What is a poem about remembering Jiangnan What is a poem about remembering Jiangnan

The ancients often borrowed the willow to give farewell, and this poem does not deviate from the old purpose of love, but the idea is novel, the imagination is peculiar and suitable for the situation.

Poetic. One or two sentences, with a few brushstrokes, painted a beautiful picture of the spring willows of the ancient embankment. On both sides of the ancient embankment, the weeping willows are in rows, the sun shines, the whole body is verdant, the lily is lush, curling Tingting, looking at it from afar, it is just like a wisp of smoke fluttering.

Winding and green", using two overlapping words, one writes the gentle and graceful state of the willow by the river, and the other writes its verdant and verdant color, which is refined and distinct. The predecessors mostly used "green willows like smoke", "willows with smoke", "smoke with smoke" and so on to describe the lightness of willows and the beauty of spring. Only these three words outline the shape of the wicker, highlighting the beauty and brightness of spring, and contrasting the following parting feelings.

The third and fourth sentences directly write about the separation. Yongliu cherishes farewell, and poets generally think about the gift of broken branches, such as "hurt to see the willow spring on the side of the road, and fold it all over again." This year, I will also fold last year, and I will not send last year to others" (Shi Beiwu's "Folding Willows"); He once planted the south bank of the Yangliu River, and said goodbye to the south of the Yangtze River for two springs.

Remembering the Qingqing River on the bank, I don't know who it is" (Bai Juyi's "Remembering the River Willows") and so on. Yong Yuzhi disdained to make humane words, and turned out new ideas from the broken branches. "If the silk continues, keep the tie boat", the heroine of the poet's pen not only did not fold the willow to give goodbye, but hoped that the willow silk would continue, so as to tie the lover's boat and never separate.

On the one hand, it is strange to think that the Taoist has never done anything, and the abstract feeling of regret is expressed very concretely, profoundly and not generally; At the same time, this kind of imagination is very natural, which is suitable for the specific situation of the willows by the river. Imagine, in the middle of the river, ships come and go; On the embankment, the smoke and willow are blue; Under the shade of the willows, the boat is ready to go, and the branches and branches are blowing on the row. At this moment, the naïve fantasy of "Tie Lang Boat" sprouts out, how reasonable and natural it is credible.

There is no word "don't" here and the word "sorrow", but the infatuation is so infatuated that you want to tie the boat with wicker, then the weight of sorrow and the depth of hatred are self-evident. There is no word "river" or "willow" here, and the unique image of the riverside willow "far reflecting the sail near the embankment" (Wen Tingyun's "Willow Branches") is also vivid and picturesque. At this point, the three words "ancient embankment" have been settled, and the whole poem has been integrated.

Dai Shulun wrote a poem "Willows on the Embankment" in the Tang Dynasty: "Ten thousand weeping willows are silky, and spring comes to weave farewell." The place where the pedestrian climbs is when the concubine breaks her intestines.

It is quite novel to associate "weaving" from "silk", but the last two sentences failed to develop from this, and fell into the trap; It does not write the difference between the willow on the embankment and the willow elsewhere, and it is also applicable if the title is changed to the willow on the side of the road and the willow at the head of the building. The reason for this lies in the fact that the author's description is detached from the specific situation of that time and place. Compared with the two, we feel that Yong Yuzhi's "Riverside Willows" is indeed ingenious and superior.

"Remembering Jiangnan" is a poem. The title of "Remembering Jiangnan" is a brand name. At the earliest, "Remembering Jiangnan" was not called "Remembering Jiangnan", but "Xie Qiuniang", or "Looking at Jiangnan".

Later, because the famous poet Bai Juyi wrote the word "Remembering Jiangnan" in the Tang Dynasty, it was too famous, and there were words in the content "can you remember Jiangnan", because the name of the word brand became "Remembering Jiangnan".

In his early years, the poet came to Jiangnan to avoid chaos and lived in Suzhou and Hangzhou. In his later years, he served as a thorn in Hangzhou and Suzhou for many years. The mountains and rivers in the south of the Yangtze River, every grass and tree left a deep impression on him.

