Similarities and differences between the Song Dynasty and modern Gongbi flower and bird painting 10

You go to the library and look for it.

By the way, we are Beijing Juxian Pavilion Painting and Calligraphy Institute. You can find us in one click. You can also hi me directly.

Support door-to-door selection of calligraphy and painting. Chinese painting gifts have been a good gift for business people, relatives and friends. The ordinary calligraphy and painting framed in our painting institute start from 20 yuan.

You can decorate it directly or give it as a gift. Such as landscapes, peonies. plum blossoms, calligraphy, etc.

Famous calligraphy and painting works start from 200 yuan. Chinese painting can cultivate sentiment, purify the soul, beautify the eyes, and wish you a happy life.

Gongbi flower and bird painting is a Chinese flower and bird painting.

It can be divided into white drawing, light color and heavy color. Meticulous.

It is generally painted with fine brushstrokes, which looks delicate and vivid. Judging from the name of Gongbi painting, it is a neat and meticulous depiction of objects in nature. From white drawing to heavy color, it refers to the use of brush and ink to determine the image of an object.

Freehand flower and bird painting is the other side of Chinese flower and bird painting, which mainly focuses on writing the intention first, emphasizing the form rather than sticking to the form. By using a wide and concise brush and ink to draw the shape and charm of the object, the painter's feelings and artistic conception can be expressed. Compared with Gongbi painting, freehand flower and bird painting pays more attention to the description of artistic conception, and is divided into large freehand flower and bird painting and small freehand flower and bird painting according to the size of the artistic conception.

Painting itself is the embodiment of the painter's aesthetic views and life perceptions, just like the texture of a wooden board, even if you peel off countless layers, the texture of which layer is the same, whether it is the depth of "force through the back of the paper, people and wood", or the indifference of "silky and soft, continuous", we need to realize that, first of all, the different brushes used in painting are different in the texture of things depicted. The difference in the accuracy of modeling and the ability to process lines is the fundamental difference between gongbi painting and freehand. Different pens lead to different results.

Just freehand painting. It is required to use the pen flexibly according to the different textures, textures, and textures of things. <>

The first is the historical reason of Gongbi flower and bird painting and freehand flower and bird painting, which makes the painting show different emotional meanings. Whether it is a painting of flowers and birds or a freehand painting of flowers and birds, they all represent flowers, trees, animals, insects, ants, fish and shrimps. The ancient paintings made by human beings with stones, mud and bone fragments on the stone walls are the dimensions of freehand flower and bird paintings from the point of view of the lines.

With the development of history, flower and bird painting developed to the Tang Dynasty, becoming the lace and foil of figure painting, and it was a period when gongbi painting techniques prevailed. In the Song Dynasty, freehand flower and bird painting developed. To this day, Gongbi flower and bird painting and freehand flower and bird painting are divided into categories, and the two branches contend.

Second, the linguistic development trend of Gongbi flower and bird painting and freehand flower and bird painting is different, which makes the profound artistic conception expressed in the painting also different. Gongbi flower and bird paintings can be roughly divided into boneless light colors and double-hooked heavy colors, and most of these characteristics are <>

So far, the performance characteristics of the surface of flowers and birds are different, and Gongbi flower and bird painting is a kind of electrical pen with small meaning, smooth lines and random changes; Freehand flower and bird painting is to write without hesitation, confidently, in one go. First, the integration of traditional concepts and realistic ideas makes the difference between Gongbi flower and bird painting and freehand flower and bird painting bigger and bigger. Freehand flower and bird painting is a product of the development and derivation of classical aesthetics and philosophy.

Since putting forward the theory of "feeling objects", he has advocated that "the master of the long skills, the source of the heart" has different feelings about external objects, and the expression situation of painting will not be the same. Second, the integration of freehand concept and modern techniques makes the difference between Gongbi flower and bird painting and freehand flower and bird painting bigger and bigger.

The main differences between these two painting methods are the difference between the method of brushing, the difference between the blank method, the difference between the detail rendering method, the difference between the pen point, the difference between the overall painting style and the difference in the effect. Therefore, I think that the painting method of flower and bird painting is very much necessary to be studied, both painting methods have their own advantages, and they can also present different effects, I prefer the painting drawn by the former.

The techniques are different, the composition is different, the pigments needed are also different, the feeling of the picture is different, and the interest is completely different.

The difference is huge. First of all, the emphasis is different, the pen used is different, the amount of ink used is different, the painting skills are different, and the color matching is different.

Summary. Hello, I am honored to answer your questions, your questions are: The similarities between the Northern Song Dynasty Gongbi flower and bird painting and the Ming Dynasty flower and bird painting The answer is: due to the difference in depiction methods, it has become the three major systems of flower and bird painting in the Ming Dynasty.

Hello, I am honored to answer your questions, your questions are: The similarities between the Northern Song Dynasty Gongbi flower and bird painting and the Ming Dynasty The answer is: because of the difference in depicting the square shirt method, it has become the three major systems of the Ming Dynasty's pure cavity flower and bird painting.

Flower and bird painting is a kind of Chinese painting, which depicts flowers, birds, insects and other plant leaks and animals. In Chinese painting, any painting that depicts flowers, flowers, birds, fish and insects is called flower and bird painting. There are three kinds of painting methods in the painting of the flower fighting and laughing birds: "Gongbi", "Freehand", and "Part-time Writing".

One is the secularization of the participants in flower and bird painting.

