention to the position of the wheel finger, especially the touch point of the big finger and the touch point of the little finger should not be too far apart. Generally speaking, when making a wheel, it is required that the index, middle, ring, little finger and big finger should pass through the same point on the string (about two centimeters wide) to ensure that the timbre is relatively uniform, and the angle of the big finger should be the same as the angle of the other four fingers, not 90°.
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First of all, you have to know the basic simple score, the pitch of the sound, and the rhythm, which are the most basic on the **, and then explain it according to the pipa technique symbols in the book.
Looking down from the top, the top of the sound is the right hand playing technique, the bouncing wheel, etc., the upper left of the sound, the capital 1234 represents the order of the left hand, and the bottom of the tone, 1||The three x represents the string, and if it is added with parentheses, it is an empty string. The Roman numerals further down represent the position. That's pretty much it.
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Clams,Buy a book of basic learning to introduce it.,There's a fingering on the score.,You have to be able to play the pipa to recognize it.,If you want to learn, find a teacher.,Self-study is almost.。。。
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First of all, you need to learn simple notation. Then the fingering of the pipa, find the description of this fingering encyclopedia, and check it. If you have a teacher, it's best to ask the teacher.
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Are you a fool Yes Yes It's impossible for a fool to learn well if you want to learn on your own, find a teacher.
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Find a teacher!
There are a lot of fingering on the pipa, and you may not be able to recognize it even if you read a book.
Or a professional to come!
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This arpeggio is played with a chord note (treble).
The method of playing is to play the notes in the chord from the bottom to the top as quickly as possible, taking care to keep the time after each note is played, and it will not end together until the last note is played.
This arpeggiation starts at the arpeggiation marker and holds two beats.
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Song: "Pipa Xing".
Original singer: Qiran, Shen Miren.
Fill in the words: Bai Juyi.
Composition: There is no piano.
Lyrics: Xunyang Jiangtou night send-off, maple leaves and flowers in autumn.
The master dismounts and the guest is in the boat, and there is no orchestra to drink wine.
If you are drunk, you will say goodbye, and you will be immersed in the moon in the vast river when you are drunk.
Suddenly heard the sound of pipa on the water, and the host forgot to return to the guest.
Xun Sheng secretly asked who the player was, but the pipa stopped and was late.
Move the boat to close to each other, invite each other, add wine and return to the lamp to reopen the banquet.
After a long time, he came out, still holding the pipa and half covering his face.
The hinge plucks the strings three or two times, and there is love before the tune.
The strings cover up the sound and thoughts, as if they are complaining about their lack of ambition.
The low-brow letter continued, saying that there are infinite things in my heart.
Gently and slowly twist and wipe and pick up, at first for "Ni Dress" and then "Six".
The big strings are noisy like a torrential rain, and the small strings are like whispers.
Noisy and staggered, big beads and small beads fall on the jade plate.
The bottom of the flower is slippery, and it is difficult to go under the drift ice of the secluded spring.
The ice fountain is cold and astringent, and the condensation will not be silent for a while.
Don't have gloom and hatred, silence is better than sound at this time.
The silver bottle burst through the water slurry, and the iron rider stood out with the sound of knives and guns.
At the end of the song, beware of drawing, the four strings sound like cracks.
The east ship and the west boat were silent, and only the autumn moon in the heart of the river was seen.
Groaning and plucking the strings, straightening up the clothes and showing up the face.
said that she was a woman in the capital, and her home lived under the shrimp toad tomb.
Thirteen learned the pipa, and the name belongs to the first part of the teaching workshop.
Qu Ba once taught good people to wear, and made up every time he was jealous of Qiu Niang.
Wuling is young and entangled, and I don't know how many red silk songs are played.
The silver grate of the head is shattered, and the blood-colored skirt is stained with wine.
This year's laughter will be next year, and the autumn moon and spring breeze will be leisurely.
The younger brother went to join the army and the aunt died, and the twilight went to the past.
Kurama was snubbed in front of the door, and the eldest married a businesswoman.
The businessman valued profit over parting, and Fuliang bought tea in the previous month.
Go to the mouth of the river to guard the empty boat, around the boat moon and the river is cold.
In the middle of the night, I dreamed of juvenile things, and my dreams were dry and my tears were dry.
I sighed when I heard the lute, and I heard it chirp again.
is the same as the end of the world, why should we have met before!
I resigned from the imperial capital last year and lived in Xunyang City.
Xunyang is remote, and I don't hear the sound of silk and bamboo all year round.
Living near the river is low and humid, and the yellow reed and bitter bamboo surround the house.
What did you hear in the meantime? The cuckoo cries and the blood ape wails.
Spring river flowers towards the autumn moonlit night, often take wine and pour alone.
There are no mountain songs and village flutes, and it is difficult to listen to the dumb ridicule.
Hearing Jun's pipa language tonight, it is like listening to the fairy music ear for the time being.
Mo Ci even sat down and played a song, and translated "Pipa Xing" for you.
I feel that I have been saying this for a long time, but I am in a hurry.
It was sad and not like a forward voice, and the whole audience wept when they heard it.
Who cries the most in the seat? Jiangzhou Sima Qing shirt wet.
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At present, there is only this, which is relatively complete. The pipa language is simple
When listening, as long as you mark out that ** is the wheel finger, you can do it, and the others are picked, which is not difficult.
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There are currently no tablature with fingering, but you can learn as you listen, most of them are picking, and it's not difficult.
It is not very rare to change the pipa, so it is recommended to play it while listening to the tune.
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It's not difficult, practice makes perfect, as long as you practice more, you can master it.
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None of the finger shakes can be explained. Novices can't hear it yet. Is it okay to trouble any teacher to write it out?
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There are only the most basic bounces and wheel fingers, nothing difficult, go to the Internet to search for scores, just listen to it yourself, it's not difficult.
What I choose now is a suite in a small city, because I was born in a small city, when I just graduated, I actually sharpened my head and squeezed into a big city, after five years of struggle, I still can't afford to buy a house, I am sure she still loved me at that time, but every time she really wants to talk about marriage, she will inevitably consider whether she can give her a home, this may be the concept of Chinese having a house to be considered a home, but after becoming a father, he is actually not willing to give his daughter to this unstable boy. Emotional failures, coupled with all kinds of obstacles at work, only to find that you should still return to the place where you have roots.
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