He also formed a deep friendship with the people there, and he continued to be in love with it until he returned to the north in his later years. "Remembering Jiangnan Ci" is a product of this mood. The work expresses the poet's love for the great rivers and mountains of the motherland, and also has a positive effect on the development of literati in the future.

Remembering Jiangnan is a poem of Yuefu.

"Remembering Jiangnan" belongs to a kind of poetic style of word brand name, which was originally the name of the Tang Jiaofang song, and was later used as the name of the word brand. It is also known as "Wangjiangnan", "Dream Jiangnan", "Jiangnan Good", "Wangjiangmei", "Spring Go", "Sleepwalking Fairy", "Anyang Good", "Buxusheng", "Hushan Good", "Wangpenglai", "Jiangnan Willow" and so on.

The word "Remembering Jiangnan" has been very popular since the beginning of the creation of the tune, and in the process of being sung, appreciated, and accepted, it has been passed down to the early and later generations of the finch and has produced a variety of aliases for the finch in the middle of the stream. At the same time, the tone has evolved over the course of a long history. The reason why it can become a long-lasting tone is that it has its own unique stylistic characteristics and vocal characteristics.

The full text of "Remembering Jiangnan" is as follows:

First: the south of the Yangtze River is good, and the scenery is old and familiar: the sunrise river flowers are red, and the river water is as green as blue in spring. Can you not remember Jiangnan?

The second training: Jiangnan memories, the most memorable is Hangzhou: the mountain temple is looking for guizi in the moon, and the county pavilion pillow looks at the tide. When will you visit again?

Third: Jiangnan recall, followed by Wu Palace: Wu wine a cup of spring bamboo leaves, Wu Wa double dance drunk hibiscus. Sooner or later?

Brief analysis: The first poem always writes about the memories of the south of the Yangtze River, the author chooses the river flowers and spring water, sets the background of sunrise and spring, and uses metaphors and contrasting techniques to vividly depict the beautiful scene of spring in the south of the Yangtze River;

The second poem depicts the beauty of Hangzhou, verifying the goodness of the south of the Yangtze River through the pictures of the mountain temple looking for laurel and the tide watching the tide in Qiantang, expressing the author's memory of Hangzhou; The third poem sings about Suzhou, selecting bamboo leaf spring wine and Wu Wa's drunken dance, outlining the charming customs of Suzhou and expressing the author's memory and yearning for Suzhou.

The ancient poem "Remembering Jiangnan" is as follows:"Remembering Jiangnan".

Author] Bai Juyi [Dynasty] Tang.

The south of the Yangtze River is good, and the scenery is old.

The sunrise river flowers are red, and the spring river is as green as blue. Can you not remember Jiangnan?

Translation: The scenery of Jiangnan is so beautiful, the scenery has been familiar for a long time.

The sun rises over the river, illuminating the flowers on the riverside redder than fiery red, and the turquoise water is greener than the blue grass. How can people not miss Jiangnan?

Background:"Remembering Jiangnan" is a group of words written by the Tang Dynasty poet Bai Juyi to write about the memories of Jiangnan, the author chooses river flowers and spring water, lined with the background of sunrise and spring, and uses metaphor and contrasting techniques to vividly depict the beautiful scene of spring in Jiangnan.

Bai Juyi roamed Jiangnan in his youth, lived in Suzhou and Hangzhou, and had a considerable understanding of Jiangnan, and successively served as the assassin of Hangzhou and Suzhou, so Jiangnan left a deep impression in his mind. He later settled in Luoyang and remembered the old trip to Jiangnan, so he created "Remembering Jiangnan".

As for the specific time of lyrics, there have been different theories.

Such as Bai Juyi's "Remembering Jiangnan".

