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Lang Taosha is Liu Yuxi.
Write a poem with the name of the word plate.
Original text of the work. <>
Nine songs of waves and sand.
Nine songs of waves and sand.
Nine songs of waves and sand.
One. Nine curves of the Yellow River are thousands of miles of sand, and the waves are blowing from the end of the world.
Now go straight to the Milky Way and go to the home of the morning glory weaver girl.
Second. Luoshui.
The bridge is slanted in spring, and the blue stream is light and shallow.
The wind was raging for no reason, startling the mandarin ducks to make waves.
Third. Bianshui flows eastward tiger's eye text, and the duck's head spring is clear and clear.
Look at the sand at the ferry, how many people are in the world.
Fourth. The head of Parrot Island is sand and the green building is looking at the sun in spring.
The mud swallows fight to return home, and the crazy husband alone does not remember home. [1]
Fifth. Flowers on both sides of the Jinjiang River, the spring breeze is blowing the waves.
The girl cuts the mandarin duck brocade and will be in the middle of the sunset.
Sixth. The sunshine Chengzhou River fog opens, and the gold rush women are full of Jiangkuma.
The beauty jewelry Hou Wang seal is all from the bottom of the waves. [2]
Seventh. The roar of the waves in August came, and the head was several feet high and touched the mountain.
But he went into the gate of the sea, and rolled up the sand like a snowdrift.
Eighth. Mo Dao's slander is like a deep wave, Mo Yan.
Migration is like a sand sink.
Although it is hard to find thousands of waters, the sand is blown away and the gold is reached. [3]
The ninth. The flowing water and sand are not suspended, and the front wave is not extinguished.
It makes people suddenly recall Xiaoxiangzhu, and sing back to welcome the gods.
Background of creation. This group of poems should be Liu Yuxi's later works, and they were not created at one time and one place. According to the Yellow River, Luoshui, Bianshui, Qinghuai, Parrot Island, Maojin River, etc., or for the works of Kuizhou, Hezhou, Luoyang and other places, they were later compiled into a group. and "Bamboo Branch Words".
In contrast, the folk songs in this group of poems are less emotional, and the literati atmosphere is more.
Appreciation of works. Lang Taosha's nine poems "Selected Tang Poems Will Comment on the Forest".
Yang Shen. Listed as a wonderful product. Ao Ying said: I dreamed of "Waves and Sands".
A few songs, the only one. Li Mengyang said: Favors are only in words.
Lu Shiyong said: Things love people, and the best environment is natural. Tang Ruxun said:
Only "self-forgetfulness" means. At the end of Xue Weihan's "Song of Resentment", Yu Xi changed "want" to "independence", which is not lively. However, compared with the third sentence, it is Xue who is shallow.
Deletion of Tang Poetry Interpretation":
Tang Ru asked: The woman looks at her husband by the water, and rises with the waves and sand; If the sun is oblique but not coming, it is not as affectionate as Feiyan.
Tang Poetry Direct Interpretation":
The touch scene is affectionate, the hatred is difficult to write, and the human affection is only verbal.
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Lang Taosha is the name of a poem written by Liu Yuxi, this sentence is not right, it should be modified like this:
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"Waves and Sands" is a poem written by Liu Yuxi in the Tang Dynasty, which is true, but it was not the name of the word brand at that time, and the title of the word was "Nine Songs of the Yellow River."
Nine curves of the Yellow River are thousands of miles of sand, and the waves are blowing from the end of the world.
Now go straight to the Milky Way and go to the home of the morning glory weaver girl.
Wave of sand", was originally the name of the Tang Dynasty Jiaofang, in the Tang Dynasty Liu Yuxi, Bai Juyi according to the minor key "Lang Tao Sha" singing and the first Yuefu song lyrics "Lang Tao Sha", for the seven-word quatrain, later gradually evolved into the name of the word brand, how many literati in the past dynasties to "Lang Tao Sha" as the word card to write the words have been as vast as the stars, countless.
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It's like this: Lang Tao Sand is the name of the word brand.