Due to the development of social productive forces. People are no longer satisfied with the heavy work of agriculture, people are widely involved in the increasingly prosperous cultural market, and people from all walks of life are interested in painting and participating in market transactions because of personal interest or other reasons. For example, in the capital city of Bianliang, the Great Xiangguo Temple and the palace have opened up the calligraphy and painting market

In Lin'an, there are shops that sell door gods, signs of the god of wealth, and fan paintings, and the fan surface is painted with patterns of papaya, sunflowers, and other people's life themes. There are also patterns that express different seasons and seasons. It can be seen that the creator of the painting is no longer just a court painter.

Commoners and other groups also joined in the creation of paintings, and the identities of the participants in the paintings became secularized.

The second is the secularization of the painting object.

Due to the different ideas and experiences of the painters. There are different aesthetic tastes and stylistic preferences for painting. Flower and bird paintings mainly express flowers, birds, fish, insects, etc. in nature, which is reflected in the fresh and elegant style.

For example, the cute apes in Yi Yuanji's "Gathering Ape Picture", the frightened magpie and the nervous hare in Cui Bai's "Double Happiness Picture", and the images of chickens, geese, and sheep in the works of Li Di, Liu Songnian, and Chen Juzhong.

The objects of the painting have been transformed from the rare birds and beasts such as the golden pheasant, starling, white eagle, and crane that were loved by the royal family in the court, and thus transformed into the life images of what they saw and heard in the production and life of the peasants in the market. The flower and bird paintings have the characteristics of civilianization and secularization.

Artistic characteristics of secularized flower and bird paintings in the Song Dynasty:

1. The depicted object selects natural scenes, repaints life, and still rationalizes the law. For example, the Song Dynasty painter Cui Bai's "Double Happiness Picture" depicts the autumn and winter seasons. The question between a hare and two magpies in the wilderness is quite interesting: two magpies are perched on a tree and chirping.

2. Depict scenes of life. The works of flower and bird painters in the Song Dynasty mainly reflect the characteristics of social life, such as Chen Juzhong's "Four Sheep Picture". This is a vivid and very lively animal painting.

In a very small format, the painter chooses a small scene from daily life. On the outskirts of the village there are five sheep on the hillside: one in the foreground is licking the food, and two small white goats are playing.

One of the lambs slammed into the other with his head down. Another old sheep with heavier coat at the bottom of the slope saw this situation and was about to come and stop them. There was also a goat standing on the hillside, silently watching what happened to the four sheep below.

Artistic characteristics: The Song Dynasty court flower and bird painters attached great importance to the observation and study of the images of animals and plants, and their flowers, fruits, plants and trees were vivid and realistic, reasonable and meticulous. Its performance is fine and beautiful, the color is thick and elegant, and the shape is careful and dignified, reflecting the aesthetic characteristics of the court nobles of the Song Dynasty.

Achievements: Flower and bird painting is an important category of painting in the Song Dynasty court painting academy, which greatly surpasses the Tang Dynasty in art. The Song Dynasty was a period of unprecedented development and great achievements in ancient flower and bird painting, and the decoration of the walls in the court was gorgeous, which was an important position in the aristocratic art. The needs of the Zhongshan class in society and the craft decoration of the book also promoted the development and activity of flower and bird painting.

A large number of highly skilled masters have emerged, and there are more than 100 people recorded in the literature alone, such as Huang Juhuan Zhao Chang, Yi Yuanji, Cui Bai, Wu Yuanyu of the Northern Song Dynasty, Li Anzhong, Lin Chun, Li Di, Mao Song, Mao Yi, etc., who have their own unique expertise in art.

Summary. From the end of the Five Dynasties to the beginning of the Northern Song Dynasty, Gongbi flower and bird painting began to mature, and the relationship between language and picture in painting also changed. Before the Northern Song Dynasty, painting paid more attention to the spread and propaganda of religion, and after the rise of literati painting and court flower and bird painting in the Northern Song Dynasty, painting creation shifted from the narrative level to the sketching level, and literati painting with poetry intervening in painting and freehand painting with narrative themes gradually emerged.

Ruling the world with literature was the national policy of the Song Dynasty, and this national policy greatly promoted the development of Song Dynasty culture. With the transformation and prosperity of this culture, new ideas and new fields of painting aesthetics in the Song Dynasty were created and flourished.

From the end of the Five Dynasties to the beginning of the Northern Song Dynasty, Gongbi flower and bird painting began to mature, and the relationship between language and picture in painting also changed. After the rise of literati painting and court flower and bird painting in the Northern Song Dynasty, painting creation shifted from the narrative level to the sketching level, and the literati painting in which poetry intervened in the painting and the freehand painting in which the narrative theme was simple and punched gradually emerged. Governing the world with culture was the national policy of the Song Dynasty, and this national policy greatly promoted the development of Song Dynasty culture.

With the transformation and prosperity of this culture, the new ideas and fields of painting in the Song Dynasty have been created and prospered.

The flower and bird paintings of the Northern Song Dynasty formed two major schools of Xingzhi represented by Huang Zhen and Xu Xi. The yellow school is heavy on shape and color, and the technique is expressed by outlining and dyeing; The Xu School, on the other hand, created the expression of the ink method and emphasized the expression of the meaning of the work. The Xu and Huang schools also gradually formed the two major styles of Chinese flower and bird painting: freehand and gongbi.

Huang Zhen and Xu Xi are figures from the Five Dynasties period, not from the Song Dynasty.

Dear, it's from the Song Dynasty.