"Three Songs of Remembering the South of the Yangtze River" is a composition of lyrics by the Tang Dynasty poet Bai Juyi. The first poem always writes about the memories of Jiangnan, choosing river flowers and spring water, lined with the background of sunrise and spring, which is very bright and beautiful, vividly depicting the good scene of spring in Jiangnan; The second poem depicts the beauty of Hangzhou, and verifies that "Jiangnan is good" through the picture of searching for laurel in the mountain temple and watching the tide in Qiantang, expressing the author's memory of Hangzhou; The third poem depicts the beauty of Suzhou, and the poet concisely outlines the charming customs of Suzhou with a beautiful poetic pen, expressing the author's memory and yearning for Suzhou.

Three songs of reminiscences of Jiangnan.

First, the south of the Yangtze River is good, and the scenery is old; The sunrise river flowers are red, and the spring river is as green as blue. Can you not remember Jiangnan?

Second, Jiangnan recalled, the most remembered is Hangzhou; Looking for Guizi in the middle of the month in the mountain temple, the county pavilion pillow looks at the tide. When will you visit again?

the third Jiangnan recall, followed by the memory of Wu Palace; Wu wine a glass of spring bamboo leaves, Wu Wa double dance drunk hibiscus. Sooner or later?

Translation 1. The scenery of Jiangnan is so beautiful, the scenery has been familiar for a long time. When spring comes, the sun rises over the river, illuminating the flowers on the riverside redder than fiery red, and the turquoise water is greener than the blue grass. How can people not miss Jiangnan?

Second, the memories of the south of the Yangtze River can evoke the most remembrance in Hangzhou: visit Tianzhu Temple to find the Guizi of the Mid-Autumn Festival, climb the county pavilion, lie on it, and enjoy the tide of the Qiantang River. When will I be able to play again?

Third, the memories of the south of the Yangtze River, and then the memories of the Wu Palace in Suzhou, drink the wine of the Wu Palace, spring bamboo leaves, and take a look at the singers of the Wu Palace, dancing like charming hibiscus. When will we meet again?

Hope it helps.

[sic].

First, the south of the Yangtze River is good, and the scenery is old. The sunrise river flowers are red, and the spring river is as green as blue. Can you not remember Jiangnan?

1. How beautiful the scenery of the south of the Yangtze River is, and the picturesque scenery has been familiar for a long time. When the sun rises over the river, the flowers on the riverside are redder than the fire, and when spring comes, the turquoise water resembles blue grass. How can people not miss Jiangnan?

Remembering Jiangnan is a poem rather than a poem, and its author is Bai Juyi in the Tang Dynasty, which focuses on describing Jiangnan through the sentence (the sunrise river flowers are red and the river is as green as blue in spring).

"Three Songs of Remembering Jiangnan" Bai Juyi.

The first poem always writes about the memories of Jiangnan, choosing river flowers and spring water, lined with the background of sunrise and spring, which is very bright and beautiful, vividly depicting the good scene of spring in Jiangnan;

The second poem depicts the beauty of Hangzhou, and verifies that "Jiangnan is good" through the picture of searching for laurel in the mountain temple and watching the tide in Qiantang, expressing the author's memory of Hangzhou;

The third poem depicts the beauty of Suzhou, and the poet concisely outlines the charming customs of Suzhou with a beautiful poetic pen, expressing the author's memory and yearning for Suzhou.

Three poems of Jiangnan words, Bai Juyi.

The south of the Yangtze River is good, and the scenery is old. The sunrise river flowers are red, and the spring river is as green as blue. Can you not remember Jiangnan?

Jiangnan recalls, the most remembered is Hangzhou; Looking for Guizi in the middle of the month in the mountain temple, the county pavilion pillow looks at the tide. When will you visit again?

Jiangnan recalls, followed by Wu Palace; Wu wine a glass of spring bamboo leaves, Wu Wa double dance drunk hibiscus. Sooner or later?

Remembering Jiangnan is not a poem.

"Remembering Jiangnan" is not a poem, it should be a word. Because remembering Jiangnan is the name of the word brand. The literary genre is a couplet.

That is, the couplet of words refers to a form of expanding the content of words in a juxtaposed way, simply put, two or more poems in a group of words to write the same related thing.