Wild Hope s poems, Wild Hope Ancient Poems Translation and Original Text

The original text of the ancient poem of Yewang: Donggao is looking forward to the twilight, and he wants to rely on it. The trees are all autumn colors, and the mountains are only sunset. The shepherds drove the calves back, and the hunting horses brought back the fowls. There is no acquaintance with each other, and the long song is full of flowers.

Translation: Standing in Donggao in the evening, I wandered and didn't know where to go, the layers of trees were dyed with autumn colors, and the mountains were covered with the afterglow of the setting sun. The shepherd drove the herd back to home, and the hunter galloped past me with his prey.

Everyone is relatively speechless, they don't know each other, I really want to live in seclusion in the hills!

Appreciation: "Wild Hope" is written about the autumn scenery of the mountains and wilderness, in the leisurely mood, with a bit of hesitation and depression, is Wang Ji's masterpiece. "Donggao is looking forward to the twilight, and he wants to rely on it.

Gao is a waterside land. Donggao refers to a place in his hometown of Longmen, Jiangzhou. After he returned to seclusion, he often traveled to Beishan and Donggao, and called himself "Donggaozi".

"Migrating" means wandering. "What do you want", using the meaning of "the moon and stars are scarce, the black magpie flies south, three turns around the tree, and the branches can be followed" in Cao Cao's "Short Song Xing", showing the boredom and hesitation. The following four sentences describe the scenery seen in the twilight:

The trees are all autumn colors, and the mountains are only sunset. The shepherds drove the calves back, and the hunting horses brought back the fowls. "Looking around, there is a patch of autumn color everywhere, which looks more and more gloomy in the afterglow of the setting sun.

Against this quiet backdrop, close-ups of shepherds and hunting horses, with a pastoral pastoral atmosphere, animate the whole picture. These four lines of poetry are like a picture of the autumn evening of the mountain family, with light and color, distant and close view, static and dynamic, just right. However, Wang Ji could not find solace from the countryside like Tao Yuanming, so he finally said:

There is no acquaintance with each other, and the long song is full of flowers. said that he was lonely in reality, so he had to chase after the ancient hermit and make friends with people like Boyi and Shuqi.

The ancient poems about ambition are as follows:

Qingqiu is extremely hopeful, and Zeng Yin is rising. The distant water is also pure, and the lonely city is deep in fog. The leaves are sparse and the wind is falling, and the mountains are sinking day by day. When the lone crane returns, the crows are full of forests.

Expand your knowledge:

Autumn is clear at a glance, and stratus clouds are faintly wafting in the distance. The water and the sky meet and the sky is clear, and a lonely city presents deep clouds and mist. The autumn wind blows up the dead leaves to fall off faster, and the sun has just sunk when you look at the distant mountains. Why did the lonely white crane come back late, you must know that the crow has already stayed in the forest.

Wild Hope is an ancient poem written by the Tang Dynasty writer Du Fu. Below I will explain the content and meaning of this poem for you in detail.

1.Poetic overview

Ambition describes the ambitions and encounters of a man of lofty ideals. Through his depictions of natural landscapes and observations of social reality, the poet expresses his desire for fame and fame and his disappointment in the real world.

2.The ambition of the poet

The poem describes the poet's desire to become a famous politician or prime minister, looking to the future and hoping that he can achieve great things, but feeling confused and lost in the actual experience.

3.Depiction of natural scenes

Through the description of natural scenery such as mountains, rivers, clouds and mist, the poet highlights the poet's inner grandeur and yearning for ideals, and at the same time forms a sharp contrast with the indifference and darkness of the real society.

4.Reflection on social reality

In the poem, the poet reflects on the injustice, corruption, and moral turpitude of the real society. He criticized utilitarianism and scheming, and was indignant at the indifference and absurdity of society.

Du Fu's life and creative style: Du Fu was one of the great poets of the Tang Dynasty, who used realism to depict the reality of society and the suffering of the people. His works cover a wide range of fields such as politics, history, and nature, and he has won praise from later generations for his profound thoughts and sharp brushstrokes.

Tang Dynasty Literati Ambition and Power Pursuits: The Tang Dynasty was a period of cultural prosperity in Chinese history, and many literati were eager for power and status. They strive for official positions and fame, but at the same time, they show the cruelty and impermanence of the struggle for power.

The source of "Wild Hope" is "All Tang Poems". "Wild Hope" is a poem by Wang Ji, a poet in the late Sui and early Tang dynasties.

The full poem is as follows:

"Donggao is looking forward to the twilight, and he wants to rely on it.

The trees are all autumn colors, and the mountains are only sunset.

The shepherds drove the calves back, and the hunting horses brought back the fowls.

There is no acquaintance with each other, and the long song is full of flowers.

The literal meaning of the whole poem:

At dusk, he stood on the high ground to the east of the house, looking out, and he did not know where to go.

Every tree is dyed in autumn colors, and the mountains are covered with the afterglow of the setting sun.

The herdsmen drove the cattle home, and the hunters rode horses and returned with their prey.

Everyone was relatively speechless and didn't know each other, so they could only sing a long song to remember the ancient hermit who picked roses and ate them.

Appreciation of the whole poem:

The first couplet, there is affection in the scene, and there are people in the scene. Let's take a look at this picture first: in the evening, the sun is setting, the sky is full of smoke, and the poet is alone in Donggao, looking into the distance, wandering left and right.