"Nine Songs of Waves and Sands" is a group of poems by the Tang Dynasty writer Liu Yuxi. The first poem interprets myths and legends, the second poem uses symbolism to express the hardships of love, the third poem writes about the principles of the flow of world affairs, the fourth poem writes about the feelings of wanderers, the fifth poem depicts the customs of Jinjiang, and the sixth poem reveals that the work and enjoyment are not these folk songs, which are not only easy to understand, but also very pure, without flashy words. A total of nine works.
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The content of all ten poems in Liu Yuxi's "Waves and Sands" is:1. The Yellow River is thousands of miles of sand, and the waves are blowing from the end of the world. Now go straight to the Milky Way and go to the home of the morning glory weaver girl.
2. The spring slope by the Luoshui Bridge is slanted, and the blue stream is shallow to see the Qiongsha. The wind was fierce for no reason, startling the mandarin ducks to make waves.
3. Bianshui eastward flow tiger eye pattern, clear Huai dawn duck head spring. Look at the sand at the ferry, how many people are in the world.
4. The head of Parrot Island is sand and the green building will be oblique in spring. The mud swallows fight to return home, and the crazy husband alone does not remember home.
5. Flowers on both sides of the Jinjiang River, the spring breeze is blowing the waves. The girl cuts the mandarin duck brocade and will be in the middle of the sunset.
6. The sunshine of Chengzhou River is open, and the gold rush girl is full of Jiangkuma. The beauty jewelry Hou Wang seal is all from the bottom of the waves.
7. The waves roared in August, and the head was several feet high and touched the mountain. But he went into the gate of the sea, and rolled up the sand like a snowdrift.
8, Mo Dao's slander is like a deep wave, and Mo Yan's relocation is like a sinking sand. Although it is hard to find thousands of waters, the sand is blown away and the gold is reached.
9. The flowing water and sand are not suspended, and the waves are born after the waves are not extinguished. It makes people suddenly recall Xiaoxiangzhu, and sing back to welcome the gods.
10. The sunshine of the Chengzhou River is open, and the gold rush girl is full of Jiangkuma. The beauty jewelry Hou Wang seal is all from the bottom of the waves.
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One of the waves and sands can best reflect Liu Yuxi's emotions:
Surfing the sand (Part 1).
Tang Dynasty: Liu Yuxi.
Nine curves of the Yellow River are thousands of miles of sand, and the waves are blowing from the end of the world.
Now go straight to the Milky Way and go to the home of the morning glory weaver girl.
Creative background: In the first year of Yongzhen, Liu Yuxi was demoted to take the history of Lianzhou assassination, traveled to Jiangling, and then degraded Sima Langzhou. After returning to Beijing after being edicted, he was demoted to the history of the state assassination because of the anger of the powerful people of the dynasty because of the "You Xuandu View", and then successively served as the history of the state assassin.
He did not sink, but faced the changes of the world with a positive and optimistic attitude. This poem expresses this sentiment of his, and the exact time of its creation is unknown.
The poem is easy to understand and is commonly used in children's books. Liu Yuxi often writes poems with lyrical words, and Niu Chao Lang and Weaver Girl are the names of the stars in the sky, which are similar to the positions in the court that are high above and far away from him. Liu Yuxi originally served in a high position, and was degraded and delegated to unfair treatment due to slander, but the poet's social ideal of benefiting the common people will never change.
Liu Yuxi is eager to return to a position where he can give full play to his talents, and he has made some achievements, even if the evil waves are frequent, he will not change his original intention of joining the WTO. It can be seen from this that the poet's indomitable and enterprising spirit is so admirable!
This poem expresses the poet's romantic feelings with exaggeration and other writing techniques, and the momentum rises and falls, giving people a majestic and majestic beauty, and if you are not careful, you will fall behind the poet's train of thought.
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In "Waves and Sands", the poet writes about the laborers at the bottom of the society in Kuizhou on the one hand, and the upper echelons of society on the other hand who are not directly involved in the laborers. He cared about the people who worked hard but did not have a dominant position in society, and at the same time he was critical and sarcastic about the elite. The description of the Qiantang River may have been created by the poet based on the scenes in his memories.
