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The colors of spring are highlighted from the perspective of water and flowers.
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Thousands of miles of warblers cry green and red, and the water village mountain Guo wine flag wind.
There are 480 temples in the Southern Dynasty, and how many buildings are in the smoke and rain.
The first two sentences of the poem grasp the characteristics of spring in the south of the Yangtze River to describe the characteristics of spring in the south of the Yangtze River by grasping the seven scenes of yellow warblers, red flowers, green leaves, water towns, mountain cities, wine flags, and spring breezes.
"Jiangnan Spring" is a poem composed by the Tang Dynasty poet Du Mu. The poem not only depicts the bright spring light in the south of the Yangtze River, but also reproduces the misty and rainy scenery of the buildings in the south of the Yangtze River, making the scenery of the south of the Yangtze River more magical and mysterious, which has a special interest.
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The writing scene of the last two sentences of Jiangnan Spring is integrated with the emotion of (the vicissitudes of history), and the author's thoughts and feelings (borrowing the past to hurt the present) are incorporated.
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In fact, the interpretation of poetry should first start from the artistic image, and should not make abstract inferences. Du Mu's opposition to Buddhism does not mean that he must hate the Buddhist temple buildings left over from history. He was in Xuanzhou and often went to Kaiyuan Temple and other places to play.
I also went to some temples in Chizhou and made friends with monks. Famous poems, such as "Jiuhua Mountain Road Yunsha Temple, Qingyi River Willow Bridge", "Autumn Mountain Spring Rain Idle Place, Leaning on the Jiangnan Temple Temple", all show that he still admires the Buddhist temple tower. Of course, while appreciating, it is also possible to occasionally float a little bit of historical emotion.
This poem shows the poet's praise and fascination for the scenery in the south of the Yangtze River. However, some researchers have put forward the "irony theory", believing that the emperor of the Southern Dynasty was famous for his Buddha in Chinese history, and that Buddhism in Du Mu's time was also a malignant development, and Du Mu had anti-Buddhist thoughts, so the last two sentences are ironic.
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I don't really know that.
Now it's just speculation.
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"There are more than 500 Buddhist temples in the capital". Here it is said that 480 temples are imaginary numbers. 4. Appreciation This "Jiangnan Spring" has been famous for thousands of years. The four poems not only write the richness and colorfulness of the spring scenery in the south of the Yangtze River, but also write its breadth and profundity.
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"Jiangnan Spring" expresses the poet's thoughts and feelings (borrowing from the past to hurt the present).
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"Jiangnan Spring": Thousands of miles of warblers cry green and red, and the water city mountain Guo wine flag wind. There are 480 temples in the Southern Dynasty, and how many buildings are in the smoke and rain.
From a macro perspective, it splashes a colorful picture of Jiangnan Spring. A picture scroll that integrates nature and society. Feeling the vast sea of people. The confusion of all beings. (I reserve doubts about the traditional interpretation of the last two lines of the poem.) )
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Jiang Nanchun depicts the bright and lovely spring in the south of the Yangtze River, and at the same time laments the fall of the Southern Dynasty, revealing the sense of rise and fall, and conveying irony.
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Depiction: It depicts the richness and colorfulness of the spring scenery in the south of the Yangtze River, and also writes about its vastness, depth and mystery.
Emotion: There is more than one Buddhist temple with magnificent architecture.
Original text: Thousands of miles of warblers cry green and red, and the water village mountain Guo wine flag wind. There are 480 temples in the Southern Dynasty, and how many buildings are in the smoke and rain.
Translation: The sound of birds in the south of the Yangtze River is reflected in the green grass and red flowers, and the wine flags flutter everywhere in the foothills of the waterside villages. There are more than 480 ancient temples left over from the Southern Dynasty, and countless buildings are all shrouded in wind and smoke.
Source: "Jiangnan Spring".
About author:Du Mu (803 A.D., c. 852), the name Muzhi, the name Fan Chuan Jushi, Han nationality, Jingzhao Wannian (now Xi'an, Shaanxi), poet of the Tang Dynasty. Du Shepherd is called "Little Du" to distinguish it from Du Fu. and Li Shangyin are also known as "Little Li Du".
Because he lived in the villa of Fan Chuan in the south of Chang'an in his later years, he was called "Du Fan Chuan" in later generations, and he wrote "Fan Chuan Anthology".
Appreciation: This is a well-known poem about the scene. A small space, but a broad picture. It does not take a specific place as the object, but focuses on the unique scenery of the whole Jiangnan, so it is entitled "Jiangnan Spring".
The first sentence "A thousand miles of warblers cry green and red", at the beginning, shows the natural scenery of the south of the Yangtze River. "Qianli" is a summary of the vast Jiangnan. It is full of warblers, and the endless green leaves reflect the bright red flowers.
This kind of sound and vibrant scenery is naturally unique to Jiangnan. The second sentence "Shuicun Mountain Guo Wine Flag Wind" writes the unique topography of the south of the Yangtze River, there are villages near the water, there are cities in the mountains, and in the spring breeze, the wine flag is gently waving. What a beautiful Jiangnan this is!
One or two sentences are written about sunny scenes, and three or four sentences are written about rainy scenes. There are 480 temples in the Southern Dynasty, and how many buildings are in the smoke and rain. "In the light rain of spring, there is a different scenery.
In the beautiful places of mountains and rivers, there are hundreds of Buddhist temples left over from the Southern Dynasty. These splendid Buddhist temples with heavy houses are shrouded in misty smoke and rain, looming, and seem to be nothing, adding a hazy and misty color to the spring in the south of the Yangtze River. "Four hundred and eighty" is an imaginary number, not a real reference, highlighting the number of Buddhist temples, satirizing the emperor's dependence on Buddhism.
It should refer to the Wukong Temple existing in Qingyang Town, Jiangyin.
The whole poem outlines the scenery of the Jiangnan region with a highly generalized brushwork, and depicts the bright and misty spring scenery in the south of the Yangtze River. The colors are vivid and the mood is timeless. A seven-word quatrain can show such a broad picture, which can really be described as "a thousand miles in size".
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What kind of exclamation did Nanchuan reveal at the same time?
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480 temples in the Southern Dynasty, how many buildings are in the 480 temples of the Southern Dynasty, how many buildings are in the smoke and rain? In the smoke and rain.
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These two sentences describe the lyricist's exhortations and wishes to his departing friends when he bids farewell to his friends, and express his sincere wishes to his friends and the poet's beautiful feelings.
From: Northern Song Dynasty Wang Guan "Fortune Operator: Send Bao Haoran to Eastern Zhejiang".
Translation: If you arrive in your hometown in Jiangnan just in time for spring, you must live with it and enjoy the beautiful spring.
Full word: water is the eye wave, and the mountain is the eyebrow peak. Want pedestrians to go over there? Eyebrows and eyes. Only then did he send the spring back, and then sent the king back. If you go to Jiangnan to catch the spring, you must live with the spring.
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