"Twilight" explains the time and renders the atmosphere, "Donggao" points out the location, and "Migration Desire" shows the mentality, which changes the complex depression. These two seemingly bland narratives explain the author's mood clearly and set the tone of the whole poem.

The couplet writes about the quiet scenery of the mountains and forests in autumn, further rendering the author's lonely and depressed mood from the front. From what we see and see, the poet gives us a picture of an autumn evening. The endless woods are dyed the haggard yellow of late autumn, and the rolling mountains are dyed in the bleak twilight of the setting sun.

It seems to be a quiet and open scene, but it gives people a sense of desolation and twilight.

The neck couplet, written about the activities of people in the evening, sets off the poet's depressed and lonely state of mind from the opposite side. The poet paints us a dynamic scene of the countryman returning from grazing. The shepherd boy who herds the cattle sings mountain songs, and happily drives the cattle back to their homes, and the hunters ride their horses, shouting loudly, and return with their prey satisfied.

But these bustles are theirs, and the poet has nothing, only loneliness and loneliness.

The tail couplet, finally couldn't hold back the emotions in his heart anymore, and expressed his chest directly. The poet came back to his senses from the beautiful and lively scene, and returned to the beginning of his state of mind, adding a sense of dazedness, loneliness, and melancholy. The poet did not have an acquaintance or friend around him, and no one could share this loneliness, so he had to bring in Boyi and Shuqi, who had already passed away.

The poet sang the song of "Picking Rose" to express his ambition to hide in the mountains and forests.

1. "Wild Hope" is a seven-character poem written by the Tang Dynasty poet Du Fu. The first couplet of the poem describes the scenery of the West Mountain and the Jinjiang River as seen during the wild view; Jaw Lian is associated with the separation of brothers and the lonely wandering of the world from the ambition of hope; The neck couplet expresses the feeling that he is too sick to serve the country; The way of writing ambition and deep anxiety about home and country in the last couplet. This poem is based on the scenery, worrying about the time and the country, the language is simple, and the feelings are deep.

2. The full poem of "Wild Hope": Three cities of snow in the West Mountain, thousands of miles in Nanpu and Qingjiang. The brothers in the sea and dust, the end of the world is far away with tears. But there will be many sicknesses in the twilight, and there will be no Pilgrimage. When he crossed the horse and went out to the suburbs, he was extremely eye-catching, and he was unbearable and depressed.

3. Vernacular translation of the whole poem of "Wild Hope": The snow-capped West Mountain guards the three important cities, and the Qingjiang River on the Nanpu side spans the Wanli Bridge. The wars in the four seas continued, the brothers were separated, and they couldn't help but cry when they were far away in the world.

In his twilight years, he was only accompanied by an illness, and he did not repay the Shengming court with the slightest performance. Riding a horse to the suburbs does not stop looking into the distance, and the world is becoming more and more depressed, which makes people sad and melancholy.

"Wild Hope" is the first year of Tang Suzong (760) summer, the poet Du Fu with the support of friends, in the suburbs of Chengdu, Sichuan Province built a thatched cottage on the bank of Huanhua Creek, after suffering from the war, life was temporarily peaceful Cong Qiwu, wife and children gathered together, regained the joy of family. This poem was written in the second year of settling in the cottage (761).

Original text: Wild Hope

Tang Dynasty: Du Fu.

Xishan Baixue Three Cities, Nanpu Qingjiang Wanli Bridge.

The brothers in the sea are separated, and the end of the world is far away with tears.

But there will be many sicknesses in the twilight, and there will be no Pilgrimage.

When he crossed the horse and went out to the suburbs, he was extremely eye-catching, and he was unbearable and depressed.

Interpretation: Xishan is covered with snow all year round, and the three cities are heavily garrisoned; The Wanli Bridge in the southern suburbs crosses the Jinjiang River.

The sea has been in turmoil for many years, and several brothers have been blocked from hearing from each other; At the ends of the world with each other, am I alone so sad?

but to hand over the twilight of the years to the sickly body; So far, there has been no merit to repay the virtuous Holy Emperor.

I rode alone on horseback, often looking far away, and the world was depressed day by day, which was unimaginable.

Appreciation: The poem is titled "Wild Hope", which is a self-portrayal of the poet's sentimental situation and nostalgia for his brothers when he went out of the suburbs. The first triptych of this poem describes the process of change in thoughts and feelings when writing about ambition, that is, from outward observation to inward examination.

The tail couplet points out the reason for the shift from extroversion to introversion. In terms of artistic structure, it is quite controllable and free.

Du Fu (712 770), the word Zimei, self-named Shaoling Ye Lao, known as "Du Gongbu", "Du Shaoling", etc., Han nationality, Henan Province Gong County (now Gongyi City, Henan Province), the great realist poet of the Tang Dynasty, Du Fu was respected by the world as the "poet saint", and his poems are called "poetry history". Du Fu and Li Bai are collectively called "Li Du", in order to distinguish them from the other two poets Li Shangyin and Du Mu, that is, "Little Li Du", Du Fu and Li Bai are also called "Big Li Du". More than 1,400 of his poems have been preserved, and his poetry is exquisite, and he is highly respected in classical Chinese poetry and has a far-reaching influence.

From 759 to 766, he lived in Chengdu, and later generations were commemorated by Du Fu's thatched cottage.