What should I do if I am too stunned to draw a sketch head, why can t I draw a sketch head?

Find out the truth and the virtual, and the type should be accurate. Don't get too stuck in everything. Combined with a few upstairs. It is important to communicate with the teacher, because after all, he can give you the most standard review of your paintings.

.When painting, pay attention to the characteristics of the model, do not have a single line, draw changes, and distinguish the drawing method of each part.

Grasp the expression of the model's facial features, especially the portrayal of the eyes, and the gaze of the two eyes should be consistent. In this way, the person who draws can be more energetic and not rigid.

Copy more and sharpen the pen a little bit. Or take the road of the bold school to practice. The most important thing is in the short term, such as copying a hundred or so sheets a month.

I think painting is about inspiration, and more sketching can improve it.

Painting is about seeing, thinking, practicing, and being patient.

Copy more and pay attention to the contrast between black and white .

EyesThe eyes of the avatar can express a person's temperament.

First of all, is your paper a sketch paper? It is completely impossible to draw rich tonal relationships on such thin paper.

The second point: the proportions of the head are indeed problematic, and the nose, mouth and face are all drawn smaller.

The third point: the structure of the eyes is not well understood, the eyelids and upper eyelids are not clearly explained, especially the eyelashes - this kind of drawing will indeed look like a caricature. The eye is a sphere, and the volume is not drawn at all.

The white of the eye is not really meant to be white, it is in the turning part, and it is necessary to turn it into the eye socket.

The fourth point: the nose and mouth are okay to understand alone, and the combination of surrounding muscles needs to be strengthened, the muscles around the nose and the muscles around the mouth. Let's take a look at the peeling man I drew earlier.

Point 5: The lines are too broken, correct the bad habits.

If you don't understand, ask again.

There is a problem with the proportions of the facial features. If the landlord has read the sketch book, he will know that any book is divided into proportions for the facial features of normal people according to the three courts and five eyes, and the width and length of the facial features have a specific fixed frame, if it does not meet a certain proportion, the face will be deformed. The landlord's problem is that his eyes are too big, don't you think anime characters usually have big eyes?

There is a problem with the proportions of the characters, and the eyes are too big for the classmates.

Probably the light and shadow put me not too good, I don't understand - -

The result of the foundation is not solid.

At first, in sketching, you draw geometry, which is to exercise your contrast between objects, structures, proportions, objects and pictures.

Then there is the plaster cast, which emphasizes the basic skills of structure, shadow, and form.

It is a long process to draw the structure well and then practice the shadow sketch. When it's all solid, you're going to the park to capture the characters and practice sketching. Because there is still a difference between sketching and sketching, sketching - rather square than round, sketching, is fluid.

Finally, you go back to the tone sketch of the character, and you don't have to draw it anymore, or it doesn't look like it. If you have time to ask questions, it is better to practice more and consolidate the basic skills, and it is useless to talk on paper.

It mainly depends on how you use the lines in the process of drawing, and if you want to make the sketch head come to life, you must first find the right proportions (accuracy); Furthermore, the relationship between black, white and gray is handled properly (the relationship between light and shadow, especially the transition area); In addition, when depicting details, the direction of the lines should be rational (following the direction of the muscles) and delicate.

It is difficult for novices to grasp the expression and subtle characteristics of the facial expressions of the characters with empty imagination, and they should pay more attention to their eyes and mouths There is also the need to be flexible and bold to make some changes to their own personality, not as rigid as copying a book Drawing If you think it is good, you will slowly improve, and the effect will be different

Because you haven't handled some small details well, you have to focus on and portray people's facial features, and you have to portray specific and vivid and three-dimensional! It is necessary to draw a special ...... of people's mental activitiesDeal with some of the overall relationships! Don't deliberately draw for the sake of drawing!!

Drawing lines is to be alive, both virtual and real, and the eyes are also very important, find the position and characteristics of the bones and muscles of the face and body, and depict them carefully.

I haven't practiced the basic skills well, I haven't observed objects carefully enough, and I still need to think more with my brain.

Practice sketching for half an hour or so, and observe people of different ages and personalities, like a teenage girl, and then you're drawing an 80-year-old grandmother.

Observe more, draw carefully, and one day you will be alive.

The main thing is to draw too little and understand more.

<> "To draw the structure of the head when drawing the basic shape, pay attention to the shape of the head structure when shaping, such as the three-dimensional level of the upper eyelid with light and shade, pay attention to the shape of the sphere of the eyeball, the performance of the nose bridge and the wings of the nose, etc., draw the shape accurately, explain the boundary between light and dark clearly, pay attention to the relationship between the part and the whole, so that the drawn head will not be flat, and the three-dimensional sense will be very strong.

This little junior brother or little junior sister:

In the process of introductory sketch teaching, at the beginning, novices learn the local objects of the nose and eyes, in order to train the basic depiction ability of novices. Learn the basic methods of depicting objects. Or we understand that it is your initial ability to in-depth characterize.

However, compared with the human head or even the human body, the depiction of the nose and eyes is obviously not so large in space, and it is easier. Generally speaking, for the three-hour sketch exam, the treatment of the overall spatial relationship is far more important than the portrayal of the nose and eyes. Grasping the big relationship is also very beneficial to the shaping of the details later.

At this time, what you need to train is to grasp the overall relationship.

Of course, after you can understand and grasp the method of shaping objects, you need to train your ability to depict deeply, that is, you have to draw the nose and eyes again, and you must draw them well. By this time, you are no longer depicting the object in the form of imitation, but recreating the object by your own method of shaping it. And the whole avatar must be under your control.

The facial structure book upstairs can help you understand the facial structure of the head and shape objects through the structure. Draw more and draw more, and the experience will come naturally!

The theory is so, but sketching is the most important thing to pay attention to, and it is necessary to cultivate the overall sense of block! Whether the facial features are good or not is a matter of the post-painting stage, first of all, it is necessary to make the head look blocky and strong, it is recommended to look at the human facial structure map, which is of great help to draw the human head!

Structure is the most important. Then there are the lines. Proportion.

1。Positioning. 2。Large silhouette.

Avatar (only head and neck, no base).

Generally, the dividing line between the head and neck is drawn first.

Draw the head again. Set the line of your eyes, nose, and mouth

1 to 2 from the top of the head to the chin is the line that penetrates the glasses.

This line to the chin 1 2 is the bottom line of the nose (that is, the nose is drawn to this line, do not go down), and the line from the nose to the chin 1 2 is the line through the mouth.

The above is the position of the basic facial features of a person, which may be different for each person, but it is generally the same.

3。Small outlines.

That is, to depict the details, and the specific painting is good.

Generally, the hair is briefly outlined, because the overall view of the head is mainly the face.

4。Weigh the light and shade (you won't write "weigh", you will just look at it).

It's about drawing chiaroscuro.

Tip: Draw large outlines with long straight lines.

Small contours with short straight lines.

Learn to generalize, first draw the complex into a simple basic shape (such as: rectangle, etc.), in fact, read more books, and slowly you will be.