This is one of Liu Yuxi's methods of composing poetry, he often according to the other party's narrative, his heart is moved, and the poem is written on paper. Gold and talents will not be buried forever, because the world is changing and developing.
The materialistic nature of the poem or human thought can be seen here. Liu Yuxi lives by a spirit, and his poems have strength because of it. The scene in the poem is dynamic, as if to dispel the depression in the heart.
Even when it comes to lamentation, the rhythm is not lifeless, but passionate and generous.
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"Waves and Sands" was used as a folk song tune in the early days, and it was developed into a lyric after the Song Dynasty.
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The original text of nine songs of Lang Taosha.
Creation year: Middle Tang Dynasty, work source: "All Tang Dynasty Poems".
Literary Genre: Seven Quatrains, Author: Liu Yuxi.
Nine waves of noisy hands and sand.
One. Nine curves of the Yellow River are thousands of miles of sand, and the waves are blowing from the end of the world.
Now go straight to the Milky Way and go to the home of the morning glory weaver girl.
Second. The spring slope on the side of the Luoshui Bridge, the blue stream is clear and shallow, and the agar sand is seen.
The wind was raging for no reason, startling the mandarin ducks to make waves.
Third. Bianshui flows eastward tiger's eye text, and the duck's head spring is clear and clear.
Look at the sand at the ferry, how many people are in the world.
Fourth. The head of Parrot Island is sand and the green building is looking at the sun in spring.
The mud swallows fight to return home, and the crazy husband alone does not remember home.
Fifth. Flowers on both sides of the Jinjiang River, the spring breeze is blowing the waves.
The girl cuts the mandarin duck brocade and will be in the middle of the sunset.
Sixth. The sun shines with the seeping Chengzhou River fog opens, and the gold rush women are full of Jiangkuma.
The beauty jewelry Hou Wang seal is all from the bottom of the waves.
Seventh. The roar of the waves in August came, and the head was several feet high and touched the mountain.
But he went into the gate of the sea, and rolled up a pile of sand like a snowdrift.
Eighth. Mo Dao's slander is like a deep wave, and Mo Yan's relocation is like a sinking sand.
Although it is hard to find thousands of waters, the sand is blown away and the gold is reached.
The ninth. The flowing water and sand are not suspended, and the front wave is not extinguished.
It makes people suddenly recall Xiaoxiangzhu, and sing back to welcome the gods.
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One of the meanings of the waves and sand: the bend of the Yellow River carries the mud and sand, and the waves roll like a huge wind from the end of the world. Today, we can follow the Yellow River path to the Milky Way, and we will visit the home of the Cowherd and Weaver Girl together.
Surfing the sand. Nine curves of the Yellow River are thousands of miles of sand, and the waves are blowing from the end of the world.
Now go straight to the Milky Way and go to the home of the morning glory weaver girl.
Translation. The Yellow River bends and twists with sediment, and the waves roll like a huge wind from the end of the world. Today, we can follow the Yellow River path to the Milky Way, and we will visit the home of the Cowherd and Weaver Girl together.
About the Author: Liu Yuxi (772 842) was a literary and philosopher of the Tang Dynasty. The word Mengde, a native of Luoyang (now Henan), said that he was hail and Zhongshan (now Dingxian County, Hebei).
Holding the rent of Zhenyuan (Tang Dezong year, 785 805 AD) was promoted to the rank of Shidi, and he was erudite and learned the macro resignation. Granted the Inspector of Imperial History. He once participated in the Wang Shuwen group, opposed the eunuchs and the separatist forces of the feudal towns, was demoted to Sima of Langzhou, and moved to Lianzhou to assassinate the history.
Later, he was strongly recommended by Pei Du, appointed as the prince's guest, and inspected the school etiquette department. Known as Liu Guest. His poems are popular and fresh, and he makes good use of metaphors to convey political content.
Bamboo Branch Words", "Willow Branch Words" and "Plugging Field Songs" and other group poems, rich in folk song characteristics, are unique works in Tang poetry. There is "Liu Mengde's Anthology".
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