Why most of Dickens s works are his views and critiques of society

This is the characteristic of 19th-century realism, to analyze and criticize society, Dickens is a relatively representative writer. And to really go deep into the hearts of the characters, it starts from modernism.

It is closely related to his experience and character.

Dickens's main works include "The Pickwick Papers", "The Orphan of the Fog", "Old Antique Shop", "Hard Times", "Our Mutual Friend" and so on.

Charles John Huffim Dickens (February 7, 1812 – June 9, 1870), the greatest British writer of the 19th century, is also a writer known for reflecting real life.

Creative process:

Charles John Huffim Dickens's early years (1833-1841): When Charles Dickens began his literary work, he first wrote features for the London Morning Post and other newspapers, mainly showing the customs and scenery of London's urban and rural areas, and his love and hatred of life. In 1836 he published a collection of close-ups.

In 1837, the first novel, The Pickwick Papers, began to appear in newspapers.

Through the travels of Pickwick and his "Piper" friends, the author exposes the darkness of real life in England at that time, depicts the "old and beautiful England" in the author's mind, and reflects the author's ideological and optimistic sentiments yearning for freedom from feudal oppression and bourgeois exploitation.

Empiricism and realism in England are popular philosophies, as are their literary works. Dickens's autobiographical "Orphan of the Fog" depicts the hardships of the middle and lower classes of the metropolis of London in the early days of industrialization. If Mark Twain's Million Pounds depicts that everyone loves to get rich and that capital promotes social production, then Dickens asks a more pressing question:

How to lift the lower classes out of poverty. This is also the way to maintain the harmonious development of society. This is not only a problem of capitalism, but also of the whole world, and this is what Dickens's work means for future generations.

I read this book purely by chance, before reading this book, I was in a very bad state, very impetuous, very confused, very negative, just like the protagonist of the book, Pip, desperately trying to change his current situation, hoping that he would have a good future, hoping that someone could help him get rid of the current situation of poverty, hoping that he could become rich, hoping that he could live the life he wanted, and hoping that the people he cared about would care more about him.

The practical significance of his works can play a certain educational significance, and his works reflect the real society through some stories, which has profound educational significance, which can let us understand the society at that time.

It has a particularly important practical significance, and from the work we can see the development of society at that time, and then we can see his views and thoughts on the face of injustice and corruption.

It is necessary to understand the background of the work, so that we can better understand the practical significance of the work, and each work has its own creative environment and connotation that it wants to express.

<> literary characteristics: 1. Dickens paid special attention to describing the life experiences of the "little people" living in the middle and slow towns of the British society, which profoundly reflected the complex social reality of Britain at that time, and often used interesting language to tell the truth of the world in romance and reality;

2. Artistically, he is known for his witty humor, nuanced psychological analysis, and the organic combination of realistic description and romantic atmosphere;

3. Dickens's early ** is magnificent, popular and fluent, humorous and full of sentimentality, in which the exposure and criticism of society are generally limited to local systems and fields;

4. Dickens's later works clearly reflect the deepening of creative themes, the maturity of technique and the exploration of various aspects.